PW

Panasonic GF3 vs Sony A6500

The Panasonic Lumix DMC-GF3 and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in June 2011 and October 2016. Both the GF3 and the A6500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GF3) and an APS-C (A6500) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic GF3   Sony A6500
Panasonic GF3 Sony A6500
Mirrorless system camera Mirrorless system camera
Micro Four Thirds lenses Sony E mount lenses
12 MP, Four Thirds Sensor 24 MP, APS-C Sensor
1080/60i Video 4K/30p Video
ISO 160-6400 ISO 100-25600 (100-51200)
No viewfinder, LCD framing Electronic viewfinder (2359k dots)
3.0" LCD, 460k dots 3.0" LCD, 922k dots
Fixed touchscreen Tilting touchscreen
3.2 shutter flaps per second 11 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Not weather sealedWeathersealed body
300 shots per battery charge350 shots per battery charge
108 x 67 x 32 mm, 264 g 120 x 67 x 53 mm, 453 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF3 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Panasonic GF3 vs Sony A6500

The side-by-side display below illustrates the physical size and weight of the Panasonic GF3 and the Sony A6500. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The GF3 can be obtained in five different colors (black, brown, pink, red, white), while the A6500 is only available in black.

Size Panasonic GF3 vs Sony A6500
Compare GF3 versus A6500 top
Comparison GF3 or A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably larger (11 percent) than the Panasonic GF3. Moreover, the A6500 is substantially heavier (72 percent) than the GF3. It is noteworthy in this context that the A6500 is splash and dust-proof, while the GF3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GF3) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GF3 gets 300 shots out of its DMW-BLE9 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic GF3» 4.3 in 2.6 in 1.3 in 9.3 oz 300 n Jun 2011 549- i Panasonic GF3
 
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
 
Fujifilm X-Pro2« » 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
 
Olympus E-PL3« » 4.3 in 2.5 in 1.5 in 11.0 oz 300 n Jun 2011 599- i Olympus E-PL3
 
Olympus E-PM1« » 4.3 in 2.5 in 1.3 in 9.3 oz 330 n Jun 2011 499- i Olympus E-PM1
 
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
 
Panasonic GF5« » 4.3 in 2.6 in 1.5 in 9.4 oz 360 n Apr 2012 499- i Panasonic GF5
 
Panasonic LX7« » 4.4 in 2.7 in 1.8 in 10.5 oz 330 n Jul 2012 499- i Panasonic LX7
 
Panasonic G3« » 4.5 in 3.3 in 1.9 in 11.9 oz 270 n May 2011 599- i Panasonic G3
 
Panasonic G10« » 4.9 in 3.3 in 2.9 in 13.7 oz 380 n Mar 2010 499- i Panasonic G10
 
Panasonic G2« » 4.9 in 3.3 in 2.9 in 15.1 oz 360 n Mar 2010 599- i Panasonic G2
 
Panasonic GF2« » 4.4 in 2.7 in 1.3 in 10.9 oz 300 n Nov 2010 549- i Panasonic GF2
 
Panasonic LX5« » 4.3 in 2.6 in 1.7 in 9.6 oz 400 n Jul 2010 499- i Panasonic LX5
 
Panasonic G1« » 4.9 in 3.3 in 1.8 in 12.7 oz 410 n Sep 2008 599- i Panasonic G1
 
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
 
Sony A77« » 5.6 in 4.1 in 3.2 in 25.8 oz 470 Y Aug 2011 1,399- i Sony A77
 
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GF3 was launched at a markedly lower price (by 61 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Panasonic GF3 vs Sony A6500

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GF3 features a Four Thirds sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GF3 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

Panasonic GF3 and Sony A6500 sensor measures

With 24MP, the A6500 offers a higher resolution than the GF3 (12MP), but the A6500 has smaller individual pixels (pixel pitch of 3.91μm versus 4.33μm for the GF3). Yet, the A6500 is a much more recent model (by 5 years and 3 months) than the GF3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic GF3 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.

The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-GF3 has a native sensitivity range from ISO 160 to ISO 6400. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

GF3 versus A6500 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A6500 offers substantially better image quality than the GF3 (overall score 36 points higher). The advantage is based on 3.9 bits higher color depth, 3.7 EV in additional dynamic range, and 1.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic GF3» Four Thirds 12.0 4000 30001080/60i20.610.045849Panasonic GF3
 
Sony A6500« APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
 
Fujifilm X-Pro2« » APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
 
Olympus E-PL3« » Four Thirds 12.2 4032 30241080/60i20.910.349952Olympus E-PL3
 
Olympus E-PM1« » Four Thirds 12.2 4032 30241080/60i21.010.349952Olympus E-PM1
 
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
 
Panasonic GF5« » Four Thirds 12.0 4000 30001080/60i21.411.661861Panasonic GF5
 
Panasonic LX7« » 1/1.7 10.0 3648 27361080/60p20.711.714750Panasonic LX7
 
Panasonic G3« » Four Thirds 15.8 4592 34481080/60i21.010.666756Panasonic G3
 
Panasonic G10« » Four Thirds 12.0 4000 3000720/30p21.210.141152Panasonic G10
 
Panasonic G2« » Four Thirds 12.0 4000 3000720/30p21.210.349353Panasonic G2
 
Panasonic GF2« » Four Thirds 12.0 4000 30001080/60i21.210.350654Panasonic GF2
 
Panasonic LX5« » 1/1.7 10.0 3648 2736720/60p19.610.813241Panasonic LX5
 
Panasonic G1« » Four Thirds 12.0 4000 3000-21.110.346353Panasonic G1
 
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
 
Sony A77« » APS-C 24.0 6000 40001080/60p24.013.280178Sony A77
 
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a better video resolution than the GF3. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60i.

 

Feature comparison: Panasonic GF3 vs Sony A6500

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF3 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic GF3, the Sony A6500, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic GF3»- n 3.0 460 fixed Y 1/4000s 3.2 Y n Panasonic GF3
 
Sony A6500«2359 n 3.0 922 tilting Y 1/4000s 11.0 Y Y Sony A6500
 
Fujifilm X-Pro2« »2360 n 3.0 1620 fixed n 1/8000s 8.0 n n Fujifilm X-Pro2
 
Olympus E-PL3« »- n 3.0 460 tilting n 1/4000s 5.5 n Y Olympus E-PL3
 
Olympus E-PM1« »- n 3.0 460 fixed n 1/4000s 5.5 n Y Olympus E-PM1
 
Panasonic GX8« »2360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y Panasonic GX8
 
Panasonic GF5« »- n 3.0 920 fixed Y 1/4000s 4.0 Y n Panasonic GF5
 
Panasonic LX7« »- n 3.0 920 fixed n 1/4000s 11.0 Y Y Panasonic LX7
 
Panasonic G3« »1440 n 3.0 460 swivel Y 1/4000s 4.0 Y n Panasonic G3
 
Panasonic G10« »202 n 3.0 460 fixed n 1/4000s 2.6 Y n Panasonic G10
 
Panasonic G2« »1440 n 3.0 460 swivel Y 1/4000s 2.6 Y n Panasonic G2
 
Panasonic GF2« »- n 3.0 460 fixed Y 1/4000s 2.6 Y n Panasonic GF2
 
Panasonic LX5« »- n 3.0 460 fixed n 1/4000s 2.5 Y Y Panasonic LX5
 
Panasonic G1« »1440 n 3.0 460 swivel n 1/4000s 3.0 Y n Panasonic G1
 
Sony A6300« »2359 n 3.0 922 tilting n 1/4000s 11.0 Y n Sony A6300
 
Sony A77« »2359 Y 3.0 921 full-flex n 1/8000s 12.0 Y Y Sony A77
 
Sony NEX-7« »2359 n 3.0 921 tilting n 1/4000s 10.0 Y n Sony NEX-7

One feature that differentiates the A6500 and the GF3 is in-body image stabilization (IBIS). The A6500 reduces the risk of handshake-induced blur with all attached lenses, while the GF3 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The GF3 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF3 cannot take advantage of Ultra High Speed SD cards.

 

Connectivity comparison: Panasonic GF3 vs Sony A6500

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF3 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic GF3»-stereomono--mini2.0---Panasonic GF3
 
Sony A6500«YstereomonoY-micro2.0YY-Sony A6500
 
Fujifilm X-Pro2« »YstereomonoY-micro2.0Y--Fujifilm X-Pro2
 
Olympus E-PL3« »Ystereo---mini2.0---Olympus E-PL3
 
Olympus E-PM1« »Ystereomono--mini2.0---Olympus E-PM1
 
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
 
Panasonic GF5« »-stereomono--mini2.0---Panasonic GF5
 
Panasonic LX7« »Ystereomono--mini2.0---Panasonic LX7
 
Panasonic G3« »Ystereomono--mini2.0---Panasonic G3
 
Panasonic G10« »Ymono---mini2.0---Panasonic G10
 
Panasonic G2« »Ystereomono--mini2.0---Panasonic G2
 
Panasonic GF2« »Ystereomono--mini2.0---Panasonic GF2
 
Panasonic LX5« »Ymonomono--mini2.0---Panasonic LX5
 
Panasonic G1« »Y----mini2.0---Panasonic G1
 
Sony A6300« »YstereomonoY-micro2.0YY-Sony A6300
 
Sony A77« »YstereomonoY-mini2.0---Sony A77
 
Sony NEX-7« »YstereomonoY-mini2.0---Sony NEX-7

It is notable that the A6500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the GF3 does not offer wifi capability.

The A6500 is a recent model that features in the current product line-up of Sony. In contrast, the GF3 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GF3 was succeeded by the Panasonic GF5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.


Review summary: Panasonic GF3 vs Sony A6500

So how do things add up? Is the Panasonic GF3 better than the Sony A6500 or vice versa? The listing below highlights the relative strengths of the two models.

ilogo

Arguments in favor of the Panasonic Lumix DMC-GF3:

  • Less heavy: Is lighter (by 189g or 42 percent) and hence easier to carry around.
  • More affordable: Was introduced into a lower priced category (61 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in June 2011).

ilogo

Reasons to prefer the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
  • Better image quality: Scores substantially higher (36 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (3.9 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (3.7 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (1.6 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
  • Better live-view autofocus: Features on-sensor phase-detection for quicker and more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster burst: Shoots at higher frequency (11 vs 3.2 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Longer lasting: Gets more shots (350 versus 300) out of a single battery charge.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
  • More modern: Reflects 5 years and 3 months of technical progress since the GF3 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (21 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GF3 03:21 A6500

How about other alternatives? Do the specifications of the Panasonic GF3 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GF3 and the A6500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews: Panasonic GF3 vs Sony A6500

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic GF3»82/10071/1004.5/54.5/54/5 Jun 2011 549- i Panasonic GF3
 
Sony A6500«+ +85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
 
Fujifilm X-Pro2« »+83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
 
Olympus E-PL3« »+ +72/1004.5/5-4/5 Jun 2011 599- i Olympus E-PL3
 
Olympus E-PM1« »86/10071/1004.5/5-4.5/5 Jun 2011 499- i Olympus E-PM1
 
Panasonic GX8« »+82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
 
Panasonic GF5« »--4.5/54/54.5/5 Apr 2012 499- i Panasonic GF5
 
Panasonic LX7« »+ +75/1004/55/54.5/5 Jul 2012 499- i Panasonic LX7
 
Panasonic G3« »+ +75/1004.5/54.5/55/5 May 2011 599- i Panasonic G3
 
Panasonic G10« »-70/1004/5-4/5 Mar 2010 499- i Panasonic G10
 
Panasonic G2« »-72/1004/54/54.5/5 Mar 2010 599- i Panasonic G2
 
Panasonic GF2« »82/10070/1004.5/54.5/54.5/5 Nov 2010 549- i Panasonic GF2
 
Panasonic LX5« »+73/1004.5/55/54.5/5 Jul 2010 499- i Panasonic LX5
 
Panasonic G1« »+ +70/1004/54.5/54.5/5 Sep 2008 599- i Panasonic G1
 
Sony A6300« »+85/1005/55/55/5 Feb 2016 999- i Sony A6300
 
Sony A77« »91/10081/100-4.5/55/5 Aug 2011 1,399- i Sony A77
 
Sony NEX-7« »+ +81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Panasonic GF3:
Check Ebay offers
Sony A6500:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

~

    Specifications: Panasonic GF3 vs Sony A6500

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic GF3 Sony A6500
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Micro Four Thirds lenses Sony E mount lenses
    Launch Date June 2011 October 2016
    Launch Price USD 549 USD 1399
    Sensor Specs Panasonic GF3 Sony A6500
    Sensor Technology CMOS CMOS
    Sensor Format Four Thirds Sensor APS-C Sensor
    Sensor Size 17.3 x 13.0 mm 23.5 x 15.6 mm
    Sensor Area 224.9 mm2 366.6 mm2
    Sensor Diagonal 21.6 mm 28.2 mm
    Crop Factor 2.0x 1.5x
    Sensor Resolution 12 Megapixels 24 Megapixels
    Image Resolution 4000 x 3000 pixels 6000 x 4000 pixels
    Pixel Pitch 4.33 μm 3.91 μm
    Pixel Density 5.34 MP/cm2 6.55 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 1080/60i Video 4K/30p Video
    ISO Setting 160-6400 ISO 100-25600 ISO
    ISO Boost no Enhancement 100-51200 ISO
    Image Processor Venus FHD BIONZ X
    DXO Sensor Quality (score) 49 85
    DXO Color Depth (bits) 20.6 24.5
    DXO Dynamic Range (EV) 10.0 13.7
    DXO Low Light (ISO) 458 1405
    Screen Specs Panasonic GF3 Sony A6500
    Viewfinder Type No viewfinder Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.70x
    Viewfinder Resolution 2359k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 460k dots 922k dots
    LCD Attachment Fixed screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Panasonic GF3 Sony A6500
    Autofocus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 3.2 shutter flaps/s 11 shutter flaps/s
    Electronic Shutterno E-ShutterYES
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash Build-in Flash Build-in Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support no UHS-I
    Connectivity Specs Panasonic GF3 Sony A6500
    External Flash no Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Wifi Support no Wifi Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Panasonic GF3 Sony A6500
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type DMW-BLE9 power pack NP-FW50 power pack
    Battery Life (CIPA)300 shots per charge350 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 108 x 67 x 32 mm
    (4.3 x 2.6 x 1.3 in)
    120 x 67 x 53 mm
    (4.7 x 2.6 x 2.1 in)
    Camera Weight 264 g (9.3 oz) 453 g (16.0 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

    You are here  »   »