Panasonic GF5 vs Ricoh WG-60

The Panasonic Lumix DMC-GF5 and the Ricoh WG-60 are two digital cameras that were announced, respectively, in April 2012 and October 2018. The GF5 is a mirrorless interchangeable lens camera, while the WG-60 is a fixed lens compact. The cameras are based on a Four Thirds (GF5) and a 1/2.3-inch (WG-60) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Ricoh provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GF5		Ricoh WG-60
Mirrorless system camera		Fixed lens compact camera
Micro Four Thirds lenses		28-140mm f/3.5-5.5
12 MP – Four Thirds sensor		15.9 MP – 1/2.3" sensor
1080/60i Video		1080/60p Video
ISO 160-6,400 (160 - 12,800)		ISO 125-6,400
No viewfinder, LCD framing		No viewfinder, LCD framing
3.0" LCD – 920k dots		2.7" LCD – 230k dots
Fixed touchscreen		Fixed screen (not touch-sensitive)
4 shutter flaps per second		8 shutter flaps per second
not weather sealed		Waterproof body (14m)
360 shots per battery charge		300 shots per battery charge
108 x 67 x 37 mm, 267 g		123 x 62 x 30 mm, 193 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF5 and the Ricoh WG-60? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic GF5 and the Ricoh WG-60 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The GF5 can be obtained in three different colors (black, red, white), while the WG-60 is available in two color-versions (black, red).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-60 is notably larger (5 percent) than the Panasonic GF5. It is noteworthy in this context that the WG-60 is splash and dust-proof, while the GF5 does not feature any corresponding weather-sealing. More than that, the WG-60 is water-proof up to 14m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the WG-60 has a lens built in, whereas the GF5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF5 and their specifications in the Micro Four Thirds Lens Catalog.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
2.		Ricoh WG-60	123 mm	62 mm	30 mm	193 g	300	Y	Oct 2018	279	ebay.com
3.		Fujifilm XP130	110 mm	71 mm	28 mm	207 g	240	Y	Jan 2018	229	ebay.com
4.		Fujifilm XP120	110 mm	71 mm	28 mm	203 g	210	Y	Jan 2017	229	ebay.com
5.		Nikon W300	112 mm	66 mm	29 mm	231 g	280	Y	May 2017	389	ebay.com
6.		Olympus E-PL3	110 mm	64 mm	37 mm	313 g	300	n	Jun 2011	599	ebay.com
7.		Olympus E-PM1	110 mm	64 mm	34 mm	265 g	330	n	Jun 2011	499	ebay.com
8.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
9.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
10.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
11.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
12.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
13.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
14.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
15.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
16.		Pentax WG-90	123 mm	62 mm	30 mm	194 g	300	Y	Nov 2023	279	amazon.com
17.		Sony WX800	102 mm	58 mm	36 mm	233 g	370	n	Oct 2018	399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The WG-60 was launched at a lower price than the GF5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GF5 features a Four Thirds sensor and the Ricoh WG-60 a 1/2.3-inch sensor. The sensor area in the WG-60 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Despite having a smaller sensor, the WG-60 offers a higher resolution of 15.9 megapixels, compared with 12 MP of the GF5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 4.33μm for the GF5). However, it should be noted that the WG-60 is much more recent (by 6 years and 6 months) than the GF5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the WG-60 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Ricoh WG-60 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the WG-60 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Panasonic Lumix DMC-GF5 has a native sensitivity range from ISO 160 to ISO 6400, which can be extended to ISO 160-12800. The corresponding ISO settings for the Ricoh WG-60 are ISO 125 to ISO 6400 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
2.		Ricoh WG-60	1/2.3	15.9	4608	3456	1080/60p	20.6	12.2	1072	51
3.		Fujifilm XP130	1/2.3	15.9	4608	3456	1080/60p	20.6	12.1	1000	51
4.		Fujifilm XP120	1/2.3	15.9	4608	3456	1080/60p	20.5	11.9	900	49
5.		Nikon W300	1/2.3	15.9	4608	3456	4K/30p	20.5	12.0	938	50
6.		Olympus E-PL3	Four Thirds	12.2	4032	3024	1080/60i	20.9	10.3	499	52
7.		Olympus E-PM1	Four Thirds	12.2	4032	3024	1080/60i	21.0	10.3	499	52
8.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
9.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
10.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
11.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
12.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
13.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
14.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
15.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
16.		Pentax WG-90	1/2.3	15.9	4608	3456	1080/60p	20.9	12.8	1570	54
17.		Sony WX800	1/2.3	18.0	4896	3672	4K/30p	20.6	12.2	1070	51
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GF5 provides a higher frame rate than the WG-60. It can shoot video footage at 1080/60i, while the Ricoh is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The GF5 and the WG-60 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Panasonic GF5 and Ricoh WG-60 in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
2.		Ricoh WG-60	none	n	2.7 / 230	fixed	n	1/4000s	8.0/s	Y	n
3.		Fujifilm XP130	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
4.		Fujifilm XP120	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
5.		Nikon W300	none	n	3.0 / 921	fixed	n	1/4000s	7.0/s	Y	Y
6.		Olympus E-PL3	optional	n	3.0 / 460	tilting	n	1/4000s	5.5/s	n	Y
7.		Olympus E-PM1	optional	n	3.0 / 460	fixed	n	1/4000s	5.5/s	n	Y
8.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
9.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
10.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
11.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
12.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
13.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
14.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
15.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
16.		Pentax WG-90	none	n	2.7 / 230	fixed	n	1/4000s	8.0/s	Y	n
17.		Sony WX800	none	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF5 has a touchscreen, while the WG-60 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The Ricoh WG-60 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GF5 and the WG-60 write their files to SDXC cards. The GF5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the WG-60 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF5 and Ricoh WG-60 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
2.		Ricoh WG-60	-	mono / mono	-	-	micro	2.0	-	-	-
3.		Fujifilm XP130	-	mono / mono	-	-	micro	2.0	Y	-	Y
4.		Fujifilm XP120	-	mono / mono	-	-	micro	2.0	Y	-	-
5.		Nikon W300	-	stereo / mono	-	-	micro	2.0	Y	-	Y
6.		Olympus E-PL3	Y	stereo / -	-	-	mini	2.0	-	-	-
7.		Olympus E-PM1	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
9.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
10.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
13.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
16.		Pentax WG-90	-	mono / mono	-	-	micro	2.0	-	-	-
17.		Sony WX800	-	stereo / mono	-	-	micro	2.0	Y	Y	-

Both the GF5 and the WG-60 have been discontinued, but can regularly be found used on ebay. The GF5 was replaced by the Panasonic GF6, while the WG-60 does not have a direct successor. Further information on the features and operation of the GF5 and WG-60 can be found, respectively, in the Panasonic GF5 Manual (free pdf) or the online Ricoh WG-60 Manual.

Review summary

So what conclusions can be drawn? Is the Panasonic GF5 better than the Ricoh WG-60 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Panasonic Lumix DMC-GF5:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better video: Provides higher movie framerates (1080/60i versus 1080/60p).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Longer lasting: Can take more shots (360 versus 300) on a single battery charge.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More heavily discounted: Has been available for much longer (launched in April 2012).

Reasons to prefer the Ricoh WG-60:

• More detail: Has more megapixels (15.9 vs 12MP), which boosts linear resolution by 15%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Faster burst: Shoots at higher frequency (8 vs 4 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has an integrated lens, whereas the GF5 necessitates an extra lens.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the GF5).
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 14m).
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 6 years and 6 months of technical progress since the GF5 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the GF5 emerges as the winner of the contest (13 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GF5 and the Ricoh WG-60 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF5 or the WG-60. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
2.		Ricoh WG-60	..	..	..	..	..	..	Oct 2018	279	ebay.com
3.		Fujifilm XP130	..	o	..	..	3.5/5	4/5	Jan 2018	229	ebay.com
4.		Fujifilm XP120	..	o	..	..	3.5/5	4/5	Jan 2017	229	ebay.com
5.		Nikon W300	..	+	..	..	4/5	4/5	May 2017	389	ebay.com
6.		Olympus E-PL3	3/5	+ +	..	72/100	4.5/5	4/5	Jun 2011	599	ebay.com
7.		Olympus E-PM1	..	86/100	..	71/100	4.5/5	4.5/5	Jun 2011	499	ebay.com
8.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
9.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
10.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
11.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
12.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
13.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
14.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
15.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
16.		Pentax WG-90	..	..	..	..	..	..	Nov 2023	279	amazon.com
17.		Sony WX800	..	..	..	..	..	..	Oct 2018	399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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