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Panasonic GF5 vs Pentax K-1 II

The Panasonic Lumix DMC-GF5 and the Pentax K-1 II are two digital cameras that were announced, respectively, in April 2012 and February 2018. The GF5 is a mirrorless interchangeable lens camera, while the K-1 II is a DSLR. The cameras are based on a Four Thirds (GF5) and a full frame (K-1 II) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Pentax provides 36.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic GF5
versus
Pentax K-1 II
Panasonic GF5   Pentax K-1 II
Mirrorless system camera Digital single lens reflex
Micro Four Thirds lenses Pentax K mount lenses
12 MP – Four Thirds sensor 36.2 MP – Full Frame sensor
1080/60i Video 1080/60i Video
ISO 160-6,400 (160 - 12,800) ISO 100-819,200
No viewfinder, LCD framing Optical viewfinder
3.0" LCD – 920k dots 3.2" LCD – 1037k dots
Fixed touchscreen Fully flexible screen (no touchscreen)
4 shutter flaps per second 4.4 shutter flaps per second
Lens stabilization onlyIn-body stabilization
not weather sealedWeathersealed body
360 shots per battery charge670 shots per battery charge
108 x 67 x 37 mm, 267 g 137 x 110 x 86 mm, 1010 g
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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF5 and the Pentax K-1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic GF5 and the Pentax K-1 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The GF5 can be obtained in three different colors (black, red, white), while the K-1 II is available in two color-versions (black, silver).

Size Panasonic GF5 vs Pentax K-1 II
Compare GF5 versus K-1 II top
Comparison GF5 or K-1 II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is considerably larger (108 percent) than the Panasonic GF5. Moreover, the K-1 II is substantially heavier (278 percent) than the GF5. It is noteworthy in this context that the K-1 II is splash and dust-proof, while the GF5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GF5 gets 360 shots out of its DMW-BLE9 battery, while the K-1 II can take 670 images on a single charge of its D-LI90 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Panasonic GF5 108 mm 67 mm 37 mm 267 g 360 n Apr 2012 499ebay.com
2.
 
Pentax K-1 II 137 mm 110 mm 86 mm 1010 g 670 Y Feb 2018 1,999 amazon.com
3.
 
Olympus E-PL3 110 mm 64 mm 37 mm 313 g 300 n Jun 2011 599ebay.com
4.
 
Olympus E-PM1 110 mm 64 mm 34 mm 265 g 330 n Jun 2011 499ebay.com
5.
 
Panasonic S1R 149 mm 110 mm 97 mm 1016 g 380 Y Feb 2019 3,699 amazon.com
6.
 
Panasonic G6 122 mm 85 mm 71 mm 390 g 340 n Apr 2013 599ebay.com
7.
 
Panasonic GF6 111 mm 65 mm 38 mm 323 g 340 n Apr 2013 499ebay.com
8.
 
Panasonic LX7 111 mm 68 mm 46 mm 298 g 330 n Jul 2012 499ebay.com
9.
 
Panasonic GF3 108 mm 67 mm 32 mm 264 g 300 n Jun 2011 549ebay.com
10.
 
Panasonic G10 124 mm 84 mm 74 mm 388 g 380 n Mar 2010 499ebay.com
11.
 
Panasonic G2 124 mm 84 mm 74 mm 428 g 360 n Mar 2010 599ebay.com
12.
 
Panasonic GF2 113 mm 68 mm 33 mm 310 g 300 n Nov 2010 549ebay.com
13.
 
Panasonic G1 124 mm 84 mm 45 mm 360 g 410 n Sep 2008 599ebay.com
14.
 
Pentax K-1 137 mm 110 mm 86 mm 1010 g 760 Y Feb 2016 1,799ebay.com
15.
 
Sony A7R III 127 mm 96 mm 74 mm 650 g 650 Y Oct 2017 3,199ebay.com
16.
 
Sony A99 II 143 mm 104 mm 76 mm 849 g 490 Y Sep 2016 3,199ebay.com
17.
 
Sony A850 156 mm 117 mm 82 mm 895 g 880 Y Aug 2009 1,999ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF5 was launched at a markedly lower price (by 75 percent) than the K-1 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GF5 features a Four Thirds sensor and the Pentax K-1 II a full frame sensor. The sensor area in the K-1 II is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GF5 has a native 4:3 aspect ratio, while the one in the K-1 II offers a 3:2 aspect.

Panasonic GF5 and Pentax K-1 II sensor measures

With 36.2MP, the K-1 II offers a higher resolution than the GF5 (12MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 4.33μm for the GF5) due to its larger sensor. Moreover, the K-1 II is a much more recent model (by 5 years and 10 months) than the GF5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

Unlike the GF5, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-GF5 has a native sensitivity range from ISO 160 to ISO 6400, which can be extended to ISO 160-12800. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

GF5 versus K-1 II MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Panasonic GF5 Four Thirds 12.0 4000 30001080/60i20.510.057350
2.
 
Pentax K-1 II Full Frame 36.2 7360 49121080/60i25.114.0269893
3.
 
Olympus E-PL3 Four Thirds 12.2 4032 30241080/60i20.910.349952
4.
 
Olympus E-PM1 Four Thirds 12.2 4032 30241080/60i21.010.349952
5.
 
Panasonic S1R Full Frame 46.7 8368 55844K/60p26.414.13525100
6.
 
Panasonic G6 Four Thirds 15.9 4608 34561080/60p21.311.563961
7.
 
Panasonic GF6 Four Thirds 15.8 4592 34481080/60i20.710.662254
8.
 
Panasonic LX7 1/1.7 10.0 3648 27361080/60p20.711.714750
9.
 
Panasonic GF3 Four Thirds 12.0 4000 30001080/60i20.610.145950
10.
 
Panasonic G10 Four Thirds 12.0 4000 3000720/30p21.210.141152
11.
 
Panasonic G2 Four Thirds 12.0 4000 3000720/30p21.210.349353
12.
 
Panasonic GF2 Four Thirds 12.0 4000 30001080/60i21.210.350654
13.
 
Panasonic G1 Four Thirds 12.0 4000 3000none21.110.346353
14.
 
Pentax K-1 Full Frame 36.2 7360 49121080/60i25.414.6328096
15.
 
Sony A7R III Full Frame 42.2 7952 53044K/30p26.014.73523100
16.
 
Sony A99 II Full Frame 42.2 7952 53044K/30p25.413.4231792
17.
 
Sony A850 Full Frame 24.4 6048 4032none23.812.2141579
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60i).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the K-1 II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF5 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic GF5 and Pentax K-1 II along with similar information for a selection of comparators.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Max
Shutter
Speed *
Max
Shutter
Flaps *
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Panasonic GF5none n3.0 / 920 fixed Y 1/4000s 4.0/s Y n
2.
 
Pentax K-1 IIoptical Y3.2 / 1037 full-flex n 1/8000s 4.4/s n Y
3.
 
Olympus E-PL3optional n3.0 / 460 tilting n 1/4000s 5.5/s n Y
4.
 
Olympus E-PM1optional n3.0 / 460 fixed n 1/4000s 5.5/s n Y
5.
 
Panasonic S1R5760 Y3.2 / 2100 full-flex Y 1/8000s 9.0/s n Y
6.
 
Panasonic G61440 n3.0 / 1036 swivel Y 1/4000s 7.0/s Y n
7.
 
Panasonic GF6none n3.0 / 1040 tilting Y 1/4000s 4.2/s Y n
8.
 
Panasonic LX7optional n3.0 / 920 fixed n 1/4000s 11.0/s Y Y
9.
 
Panasonic GF3none n3.0 / 460 fixed Y 1/4000s 3.2/s Y n
10.
 
Panasonic G10202 n3.0 / 460 fixed n 1/4000s 2.6/s Y n
11.
 
Panasonic G21440 n3.0 / 460 swivel Y 1/4000s 2.6/s Y n
12.
 
Panasonic GF2optional n3.0 / 460 fixed Y 1/4000s 2.6/s Y n
13.
 
Panasonic G11440 n3.0 / 460 swivel n 1/4000s 3.0/s Y n
14.
 
Pentax K-1optical Y3.2 / 1037 full-flex n 1/8000s 4.4/s n Y
15.
 
Sony A7R III3686 n3.0 / 1440 tilting Y 1/8000s 10.0/s n Y
16.
 
Sony A99 II2400 Y3.0 / 1229 full-flex n 1/8000s 12.0/s n Y
17.
 
Sony A850optical Y3.0 / 922 fixed n 1/8000s 3.0/s n Y
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The GF5 has one, while the K-1 II does not. While the built-in flash of the GF5 is not very powerful, it can at times be useful as a fill-in light.

The Pentax K-1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GF5 and the K-1 II write their files to SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF5 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF5 and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Panasonic GF5-stereo / mono--mini2.0---
2.
 
Pentax K-1 IIYstereo / monoYYmicro2.0Y--
3.
 
Olympus E-PL3Ystereo / ---mini2.0---
4.
 
Olympus E-PM1Ystereo / mono--mini2.0---
5.
 
Panasonic S1RYstereo / monoYYfull3.1Y-Y
6.
 
Panasonic G6Ystereo / monoY-mini2.0YY-
7.
 
Panasonic GF6-stereo / mono--mini2.0YY-
8.
 
Panasonic LX7Ystereo / mono--mini2.0---
9.
 
Panasonic GF3-stereo / mono--mini2.0---
10.
 
Panasonic G10Ymono / ---mini2.0---
11.
 
Panasonic G2Ystereo / mono--mini2.0---
12.
 
Panasonic GF2Ystereo / mono--mini2.0---
13.
 
Panasonic G1Y- / ---mini2.0---
14.
 
Pentax K-1Ystereo / monoYYmicro2.0Y--
15.
 
Sony A7R IIIYstereo / monoYYmicro3.1YYY
16.
 
Sony A99 IIYstereo / monoYYmicro2.0YYY
17.
 
Sony A850Y- / ---mini2.0---

It is notable that the K-1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the GF5 does not provide wifi capability.

Studio photographers will appreciate that the Pentax K-1 II (unlike the GF5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the K-1 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The K-1 II is a recent model that features in the current product line-up of Pentax. In contrast, the GF5 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GF5 was succeeded by the Panasonic GF6. Further information on the features and operation of the GF5 and K-1 II can be found, respectively, in the Panasonic GF5 Manual (free pdf) or the online Pentax K-1 II Manual.

Review summary

So what conclusions can be drawn? Is the Panasonic GF5 better than the Pentax K-1 II or vice versa? The listing below highlights the relative strengths of the two models.

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Advantages of the Panasonic Lumix DMC-GF5:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • More compact: Is smaller (108x67mm vs 137x110mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 743g or 74 percent) and hence easier to carry around.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in April 2012).

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Arguments in favor of the Pentax K-1 II:

  • More detail: Has more megapixels (36.2 vs 12MP), which boosts linear resolution by 77%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier framing: Has an optical viewfinder for image composition and settings control.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
  • More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Longer lasting: Gets more shots (670 versus 360) out of a single battery charge.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Easier geotagging: Features an internal GPS sensor to log localization data.
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More modern: Reflects 5 years and 10 months of technical progress since the GF5 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the K-1 II is the clear winner of the contest (25 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GF5 08:25 K-1 II

How about other alternatives? Do the specifications of the Panasonic GF5 and the Pentax K-1 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GF5 or the K-1 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Panasonic GF53/5......4.5/54.5/5 Apr 2012 499ebay.com
2.
 
Pentax K-1 II....4.5/579/1004.5/54.5/5 Feb 2018 1,999 amazon.com
3.
 
Olympus E-PL33/5+ +..72/1004.5/54/5 Jun 2011 599ebay.com
4.
 
Olympus E-PM1..86/100..71/1004.5/54.5/5 Jun 2011 499ebay.com
5.
 
Panasonic S1R4.5/5..4.6/589/1004.5/54.5/5 Feb 2019 3,699 amazon.com
6.
 
Panasonic G64/5+ +....5/54.5/5 Apr 2013 599ebay.com
7.
 
Panasonic GF6..+ +....4.5/54.5/5 Apr 2013 499ebay.com
8.
 
Panasonic LX73/5+ +..75/1004/54.5/5 Jul 2012 499ebay.com
9.
 
Panasonic GF33/582/100..71/1004.5/54/5 Jun 2011 549ebay.com
10.
 
Panasonic G103/5....70/1004/54/5 Mar 2010 499ebay.com
11.
 
Panasonic G2......72/1004/54.5/5 Mar 2010 599ebay.com
12.
 
Panasonic GF23/582/100..70/1004.5/54.5/5 Nov 2010 549ebay.com
13.
 
Panasonic G1..+ +..70/1004/54.5/5 Sep 2008 599ebay.com
14.
 
Pentax K-15/5....84/1005/55/5 Feb 2016 1,799ebay.com
15.
 
Sony A7R III..+ +4/590/1004.5/55/5 Oct 2017 3,199ebay.com
16.
 
Sony A99 II....4.5/585/1004.5/54.5/5 Sep 2016 3,199ebay.com
17.
 
Sony A8503/5....75/100..4.5/5 Aug 2009 1,999ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Panasonic GF5 vs Pentax K-1 II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic GF5 Pentax K-1 II
    Camera Type Mirrorless system camera Digital single lens reflex
    Camera Lens Micro Four Thirds lenses Pentax K mount lenses
    Launch Date April 2012 February 2018
    Launch Price USD 499 USD 1,999
    Sensor Specs Panasonic GF5 Pentax K-1 II
    Sensor Technology CMOS CMOS
    Sensor Format Four Thirds Sensor Full Frame Sensor
    Sensor Size 17.3 x 13.0 mm 35.9 x 24.0 mm
    Sensor Area 224.9 mm2 861.6 mm2
    Sensor Diagonal 21.6 mm 43.2 mm
    Crop Factor 2.0x 1.0x
    Sensor Resolution 12 Megapixels 36.2 Megapixels
    Image Resolution 4000 x 3000 pixels 7360 x 4912 pixels
    Pixel Pitch 4.33 μm 4.88 μm
    Pixel Density 5.34 MP/cm2 4.20 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 1080/60i Video 1080/60i Video
    ISO Setting 160 - 6,400 ISO 100 - 819,200 ISO
    ISO Boost 160 - 12,800 ISO no Enhancement
    Image Processor Venus FHD PRIME IV
    DXO Sensor Quality (score) 50 ..
    DXO Color Depth (bits) 20.5 ..
    DXO Dynamic Range (EV) 10.0 ..
    DXO Low Light (ISO) 573 ..
    Screen Specs Panasonic GF5 Pentax K-1 II
    Viewfinder Type no viewfinder Optical viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.70x
    Top-Level Screen no Top Display Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.0inch 3.2inch
    LCD Resolution 920k dots 1037k dots
    LCD Attachment Fixed screen Fully flexible screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Panasonic GF5 Pentax K-1 II
    Focus System Contrast-detect AF Phase-detect AF
    Manual Focusing Aidno Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/8000s
    Continuous Shooting 4 shutter flaps/s 4.4 shutter flaps/s
    Time-Lapse Photographyno IntervalometerIntervalometer built-in
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash Built-in Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Single or Dual Card Slots Single card slot Dual card slots
    UHS card support UHS-I UHS-I
    Connectivity Specs Panasonic GF5 Pentax K-1 II
    External Flash no Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support no Wifi Wifi built-in
    Geotagging no internal GPS GPS built-in
    Body Specs Panasonic GF5 Pentax K-1 II
    Environmental Sealingnot weather sealedWeathersealed body
    Battery Type DMW-BLE9 D-LI90
    Battery Life (CIPA)360 shots per charge670 shots per charge
    Body Dimensions 108 x 67 x 37 mm
    (4.3 x 2.6 x 1.5 in)
    137 x 110 x 86 mm
    (5.4 x 4.3 x 3.4 in)
    Camera Weight 267 g (9.4 oz) 1010 g (35.6 oz)
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