Panasonic GF5 vs Sony NEX-5R
The Panasonic Lumix DMC-GF5 and the Sony Alpha NEX-5R are two digital cameras that were officially introduced, respectively, in April 2012 and August 2012. Both the GF5 and the NEX-5R are mirrorless interchangeable lens cameras that are based on a Four Thirds (GF5) and an APS-C (NEX-5R) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GF5||Sony NEX-5R|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Sony E mount lenses|
|12 MP, Four Thirds Sensor||16 MP, APS-C Sensor|
|1080/60i Video||1080/60i Video|
|ISO 160-6400 (160-12800)||ISO 100-25600|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0" LCD, 920k dots||3.0" LCD, 920k dots|
|Fixed touchscreen||Tilting touchscreen|
|4 shutter flaps per second||10 shutter flaps per second|
|360 shots per battery charge||330 shots per battery charge|
|108 x 67 x 37 mm, 267 g||111 x 59 x 39 mm, 276 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF5 and the Sony Alpha NEX-5R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic GF5 and the Sony NEX-5R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The GF5 can be obtained in three different colors (black, red, white), while the NEX-5R is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5R is notably smaller (9 percent) than the Panasonic GF5. However, the NEX-5R is slightly heavier (3 percent) than the GF5. In this context, it is worth noting that neither the GF5 nor the NEX-5R are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GF5) and the Sony E-Mount Lens Catalog (NEX-5R). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic GF5»||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Sony NEX-5R«||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PM1« »||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499||-||Olympus E-PM1|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-||Panasonic G2|
|Panasonic GF2« »||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549||-||Panasonic GF2|
|Panasonic G1« »||4.9 in||3.3 in||1.8 in||12.7 oz||410||n||Sep 2008||599||-||Panasonic G1|
|Ricoh GR« »||4.6 in||2.4 in||1.4 in||8.6 oz||290||n||Apr 2013||799||-||Ricoh GR|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||4.4 in||2.3 in||1.5 in||97.9 oz||330||n||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-5N« »||4.4 in||2.3 in||1.5 in||9.5 oz||460||n||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GF5 was launched at a markedly lower price (by 33 percent) than the NEX-5R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GF5 features a Four Thirds sensor and the Sony NEX-5R an APS-C sensor. The sensor area in the NEX-5R is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GF5 has a native 4:3 aspect ratio, while the one in the NEX-5R offers a 3:2 aspect.
With 16MP, the NEX-5R offers a higher resolution than the GF5 (12MP), but the NEX-5R nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 4.33μm for the GF5) due to its larger sensor. Moreover, the NEX-5R is a somewhat more recent model (by 4 months) than the GF5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-5R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-5R for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inch or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inch or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inch or 41.6 x 27.6 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-GF5 has a native sensitivity range from ISO 160 to ISO 6400, which can be extended to ISO 160-12800. The corresponding ISO settings for the Sony Alpha NEX-5R are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-5R offers substantially better image quality than the GF5 (overall score 17 points higher). The advantage is based on 2.3 bits higher color depth, 1.5 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic GF5»||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Sony NEX-5R«||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Olympus E-PL3« »||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PM1« »||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52||Olympus E-PM1|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GF2« »||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Panasonic G1« »||Four Thirds||12.0||4000||3000||-||21.1||10.3||463||53||Panasonic G1|
|Ricoh GR« »||APS-C||16.1||4928||3264||1080/30p||23.6||13.5||972||78||Ricoh GR|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-5T« »||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Sony NEX-5N« »||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-3« »||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60i).
Beyond body and sensor, cameras can and do differ across a range of features. The GF5 and the NEX-5R are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the NEX-5R can be equipped with an optional viewfinder – the FDA-EV1S. The table below summarizes some of the other core capabilities of the Panasonic GF5 and Sony NEX-5R in connection with corresponding information for a sample of similar cameras.
|Panasonic GF5»||-||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Sony NEX-5R«||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Olympus E-PL3« »||-||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PM1« »||-||n||3.0||460||fixed||n||1/4000s||5.5||n||Y||Olympus E-PM1|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GF2« »||-||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Panasonic G1« »||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic G1|
|Ricoh GR« »||-||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-5T« »||-||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Sony NEX-5N« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-3« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
One difference between the cameras concerns the presence of an on-board flash. The GF5 has one, while the NEX-5R does not. While the built-in flash of the GF5 is not very powerful, it can at times be useful as a fill-in light.The NEX-5R has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GF5 does not have a selfie-screen.
The GF5 writes its imaging data to SDXC cards, while the NEX-5R uses SDXC or Memory Stick PRO Duo cards. The GF5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5R cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF5 and Sony Alpha NEX-5R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic GF5»||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Sony NEX-5R«||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Olympus E-PL3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PM1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM1|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GF2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Panasonic G1« »||Y||-||-||-||-||mini||2.0||-||-||-||Panasonic G1|
|Ricoh GR« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Ricoh GR|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-5T« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Sony NEX-5N« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
It is notable that the NEX-5R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the GF5 does not offer wifi capability.
Both the GF5 and the NEX-5R have been discontinued, but can regularly be found used on eBay. The GF5 was replaced by the Panasonic GF6, while the NEX-5R was followed by the Sony NEX-5T. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is the Panasonic GF5 better than the Sony NEX-5R or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-GF5:
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in April 2012).
Reasons to prefer the Sony Alpha NEX-5R:
- More detail: Has more megapixels (16 vs 12MP), which boosts linear resolution by 18%.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.6 stops ISO advantage).
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Was introduced somewhat (4 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the NEX-5R is the clear winner of the contest (12 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF5 and the Sony NEX-5R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GF5 and the NEX-5R in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic GF5»||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Sony NEX-5R«||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Olympus E-PL3« »||+ +||72/100||4.5/5||-||4/5||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PM1« »||86/100||71/100||4.5/5||-||4.5/5||Jun 2011||499||-||Olympus E-PM1|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GF6« »||+ +||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Panasonic GF2« »||82/100||70/100||4.5/5||4.5/5||4.5/5||Nov 2010||549||-||Panasonic GF2|
|Panasonic G1« »||+ +||70/100||4/5||4.5/5||4.5/5||Sep 2008||599||-||Panasonic G1|
|Ricoh GR« »||-||79/100||4.5/5||4.5/5||4.5/5||Apr 2013||799||-||Ricoh GR|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||-||-||4.5/5||-||4.5/5||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-5N« »||+ +||79/100||4.5/5||5/5||4.5/5||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-3« »||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D vs Panasonic GF5
- Canon 750D vs Panasonic GF5
- Canon SX620 vs Panasonic GF5
- Canon SX70 vs Sony NEX-5R
- Leica M-E Typ 240 vs Panasonic GF5
- Nikon D800 vs Panasonic GF5
- Panasonic G2 vs Panasonic GF5
- Panasonic GF5 vs Ricoh GR
- Panasonic GF5 vs Sony A6500
- Panasonic TZ95 vs Sony NEX-5R
- Panasonic ZS70 vs Sony NEX-5R
- Sony NEX-5R vs Sony NEX-5T
Specifications: Panasonic GF5 vs Sony NEX-5R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GF5||Sony NEX-5R|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||April 2012||August 2012|
|Launch Price||USD 499||USD 749|
|Sensor Specs||Panasonic GF5||Sony NEX-5R|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.4 x 15.6 mm|
|Sensor Area||224.9 mm2||365.04 mm2|
|Sensor Diagonal||21.6 mm||28.1 mm|
|Sensor Resolution||12 Megapixels||16 Megapixels|
|Image Resolution||4000 x 3000 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.33 μm||4.78 μm|
|Pixel Density||5.34 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60i Video|
|ISO Setting||160-6400 ISO||100-25600 ISO|
|ISO Boost||160-12800 ISO||no Enhancement|
|Image Processor||Venus FHD||BIONZ|
|DXO Sensor Quality (score)||61||78|
|DXO Color Depth (bits)||21.4||23.7|
|DXO Dynamic Range (EV)||11.6||13.1|
|DXO Low Light (ISO)||618||910|
|Screen Specs||Panasonic GF5||Sony NEX-5R|
|Viewfinder Type||No viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic GF5||Sony NEX-5R|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic GF5||Sony NEX-5R|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Panasonic GF5||Sony NEX-5R|
|Battery Life (CIPA)||360 shots per charge||330 shots per charge|
108 x 67 x 37 mm
(4.3 x 2.6 x 1.5 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||267 g (9.4 oz)||276 g (9.7 oz)|
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