Panasonic GF6 vs FZ2000
The Panasonic Lumix DMC-GF6 and the Panasonic Lumix DMC-FZ2000 (labelled Panasonic FZ2500 in some countries) are two digital cameras that were announced, respectively, in April 2013 and September 2016. The GF6 is a mirrorless interchangeable lens camera, while the FZ2000 is a fixed lens compact. The cameras are based on a Four Thirds (GF6) and an one-inch (FZ2000) sensor. The GF6 has a resolution of 15.8 megapixels, whereas the FZ2000 provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF6 and the Panasonic Lumix DMC-FZ2000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Panasonic GF6 and the Panasonic FZ2000. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The GF6 can be obtained in four different colors (black, brown, red, white), while the FZ2000 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2000 is considerably larger (95 percent) than the Panasonic GF6. In this context, it is worth noting that neither the GF6 nor the FZ2000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2000 has a lens built in, whereas the GF6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF6 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the GF6 gets 340 shots out of its Panasonic DMW-BLG10 battery, while the FZ2000 can take 350 images on a single charge of its Panasonic DMW-BLC12 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | 499 | ebay.com | |
2. | Panasonic FZ2000 | 138 mm | 102 mm | 135 mm | 915 g | 350 | n | Sep 2016 | 1,199 | amazon.com | |
3. | Fujifilm X100F | 127 mm | 75 mm | 52 mm | 469 g | 390 | n | Jan 2017 | 1,299 | ebay.com | |
4. | Panasonic GX850 | 107 mm | 65 mm | 33 mm | 269 g | 210 | n | Jan 2017 | 549 | ebay.com | |
5. | Panasonic GF7 | 107 mm | 65 mm | 33 mm | 266 g | 230 | n | Jan 2015 | 499 | ebay.com | |
6. | Panasonic FZ1000 | 137 mm | 99 mm | 131 mm | 831 g | 360 | n | Jun 2014 | 899 | ebay.com | |
7. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
8. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
9. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
10. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
11. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
12. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
13. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | 549 | ebay.com | |
14. | Panasonic G1 | 124 mm | 84 mm | 45 mm | 360 g | 410 | n | Sep 2008 | 599 | ebay.com | |
15. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | 999 | ebay.com | |
16. | Sony RX10 II | 129 mm | 88 mm | 102 mm | 813 g | 400 | Y | Jun 2015 | 1,299 | ebay.com | |
17. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GF6 features a Four Thirds sensor and the Panasonic FZ2000 an one-inch sensor. The sensor area in the FZ2000 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the GF6 has a native 4:3 aspect ratio, while the one in the FZ2000 offers a 3:2 aspect.
Despite having a smaller sensor, the FZ2000 offers a higher resolution of 20 megapixels, compared with 15.8 MP of the GF6. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.77μm for the GF6). However, it should be noted that the FZ2000 is much more recent (by 3 years and 5 months) than the GF6, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FZ2000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2000 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic GF6 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DMC-GF6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2000 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the GF6 is build around a CMOS sensor, while the FZ2000 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the FZ2000 offers substantially better image quality than the GF6 (overall score 16 points higher). The advantage is based on 2.3 bits higher color depth, 2 EV in additional dynamic range, and 0.2 stops of reduced low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
2. | Panasonic FZ2000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 538 | 70 | |
3. | Fujifilm X100F | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.9 | 13.2 | 1704 | 81 | |
4. | Panasonic GX850 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 23.2 | 13.3 | 586 | 73 | |
5. | Panasonic GF7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.7 | 12.3 | 874 | 70 | |
6. | Panasonic FZ1000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 11.7 | 517 | 64 | |
7. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
8. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
9. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
10. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
11. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
12. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
13. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 | |
14. | Panasonic G1 | Four Thirds | 12.0 | 4000 | 3000 | none | 21.1 | 10.3 | 463 | 53 | |
15. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
16. | Sony RX10 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 531 | 70 | |
17. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ2000 provides a better video resolution than the GF6. It can shoot movie footage at 4K/30p, while the GF6 is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ2000 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF6 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic GF6, the Panasonic FZ2000, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
2. | Panasonic FZ2000 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
3. | Fujifilm X100F | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 8.0/s | Y | n | |
4. | Panasonic GX850 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 10.0/s | Y | n | |
5. | Panasonic GF7 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 5.8/s | Y | n | |
6. | Panasonic FZ1000 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
7. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
8. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
9. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
10. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
11. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
12. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
13. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
14. | Panasonic G1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
15. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
16. | Sony RX10 II | 2359 | Y | 3.0 / 1229 | tilting | n | 1/3200s | 14.0/s | Y | Y | |
17. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2000 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2000 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GF6 and the FZ2000 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF6 and Panasonic Lumix DMC-FZ2000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
2. | Panasonic FZ2000 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | - | |
3. | Fujifilm X100F | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
4. | Panasonic GX850 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
5. | Panasonic GF7 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
6. | Panasonic FZ1000 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
7. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
8. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
11. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic G1 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
15. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony RX10 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
17. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the FZ2000 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The GF6 does not feature such a mic input.
The FZ2000 is a recent model that features in the current product line-up of Panasonic. In contrast, the GF6 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GF6 was succeeded by the Panasonic GF7. Further information on the features and operation of the GF6 and FZ2000 can be found, respectively, in the Panasonic GF6 Manual (free pdf) or the online Panasonic FZ2000 Manual.
Review summary
So how do things add up? Which of the two cameras – the Panasonic GF6 or the Panasonic FZ2000 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-GF6:
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (111x65mm vs 138x102mm) and thus needs less room in the bag.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been available for much longer (launched in April 2013).
Arguments in favor of the Panasonic Lumix DMC-FZ2000:
- More detail: Has more megapixels (20 vs 15.8MP), which boosts linear resolution by 15%.
- Better image quality: Scores substantially higher (16 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (12 vs 4.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the GF6 necessitates an extra lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Reflects 3 years and 5 months of technical progress since the GF6 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ2000 is the clear winner of the contest (16 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF6 and the Panasonic FZ2000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GF6 or the FZ2000 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
2. | Panasonic FZ2000 | .. | + | .. | 82/100 | 4.5/5 | 5/5 | Sep 2016 | 1,199 | amazon.com | |
3. | Fujifilm X100F | 5/5 | + | 3.9/5 | 83/100 | 4.5/5 | 4.5/5 | Jan 2017 | 1,299 | ebay.com | |
4. | Panasonic GX850 | .. | + | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2017 | 549 | ebay.com | |
5. | Panasonic GF7 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | 499 | ebay.com | |
6. | Panasonic FZ1000 | 4/5 | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Jun 2014 | 899 | ebay.com | |
7. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
8. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
9. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
10. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
11. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
12. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
13. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | 549 | ebay.com | |
14. | Panasonic G1 | .. | + + | .. | 70/100 | 4/5 | 4.5/5 | Sep 2008 | 599 | ebay.com | |
15. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | 999 | ebay.com | |
16. | Sony RX10 II | 5/5 | + + | .. | 82/100 | 4.5/5 | 4/5 | Jun 2015 | 1,299 | ebay.com | |
17. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 400D vs Panasonic FZ2000
- Canon 500D vs Panasonic GF6
- Canon 90D vs Panasonic FZ2000
- Canon G9 X vs Panasonic FZ2000
- Canon G9 X vs Panasonic GF6
- Canon T5 vs Panasonic GF6
- Fujifilm X-Pro1 vs Panasonic GF6
- Leica Q2 vs Panasonic FZ2000
- Olympus E-M1 vs Panasonic FZ2000
- Panasonic FZ2000 vs Sony RX100 VII
- Panasonic G90 vs Panasonic GF6
- Panasonic GF6 vs Sony RX0
Specifications: Panasonic GF6 vs Panasonic FZ2000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic GF6 | Panasonic FZ2000 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Micro Four Thirds lenses | 24-480mm f/2.8-4.5 |
Launch Date | April 2013 | September 2016 |
Launch Price | USD 499 | USD 1,199 |
Sensor Specs | Panasonic GF6 | Panasonic FZ2000 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Four Thirds Sensor | 1" Sensor |
Sensor Size | 17.3 x 13.0 mm | 13.2 x 8.8 mm |
Sensor Area | 224.9 mm2 | 116.16 mm2 |
Sensor Diagonal | 21.6 mm | 15.9 mm |
Crop Factor | 2.0x | 2.7x |
Sensor Resolution | 15.8 Megapixels | 20 Megapixels |
Image Resolution | 4592 x 3448 pixels | 5472 x 3648 pixels |
Pixel Pitch | 3.77 μm | 2.41 μm |
Pixel Density | 7.04 MP/cm2 | 17.18 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60i Video | 4K/30p Video |
ISO Setting | 160 - 12,800 ISO | 125 - 12,800 ISO |
ISO Boost | 160 - 25,600 ISO | 80 - 25,600 ISO |
Image Processor | Venus FHD | Venus |
DXO Sensor Quality (score) | 54 | 70 |
DXO Color Depth (bits) | 20.7 | 23 |
DXO Dynamic Range (EV) | 10.6 | 12.6 |
DXO Low Light (ISO) | 622 | 538 |
Screen Specs | Panasonic GF6 | Panasonic FZ2000 |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.74x | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1040k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic GF6 | Panasonic FZ2000 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 4.2 shutter flaps/s | 12 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic GF6 | Panasonic FZ2000 |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Panasonic GF6 | Panasonic FZ2000 |
Battery Type | Panasonic DMW-BLG10 | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 340 shots per charge | 350 shots per charge |
Body Dimensions |
111 x 65 x 38 mm (4.4 x 2.6 x 1.5 in) |
138 x 102 x 135 mm (5.4 x 4.0 x 5.3 in) |
Camera Weight | 323 g (11.4 oz) | 915 g (32.3 oz) |
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