Panasonic GF3 vs Pentax KP
The Panasonic Lumix DMC-GF3 and the Pentax KP are two digital cameras that were announced, respectively, in June 2011 and January 2017. The GF3 is a mirrorless interchangeable lens camera, while the KP is a DSLR. The cameras are based on a Four Thirds (GF3) and an APS-C (KP) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF3 and the Pentax KP? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic GF3 and the Pentax KP are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The GF3 can be obtained in five different colors (black, brown, pink, red, white), while the KP is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax KP is considerably larger (84 percent) than the Panasonic GF3. Moreover, the KP is substantially heavier (166 percent) than the GF3. It is noteworthy in this context that the KP is splash and dust-proof, while the GF3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|2.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099|
|3.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|4.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|5.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|6.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|7.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|8.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|9.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|10.||Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549|
|11.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|12.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|13.||Pentax K-70||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649|
|14.||Pentax K-S2||123 mm||91 mm||73 mm||678 g||410||Y||Feb 2015||749|
|15.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|16.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299|
|17.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GF3 was launched at a markedly lower price (by 50 percent) than the KP, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GF3 features a Four Thirds sensor and the Pentax KP an APS-C sensor. The sensor area in the KP is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GF3 has a native 4:3 aspect ratio, while the one in the KP offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24.1MP, the KP offers a higher resolution than the GF3 (12MP), but the KP has smaller individual pixels (pixel pitch of 3.90μm versus 4.33μm for the GF3). Yet, the KP is a much more recent model (by 5 years and 7 months) than the GF3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the KP has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax KP implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the KP for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Panasonic GF3 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
Unlike the GF3, the KP has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DMC-GF3 has a native sensitivity range from ISO 160 to ISO 6400. The corresponding ISO settings for the Pentax KP are ISO 100 to ISO 819200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|3.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|4.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|5.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|7.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|8.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|9.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|10.||Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|12.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|15.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|17.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60i).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the KP has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF3 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic GF3 and Pentax KP in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2||Y||n|
|2.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0||Y||Y|
|3.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5||n||Y|
|4.||Olympus E-PM1||optional||n||3.0 / 460||fixed||n||1/4000s||5.5||n||Y|
|5.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|6.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|7.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|8.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|9.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
|10.||Panasonic GF2||optional||n||3.0 / 460||fixed||Y||1/4000s||2.6||Y||n|
|11.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
|12.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|13.||Pentax K-70||optical||n||3.0 / 921||swivel||n||1/6000s||6.0||Y||Y|
|14.||Pentax K-S2||optical||n||3.0 / 921||swivel||n||1/6000s||5.4||Y||Y|
|15.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||n||Y|
|16.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||Y||Y|
|17.||Pentax K-5 II||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF3 has a touchscreen, while the KP has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the KP is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Pentax KP has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GF3 and the KP write their files to SDXC cards. The KP supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF3 and Pentax KP and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|3.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|4.||Olympus E-PM1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|9.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic GF2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Pentax K-70||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|14.||Pentax K-S2||Y||mono / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|16.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|17.||Pentax K-5 II||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the KP offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the GF3 does not provide wifi capability.
The KP is a recent model that features in the current product line-up of Pentax. In contrast, the GF3 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the GF3 was succeeded by the Panasonic GF5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So what is the bottom line? Which of the two cameras – the Panasonic GF3 or the Pentax KP – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-GF3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More compact: Is smaller (108x67mm vs 132x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 439g or 62 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2011).
Reasons to prefer the Pentax KP:
- More detail: Has more megapixels (24.1 vs 12MP), which boosts linear resolution by 44%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 3.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (390 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 7 months of technical progress since the GF3 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the KP is the clear winner of the contest (22 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF3 and the Pentax KP place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF3 or the KP. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|2.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099|
|3.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599|
|4.||Olympus E-PM1||..||86/100||..||71/100||4.5/5||4.5/5||Jun 2011||499|
|5.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|6.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|7.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|8.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|9.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|10.||Panasonic GF2||3/5||82/100||..||70/100||4.5/5||4.5/5||Nov 2010||549|
|11.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|12.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|13.||Pentax K-70||4.5/5||..||..||79/100||4.5/5||4.5/5||Jun 2016||649|
|14.||Pentax K-S2||4.5/5||..||..||..||5/5||4.5/5||Feb 2015||749|
|15.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099|
|16.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299|
|17.||Pentax K-5 II||5/5||..||..||80/100||5/5||4.5/5||Sep 2012||1,099|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon M vs Panasonic GF3
- Canon SX720 vs Panasonic GF3
- Fujifilm GFX 50S vs Pentax KP
- Fujifilm X-T10 vs Pentax KP
- Leica CL vs Panasonic GF3
- Leica TL2 vs Pentax KP
- Olympus E-M1X vs Panasonic GF3
- Panasonic G9 vs Pentax KP
- Panasonic GF3 vs Sony A77 II
- Panasonic GF3 vs Sony NEX-F3
- Pentax 645Z vs Pentax KP
- Pentax KP vs Zeiss ZX1
Specifications: Panasonic GF3 vs Pentax KP
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GF3||Pentax KP|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Pentax K mount lenses|
|Launch Date||June 2011||January 2017|
|Launch Price||USD 549||USD 1,099|
|Sensor Specs||Panasonic GF3||Pentax KP|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||12 Megapixels||24.1 Megapixels|
|Image Resolution||4000 x 3000 pixels||6016 x 4000 pixels|
|Pixel Pitch||4.33 μm||3.90 μm|
|Pixel Density||5.34 MP/cm2||6.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||1080/60i Video|
|ISO Setting||160 - 6,400 ISO||100 - 819,200 ISO|
|Image Processor||Venus FHD||PRIME IV|
|DXO Sensor Quality (score)||49||..|
|DXO Color Depth (bits)||20.6||..|
|DXO Dynamic Range (EV)||10.0||..|
|DXO Low Light (ISO)||458||..|
|Screen Specs||Panasonic GF3||Pentax KP|
|Viewfinder Type||no viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GF3||Pentax KP|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/6000s|
|Continuous Shooting||3.2 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/24000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic GF3||Pentax KP|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Panasonic GF3||Pentax KP|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||390 shots per charge|
108 x 67 x 32 mm
(4.3 x 2.6 x 1.3 in)
132 x 101 x 76 mm
(5.2 x 4.0 x 3.0 in)
|Camera Weight||264 g (9.3 oz)||703 g (24.8 oz)|
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