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Panasonic GF5 vs Sony NEX-7

The Panasonic Lumix DMC-GF5 and the Sony Alpha NEX-7 are two digital cameras that were officially introduced, respectively, in April 2012 and August 2011. Both the GF5 and the NEX-7 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GF5) and an APS-C (NEX-7) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic GF5   Sony NEX-7
Panasonic GF5 Sony NEX-7
Mirrorless system camera Mirrorless system camera
Micro Four Thirds lenses Sony E mount lenses
12 MP, Four Thirds Sensor 24 MP, APS-C Sensor
1080/60i Video 1080/60i Video
ISO 160-6400 (160-12800) ISO 100-16000
No viewfinder, LCD framing Electronic viewfinder (2359k dots)
3.0" LCD, 920k dots 3.0" LCD, 921k dots
Fixed touchscreen Tilting screen (not touch-sensitive)
4 shutter flaps per second 10 shutter flaps per second
360 shots per battery charge430 shots per battery charge
108 x 67 x 37 mm, 267 g 120 x 67 x 43 mm, 400 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF5 and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic GF5 and the Sony NEX-7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The GF5 can be obtained in three different colors (black, red, white), while the NEX-7 is only available in black.

Size Panasonic GF5 vs Sony NEX-7
Compare GF5 versus NEX-7 top
Comparison GF5 or NEX-7 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is notably larger (11 percent) than the Panasonic GF5. Moreover, the NEX-7 is substantially heavier (50 percent) than the GF5. In this context, it is worth noting that neither the GF5 nor the NEX-7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GF5) and the Sony E-Mount Lens Catalog (NEX-7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GF5 gets 360 shots out of its DMW-BLE9 battery, while the NEX-7 can take 430 images on a single charge of its NP-FW50 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic GF5» 4.3 in 2.6 in 1.5 in 9.4 oz 360 n Apr 2012 499- i Panasonic GF5
 
Sony NEX-7« 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7
 
Fujifilm X100« » 5.0 in 3.0 in 2.1 in 15.7 oz 300 n Sep 2010 1,199- i Fujifilm X100
 
Olympus E-PL3« » 4.3 in 2.5 in 1.5 in 11.0 oz 300 n Jun 2011 599- i Olympus E-PL3
 
Olympus E-PM1« » 4.3 in 2.5 in 1.3 in 9.3 oz 330 n Jun 2011 499- i Olympus E-PM1
 
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
 
Panasonic GF6« » 4.4 in 2.6 in 1.5 in 11.4 oz 340 n Apr 2013 499- i Panasonic GF6
 
Panasonic LX7« » 4.4 in 2.7 in 1.8 in 10.5 oz 330 n Jul 2012 499- i Panasonic LX7
 
Panasonic GF3« » 4.3 in 2.6 in 1.3 in 9.3 oz 300 n Jun 2011 549- i Panasonic GF3
 
Panasonic G10« » 4.9 in 3.3 in 2.9 in 13.7 oz 380 n Mar 2010 499- i Panasonic G10
 
Panasonic G2« » 4.9 in 3.3 in 2.9 in 15.1 oz 360 n Mar 2010 599- i Panasonic G2
 
Panasonic GF2« » 4.4 in 2.7 in 1.3 in 10.9 oz 300 n Nov 2010 549- i Panasonic GF2
 
Panasonic G1« » 4.9 in 3.3 in 1.8 in 12.7 oz 410 n Sep 2008 599- i Panasonic G1
 
Sony A6400« » 4.7 in 2.6 in 2.0 in 14.2 oz 410 n Jan 2019 899 i i Sony A6400
 
Sony A6000« » 4.7 in 2.6 in 1.8 in 12.1 oz 360 n Feb 2014 599- i Sony A6000
 
Sony A3000« » 5.0 in 3.6 in 3.3 in 14.5 oz 470 n Aug 2013 329- i Sony A3000
 
Sony RX1« » 4.4 in 2.6 in 2.8 in 17.0 oz 270 n Sep 2012 2,799- i Sony RX1
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GF5 was launched at a markedly lower price (by 63 percent) than the NEX-7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GF5 features a Four Thirds sensor and the Sony NEX-7 an APS-C sensor. The sensor area in the NEX-7 is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GF5 has a native 4:3 aspect ratio, while the one in the NEX-7 offers a 3:2 aspect.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.

Panasonic GF5 and Sony NEX-7 sensor measures

With 24MP, the NEX-7 offers a higher resolution than the GF5 (12MP), but the NEX-7 has smaller individual pixels (pixel pitch of 3.90μm versus 4.33μm for the GF5). It is noteworthy in this context that the GF5 is a somewhat more recent model (by 7 months) than the NEX-7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony NEX-7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-7 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.

The Panasonic Lumix DMC-GF5 has a native sensitivity range from ISO 160 to ISO 6400, which can be extended to ISO 160-12800. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).

GF5 versus NEX-7 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the NEX-7 offers substantially better image quality than the GF5 (overall score 20 points higher). The advantage is based on 2.7 bits higher color depth, 1.8 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic GF5» Four Thirds 12.0 4000 30001080/60i21.411.661861Panasonic GF5
 
Sony NEX-7« APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7
 
Fujifilm X100« » APS-C 12.2 4288 2848720/30p22.912.4100173Fujifilm X100
 
Olympus E-PL3« » Four Thirds 12.2 4032 30241080/60i20.910.349952Olympus E-PL3
 
Olympus E-PM1« » Four Thirds 12.2 4032 30241080/60i21.010.349952Olympus E-PM1
 
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
 
Panasonic GF6« » Four Thirds 15.8 4592 34481080/60i20.710.662254Panasonic GF6
 
Panasonic LX7« » 1/1.7 10.0 3648 27361080/60p20.711.714750Panasonic LX7
 
Panasonic GF3« » Four Thirds 12.0 4000 30001080/60i20.610.045849Panasonic GF3
 
Panasonic G10« » Four Thirds 12.0 4000 3000720/30p21.210.141152Panasonic G10
 
Panasonic G2« » Four Thirds 12.0 4000 3000720/30p21.210.349353Panasonic G2
 
Panasonic GF2« » Four Thirds 12.0 4000 30001080/60i21.210.350654Panasonic GF2
 
Panasonic G1« » Four Thirds 12.0 4000 3000-21.110.346353Panasonic G1
 
Sony A6400« » APS-C 24.0 6000 40004K/30p2413.6143183Sony A6400
 
Sony A6000« » APS-C 24.0 6000 40001080/60p24.113.1134782Sony A6000
 
Sony A3000« » APS-C 19.8 5456 36321080/60i23.712.8106878Sony A3000
 
Sony RX1« » Full Frame 24.0 6000 40001080/60p25.114.3253493Sony RX1

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60i).

 

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the NEX-7 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF5 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic GF5, the Sony NEX-7, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic GF5»- n 3.0 920 fixed Y 1/4000s 4.0 Y n Panasonic GF5
 
Sony NEX-7«2359 n 3.0 921 tilting n 1/4000s 10.0 Y n Sony NEX-7
 
Fujifilm X100« »1440 n 2.8 460 fixed n 1/4000s 5.0 Y n Fujifilm X100
 
Olympus E-PL3« »- n 3.0 460 tilting n 1/4000s 5.5 n Y Olympus E-PL3
 
Olympus E-PM1« »- n 3.0 460 fixed n 1/4000s 5.5 n Y Olympus E-PM1
 
Panasonic G6« »1440 n 3.0 1036 swivel Y 1/4000s 7.0 Y n Panasonic G6
 
Panasonic GF6« »- n 3.0 1040 tilting Y 1/4000s 4.2 Y n Panasonic GF6
 
Panasonic LX7« »- n 3.0 920 fixed n 1/4000s 11.0 Y Y Panasonic LX7
 
Panasonic GF3« »- n 3.0 460 fixed Y 1/4000s 3.2 Y n Panasonic GF3
 
Panasonic G10« »202 n 3.0 460 fixed n 1/4000s 2.6 Y n Panasonic G10
 
Panasonic G2« »1440 n 3.0 460 swivel Y 1/4000s 2.6 Y n Panasonic G2
 
Panasonic GF2« »- n 3.0 460 fixed Y 1/4000s 2.6 Y n Panasonic GF2
 
Panasonic G1« »1440 n 3.0 460 swivel n 1/4000s 3.0 Y n Panasonic G1
 
Sony A6400« »2359 n 3.0 922 tilting Y 1/4000s 11.0 Y n Sony A6400
 
Sony A6000« »1440 n 3.0 922 tilting n 1/4000s 11.0 Y n Sony A6000
 
Sony A3000« »202 n 3.0 230 fixed n 1/4000s 2.5 Y n Sony A3000
 
Sony RX1« »- n 3.0 1229 fixed n 1/4000s 5.0 Y n Sony RX1

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF5 has a touchscreen, while the NEX-7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The GF5 writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards. The GF5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF5 and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic GF5»-stereomono--mini2.0---Panasonic GF5
 
Sony NEX-7«YstereomonoY-mini2.0---Sony NEX-7
 
Fujifilm X100« »Ystereo---mini2.0---Fujifilm X100
 
Olympus E-PL3« »Ystereo---mini2.0---Olympus E-PL3
 
Olympus E-PM1« »Ystereomono--mini2.0---Olympus E-PM1
 
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6
 
Panasonic GF6« »-stereomono--mini2.0YY-Panasonic GF6
 
Panasonic LX7« »Ystereomono--mini2.0---Panasonic LX7
 
Panasonic GF3« »-stereomono--mini2.0---Panasonic GF3
 
Panasonic G10« »Ymono---mini2.0---Panasonic G10
 
Panasonic G2« »Ystereomono--mini2.0---Panasonic G2
 
Panasonic GF2« »Ystereomono--mini2.0---Panasonic GF2
 
Panasonic G1« »Y----mini2.0---Panasonic G1
 
Sony A6400« »YstereomonoY-micro2.0YYYSony A6400
 
Sony A6000« »Ystereomono--micro2.0YY-Sony A6000
 
Sony A3000« »Ystereomono--mini2.0---Sony A3000
 
Sony RX1« »YstereomonoY-mini2.0---Sony RX1

It is notable that the NEX-7 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The GF5 does not feature such a mic input.

Both the GF5 and the NEX-7 have been discontinued, but can regularly be found used on eBay. The GF5 was replaced by the Panasonic GF6, while the NEX-7 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.


Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic GF5 or the Sony NEX-7 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

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Reasons to prefer the Panasonic Lumix DMC-GF5:

  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Less heavy: Is lighter (by 133g or 33 percent) and hence easier to carry around.
  • Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
  • More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
  • More modern: Is somewhat more recent (announced 7 months after the NEX-7).

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Arguments in favor of the Sony Alpha NEX-7:

  • More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
  • Better image quality: Scores substantially higher (20 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (2.7 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
  • Longer lasting: Gets more shots (430 versus 360) out of a single battery charge.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • More heavily discounted: Has been on the market for longer (launched in August 2011).

If the number of relative strengths (bullet points above) is taken as a guide, the NEX-7 is the clear winner of the contest (12 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GF5 05:12 NEX-7

How about other alternatives? Do the specifications of the Panasonic GF5 and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF5 or the NEX-7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic GF5»--4.5/54/54.5/5 Apr 2012 499- i Panasonic GF5
 
Sony NEX-7«+ +81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7
 
Fujifilm X100« »-75/1004/54/55/5 Sep 2010 1,199- i Fujifilm X100
 
Olympus E-PL3« »+ +72/1004.5/5-4/5 Jun 2011 599- i Olympus E-PL3
 
Olympus E-PM1« »86/10071/1004.5/5-4.5/5 Jun 2011 499- i Olympus E-PM1
 
Panasonic G6« »+ +-5/5-4.5/5 Apr 2013 599- i Panasonic G6
 
Panasonic GF6« »+ +-4.5/5-4.5/5 Apr 2013 499- i Panasonic GF6
 
Panasonic LX7« »+ +75/1004/55/54.5/5 Jul 2012 499- i Panasonic LX7
 
Panasonic GF3« »82/10071/1004.5/54.5/54/5 Jun 2011 549- i Panasonic GF3
 
Panasonic G10« »-70/1004/5-4/5 Mar 2010 499- i Panasonic G10
 
Panasonic G2« »-72/1004/54/54.5/5 Mar 2010 599- i Panasonic G2
 
Panasonic GF2« »82/10070/1004.5/54.5/54.5/5 Nov 2010 549- i Panasonic GF2
 
Panasonic G1« »+ +70/1004/54.5/54.5/5 Sep 2008 599- i Panasonic G1
 
Sony A6400« »+85/1004.5/5-4/5 Jan 2019 899 i i Sony A6400
 
Sony A6000« »+80/1004.5/55/55/5 Feb 2014 599- i Sony A6000
 
Sony A3000« »+-4/54.5/54/5 Aug 2013 329- i Sony A3000
 
Sony RX1« »-79/1004/54.5/54.5/5 Sep 2012 2,799- i Sony RX1
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Panasonic GF5:
Check Ebay offers
Sony NEX-7:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Panasonic GF5 vs Sony NEX-7

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic GF5 Sony NEX-7
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Micro Four Thirds lenses Sony E mount lenses
    Launch Date April 2012 August 2011
    Launch Price USD 499 USD 1349
    Sensor Specs Panasonic GF5 Sony NEX-7
    Sensor Technology CMOS CMOS
    Sensor Format Four Thirds Sensor APS-C Sensor
    Sensor Size 17.3 x 13.0 mm 23.4 x 15.6 mm
    Sensor Area 224.9 mm2 365.04 mm2
    Sensor Diagonal 21.6 mm 28.1 mm
    Crop Factor 2.0x 1.5x
    Sensor Resolution 12 Megapixels 24 Megapixels
    Image Resolution 4000 x 3000 pixels 6000 x 4000 pixels
    Pixel Pitch 4.33 μm 3.90 μm
    Pixel Density 5.34 MP/cm2 6.57 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 1080/60i Video 1080/60i Video
    ISO Setting 160-6400 ISO 100-16000 ISO
    ISO Boost 160-12800 ISO no Enhancement
    Image Processor Venus FHD BIONZ
    DXO Sensor Quality (score) 61 81
    DXO Color Depth (bits) 21.4 24.1
    DXO Dynamic Range (EV) 11.6 13.4
    DXO Low Light (ISO) 618 1016
    Screen Specs Panasonic GF5 Sony NEX-7
    Viewfinder Type No viewfinder Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.73x
    Viewfinder Resolution 2359k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 920k dots 921k dots
    LCD Attachment Fixed screen Tilting screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Panasonic GF5 Sony NEX-7
    Autofocus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 4 shutter flaps/s 10 shutter flaps/s
    Fill Flash Build-in Flash Build-in Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support UHS-I no
    Connectivity Specs Panasonic GF5 Sony NEX-7
    External Flash no Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI mini HDMI
    Microphone Port no MIC socket External MIC port
    Wifi Support no Wifi no Wifi
    Body Specs Panasonic GF5 Sony NEX-7
    Battery Type DMW-BLE9 NP-FW50
    Battery Life (CIPA)360 shots per charge430 shots per charge
    Body Dimensions 108 x 67 x 37 mm
    (4.3 x 2.6 x 1.5 in)
    120 x 67 x 43 mm
    (4.7 x 2.6 x 1.7 in)
    Camera Weight 267 g (9.4 oz) 400 g (14.1 oz)

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