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Panasonic GF5 vs Sony A7S

The Panasonic Lumix DMC-GF5 and the Sony Alpha A7S are two digital cameras that were revealed to the public, respectively, in April 2012 and April 2014. Both the GF5 and the A7S are mirrorless interchangeable lens cameras that are based on a Four Thirds (GF5) and a full frame (A7S) sensor. Both cameras offer a resolution of 12 megapixels.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic GF5
versus
Sony A7S
Panasonic GF5   Sony A7S
Mirrorless system camera Mirrorless system camera
Micro Four Thirds lenses Sony E mount lenses
12 MP – Four Thirds sensor 12 MP – Full Frame sensor
1080/60i Video 1080/60p Video
ISO 160-6,400 (160 - 12,800) ISO 100-102,400 (50 - 409,600)
No viewfinder, LCD framing Electronic viewfinder (2400k dots)
3.0" LCD – 920k dots 3.0" LCD – 921k dots
Fixed touchscreen Tilting screen (no touchscreen)
4 shutter flaps per second 5 shutter flaps per second
not weather sealedWeathersealed body
360 shots per battery charge380 shots per battery charge
108 x 67 x 37 mm, 267 g 127 x 94 x 48 mm, 489 g
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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF5 and the Sony Alpha A7S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

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Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic GF5 and the Sony A7S. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The GF5 can be obtained in three different colors (black, red, white), while the A7S is only available in black.

Size Panasonic GF5 vs Sony A7S
Compare GF5 versus A7S top
Comparison GF5 or A7S rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S is considerably larger (65 percent) than the Panasonic GF5. Moreover, the A7S is substantially heavier (83 percent) than the GF5. It is noteworthy in this context that the A7S is splash and dust-proof, while the GF5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GF5) and the Sony FE Lens Catalog (A7S). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GF5 gets 360 shots out of its Panasonic DMW-BLE9 battery, while the A7S can take 380 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7S can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

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Body Specifications
# image Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Panasonic GF5 108 mm 67 mm 37 mm 267 g 360 n Apr 2012 499ebay.com
2.
 
Sony A7S 127 mm 94 mm 48 mm 489 g 380 Y Apr 2014 2,499ebay.com
3.
 
Nikon Df 144 mm 110 mm 67 mm 760 g 1400 Y Nov 2013 2,749ebay.com
4.
 
Olympus E-PL3 110 mm 64 mm 37 mm 313 g 300 n Jun 2011 599ebay.com
5.
 
Olympus E-PM1 110 mm 64 mm 34 mm 265 g 330 n Jun 2011 499ebay.com
6.
 
Panasonic G6 122 mm 85 mm 71 mm 390 g 340 n Apr 2013 599ebay.com
7.
 
Panasonic GF6 111 mm 65 mm 38 mm 323 g 340 n Apr 2013 499ebay.com
8.
 
Panasonic LX7 111 mm 68 mm 46 mm 298 g 330 n Jul 2012 499ebay.com
9.
 
Panasonic GF3 108 mm 67 mm 32 mm 264 g 300 n Jun 2011 549ebay.com
10.
 
Panasonic G10 124 mm 84 mm 74 mm 388 g 380 n Mar 2010 499ebay.com
11.
 
Panasonic G2 124 mm 84 mm 74 mm 428 g 360 n Mar 2010 599ebay.com
12.
 
Panasonic GF2 113 mm 68 mm 33 mm 310 g 300 n Nov 2010 549ebay.com
13.
 
Panasonic G1 124 mm 84 mm 45 mm 360 g 410 n Sep 2008 599ebay.com
14.
 
Sony ZV-E1 121 mm 72 mm 54 mm 483 g 570 Y Mar 2023 2,199 amazon.com
15.
 
Sony A7S II 127 mm 96 mm 60 mm 627 g 370 Y Sep 2015 2,999ebay.com
16.
 
Sony A7 127 mm 94 mm 48 mm 474 g 340 Y Oct 2013 1,699ebay.com
17.
 
Sony A7R 127 mm 94 mm 48 mm 465 g 340 Y Oct 2013 2,299ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF5 was launched at a markedly lower price (by 80 percent) than the A7S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GF5 features a Four Thirds sensor and the Sony A7S a full frame sensor. The sensor area in the A7S is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GF5 has a native 4:3 aspect ratio, while the one in the A7S offers a 3:2 aspect.

Panasonic GF5 and Sony A7S sensor measures

Even though the A7S has a larger sensor, both cameras offer the same resolution of 12 megapixels. This implies that the A7S has a lower pixel density and larger individual pixels (with a pixel pitch of 8.45μm versus 4.33μm for the GF5), which gives it a potential advantage in terms of light gathering capacity. In addition, the A7S is much more recent (by 2 years) than the GF5, and its sensor will have benefitted from technological advances during this time.

The Panasonic Lumix DMC-GF5 has a native sensitivity range from ISO 160 to ISO 6400, which can be extended to ISO 160-12800. The corresponding ISO settings for the Sony Alpha A7S are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

GF5 versus A7S MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7S offers substantially better image quality than the GF5 (overall score 37 points higher). The advantage is based on 3.4 bits higher color depth, 3.2 EV in additional dynamic range, and 2.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

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Sensor Characteristics
# image Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Panasonic GF5 Four Thirds 12.0 4000 30001080/60i20.510.057350
2.
 
Sony A7S Full Frame 12.0 4240 28321080/60p23.913.2370287
3.
 
Nikon Df Full Frame 16.2 4928 3280none24.613.1327989
4.
 
Olympus E-PL3 Four Thirds 12.2 4032 30241080/60i20.910.349952
5.
 
Olympus E-PM1 Four Thirds 12.2 4032 30241080/60i21.010.349952
6.
 
Panasonic G6 Four Thirds 15.9 4608 34561080/60p21.311.563961
7.
 
Panasonic GF6 Four Thirds 15.8 4592 34481080/60i20.710.662254
8.
 
Panasonic LX7 1/1.7 10.0 3648 27361080/60p20.711.714750
9.
 
Panasonic GF3 Four Thirds 12.0 4000 30001080/60i20.610.145950
10.
 
Panasonic G10 Four Thirds 12.0 4000 3000720/30p21.210.141152
11.
 
Panasonic G2 Four Thirds 12.0 4000 3000720/30p21.210.349353
12.
 
Panasonic GF2 Four Thirds 12.0 4000 30001080/60i21.210.350654
13.
 
Panasonic G1 Four Thirds 12.0 4000 3000none21.110.346353
14.
 
Sony ZV-E1 Full Frame 12.0 4240 28324K/60p25.414.6318196
15.
 
Sony A7S II Full Frame 12.0 4240 28324K/30p23.613.3299385
16.
 
Sony A7 Full Frame 24.0 6000 40001080/60p24.814.2224890
17.
 
Sony A7R Full Frame 36.2 7360 49121080/60p25.614.1274695
Note: DXO values in italics represent estimates based on sensor size and age.
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Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7S provides a faster frame rate than the GF5. It can shoot movie footage at 1080/60p, while the Panasonic is limited to 1080/60i.

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Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7S has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF5 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic GF5, the Sony A7S, and comparable cameras.

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Core Features
# image Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Max
Shutter
Speed *
Max
Shutter
Flaps *
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Panasonic GF5none n3.0 / 920 fixed Y 1/4000s 4.0/s Y n
2.
 
Sony A7S2400 n3.0 / 921 tilting n 1/8000s 5.0/s n n
3.
 
Nikon Dfoptical Y3.2 / 921 fixed n 1/4000s 5.5/s n n
4.
 
Olympus E-PL3optional n3.0 / 460 tilting n 1/4000s 5.5/s n Y
5.
 
Olympus E-PM1optional n3.0 / 460 fixed n 1/4000s 5.5/s n Y
6.
 
Panasonic G61440 n3.0 / 1036 swivel Y 1/4000s 7.0/s Y n
7.
 
Panasonic GF6none n3.0 / 1040 tilting Y 1/4000s 4.2/s Y n
8.
 
Panasonic LX7optional n3.0 / 920 fixed n 1/4000s 11.0/s Y Y
9.
 
Panasonic GF3none n3.0 / 460 fixed Y 1/4000s 3.2/s Y n
10.
 
Panasonic G10202 n3.0 / 460 fixed n 1/4000s 2.6/s Y n
11.
 
Panasonic G21440 n3.0 / 460 swivel Y 1/4000s 2.6/s Y n
12.
 
Panasonic GF2optional n3.0 / 460 fixed Y 1/4000s 2.6/s Y n
13.
 
Panasonic G11440 n3.0 / 460 swivel n 1/4000s 3.0/s Y n
14.
 
Sony ZV-E1none n3.0 / 1037 swivel Y 1/8000s 10.0/s n Y
15.
 
Sony A7S II2400 n3.0 / 1229 tilting n 1/8000s 5.0/s n Y
16.
 
Sony A72400 n3.0 / 1230 tilting n 1/8000s 5.0/s n n
17.
 
Sony A7R2400 n3.0 / 1230 tilting n 1/8000s 4.0/s n n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
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One difference between the cameras concerns the presence of an on-board flash. The GF5 has one, while the A7S does not. While the built-in flash of the GF5 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The GF5 writes its imaging data to SDXC cards, while the A7S uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF5 and Sony Alpha A7S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
# image Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Panasonic GF5-stereo / mono--mini2.0---
2.
 
Sony A7SYstereo / monoYYmicro2.0YY-
3.
 
Nikon DfY- / ---mini2.0---
4.
 
Olympus E-PL3Ystereo / ---mini2.0---
5.
 
Olympus E-PM1Ystereo / mono--mini2.0---
6.
 
Panasonic G6Ystereo / monoY-mini2.0YY-
7.
 
Panasonic GF6-stereo / mono--mini2.0YY-
8.
 
Panasonic LX7Ystereo / mono--mini2.0---
9.
 
Panasonic GF3-stereo / mono--mini2.0---
10.
 
Panasonic G10Ymono / ---mini2.0---
11.
 
Panasonic G2Ystereo / mono--mini2.0---
12.
 
Panasonic GF2Ystereo / mono--mini2.0---
13.
 
Panasonic G1Y- / ---mini2.0---
14.
 
Sony ZV-E1Ystereo / monoYYmicro3.2Y-Y
15.
 
Sony A7S IIYstereo / monoYYmicro2.0YY-
16.
 
Sony A7Ystereo / monoYYmicro2.0YY-
17.
 
Sony A7RYstereo / monoYYmicro2.0YY-
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It is notable that the A7S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the GF5 does not provide wifi capability.

Both the GF5 and the A7S have been discontinued, but can regularly be found used on ebay. The GF5 was replaced by the Panasonic GF6, while the A7S was followed by the Sony A7S II. Further information on the features and operation of the GF5 and A7S can be found, respectively, in the Panasonic GF5 Manual (free pdf) or the online Sony A7S Manual.

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Review summary

So what is the bottom line? Is there a clear favorite between the Panasonic GF5 and the Sony A7S? Which camera is better? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Panasonic Lumix DMC-GF5:

  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • More compact: Is smaller (108x67mm vs 127x94mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 222g or 45 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in April 2012).

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Reasons to prefer the Sony Alpha A7S:

  • Better image quality: Scores substantially higher (37 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (3.4 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (3.2 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (2.7 stops ISO advantage).
  • Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (5 vs 4 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More modern: Reflects 2 years of technical progress since the GF5 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A7S is the clear winner of the contest (18 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GF5 06:18 A7S

How about other alternatives? Do the specifications of the Panasonic GF5 and the Sony A7S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GF5 or the A7S perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
# image  Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Panasonic GF53/5......4.5/54.5/5 Apr 2012 499ebay.com
2.
 
Sony A7S4/5....86/1004.5/55/5 Apr 2014 2,499ebay.com
3.
 
Nikon Df4/5....81/1004/54/5 Nov 2013 2,749ebay.com
4.
 
Olympus E-PL33/5+ +..72/1004.5/54/5 Jun 2011 599ebay.com
5.
 
Olympus E-PM1..86/100..71/1004.5/54.5/5 Jun 2011 499ebay.com
6.
 
Panasonic G64/5+ +....5/54.5/5 Apr 2013 599ebay.com
7.
 
Panasonic GF6..+ +....4.5/54.5/5 Apr 2013 499ebay.com
8.
 
Panasonic LX73/5+ +..75/1004/54.5/5 Jul 2012 499ebay.com
9.
 
Panasonic GF33/582/100..71/1004.5/54/5 Jun 2011 549ebay.com
10.
 
Panasonic G103/5....70/1004/54/5 Mar 2010 499ebay.com
11.
 
Panasonic G2......72/1004/54.5/5 Mar 2010 599ebay.com
12.
 
Panasonic GF23/582/100..70/1004.5/54.5/5 Nov 2010 549ebay.com
13.
 
Panasonic G1..+ +..70/1004/54.5/5 Sep 2008 599ebay.com
14.
 
Sony ZV-E1..+4/5....4.5/5 Mar 2023 2,199 amazon.com
15.
 
Sony A7S II5/5+....4.5/55/5 Sep 2015 2,999ebay.com
16.
 
Sony A75/5+ +..80/1005/55/5 Oct 2013 1,699ebay.com
17.
 
Sony A7R5/5+ +..82/1004.5/55/5 Oct 2013 2,299ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.
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The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Panasonic GF5 vs Sony A7S

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic GF5 Sony A7S
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Micro Four Thirds lenses Sony E mount lenses
    Launch Date April 2012 April 2014
    Launch Price USD 499 USD 2,499
    Sensor Specs Panasonic GF5 Sony A7S
    Sensor Technology CMOS CMOS
    Sensor Format Four Thirds Sensor Full Frame Sensor
    Sensor Size 17.3 x 13.0 mm 35.8 x 23.9 mm
    Sensor Area 224.9 mm2 855.62 mm2
    Sensor Diagonal 21.6 mm 43 mm
    Crop Factor 2.0x 1.0x
    Sensor Resolution 12 Megapixels 12 Megapixels
    Image Resolution 4000 x 3000 pixels 4240 x 2832 pixels
    Pixel Pitch 4.33 μm 8.45 μm
    Pixel Density 5.34 MP/cm2 1.40 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 1080/60i Video 1080/60p Video
    ISO Setting 160 - 6,400 ISO 100 - 102,400 ISO
    ISO Boost 160 - 12,800 ISO 50 - 409,600 ISO
    Image Processor Venus FHD BIONZ X
    DXO Sensor Quality (score) 50 87
    DXO Color Depth (bits) 20.5 23.9
    DXO Dynamic Range (EV) 10.0 13.2
    DXO Low Light (ISO) 573 3702
    Screen Specs Panasonic GF5 Sony A7S
    Viewfinder Type no viewfinder Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.71x
    Viewfinder Resolution 2400k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0inch 3.0inch
    LCD Resolution 920k dots 921k dots
    LCD Attachment Fixed screen Tilting screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Panasonic GF5 Sony A7S
    Focus System Contrast-detect AF Contrast-detect AF
    Manual Focusing Aidno Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/8000s
    Continuous Shooting 4 shutter flaps/s 5 shutter flaps/s
    Electronic Shutterno E-ShutterYES
    Fill Flash Built-in Flash no On-Board Flash
    Storage Medium SDXC cards MS or SDXC cards
    Single or Dual Card Slots Single card slot Single card slot
    UHS card support UHS-I UHS-I
    Connectivity Specs Panasonic GF5 Sony A7S
    External Flash no Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support no Wifi Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Panasonic GF5 Sony A7S
    Environmental Sealingnot weather sealedWeathersealed body
    Battery Type Panasonic DMW-BLE9 Sony NP-FW50
    Battery Life (CIPA)360 shots per charge380 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 108 x 67 x 37 mm
    (4.3 x 2.6 x 1.5 in)
    127 x 94 x 48 mm
    (5.0 x 3.7 x 1.9 in)
    Camera Weight 267 g (9.4 oz) 489 g (17.2 oz)
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