Panasonic GF3 vs G5
The Panasonic Lumix DMC-GF3 and the Panasonic Lumix DMC-G5 are two digital cameras that were revealed to the public, respectively, in June 2011 and July 2012. Both the GF3 and the G5 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The GF3 has a resolution of 12 megapixels, whereas the G5 provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF3 and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic GF3 and the Panasonic G5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF3 can be obtained in five different colors (black, brown, pink, red, white), while the G5 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is notably larger (38 percent) than the Panasonic GF3. Moreover, the G5 is substantially heavier (50 percent) than the GF3. In this context, it is worth noting that neither the GF3 nor the G5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the GF3 gets 300 shots out of its Panasonic DMW-BLE9 battery, while the G5 can take 320 images on a single charge of its Panasonic DMW-BLC12 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
2. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
3. | Olympus E-PL3 | 110 mm | 64 mm | 37 mm | 313 g | 300 | n | Jun 2011 | 599 | ebay.com | |
4. | Olympus E-PM1 | 110 mm | 64 mm | 34 mm | 265 g | 330 | n | Jun 2011 | 499 | ebay.com | |
5. | Panasonic G1 | 124 mm | 84 mm | 45 mm | 360 g | 410 | n | Sep 2008 | 599 | ebay.com | |
6. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
7. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
8. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
9. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
10. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | 549 | ebay.com | |
11. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
12. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | 499 | ebay.com | |
13. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
14. | Panasonic GX850 | 107 mm | 65 mm | 33 mm | 269 g | 210 | n | Jan 2017 | 549 | ebay.com | |
15. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
16. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF3 was somewhat cheaper (by 8 percent) than the G5 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G5 offers a higher resolution of 15.9 megapixels, compared with 12 MP of the GF3. This megapixels advantage translates into a 15 percent gain in linear resolution. On the other hand, these sensor specs imply that the G5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.33μm for the GF3). However, it should be noted that the G5 is a somewhat more recent model (by 1 year and 1 month) than the GF3, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The resolution advantage of the Panasonic G5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic GF3 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-GF3 has a native sensitivity range from ISO 160 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the G5 offers substantially better image quality than the GF3 (overall score 11 points higher). The advantage is based on 0.8 bits higher color depth, 1.5 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
2. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
3. | Olympus E-PL3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.9 | 10.3 | 499 | 52 | |
4. | Olympus E-PM1 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 21.0 | 10.3 | 499 | 52 | |
5. | Panasonic G1 | Four Thirds | 12.0 | 4000 | 3000 | none | 21.1 | 10.3 | 463 | 53 | |
6. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
7. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
8. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
9. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
10. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 | |
11. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
12. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
13. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
14. | Panasonic GX850 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 23.2 | 13.3 | 586 | 73 | |
15. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 | |
16. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G5 provides a faster frame rate than the GF3. It can shoot movie footage at 1080/60p, while the GF3 is limited to 1080/60i.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G5 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF3 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic GF3 and Panasonic G5 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
2. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
3. | Olympus E-PL3 | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 5.5/s | n | Y | |
4. | Olympus E-PM1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 5.5/s | n | Y | |
5. | Panasonic G1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
6. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
7. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
8. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
9. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
10. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
11. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
12. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
13. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
14. | Panasonic GX850 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 10.0/s | Y | n | |
15. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
16. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
Concerning the storage of imaging data, both the GF3 and the G5 write their files to SDXC cards. The G5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF3 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF3 and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Olympus E-PL3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
4. | Olympus E-PM1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Panasonic G1 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
6. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
9. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
11. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
13. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic GX850 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
15. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the G5 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The GF3 does not feature such an accessory-socket.
Both the GF3 and the G5 have been discontinued, but can regularly be found used on ebay. The GF3 was replaced by the Panasonic GF5, while the G5 was followed by the Panasonic G6. Further information on the features and operation of the GF3 and G5 can be found, respectively, in the Panasonic GF3 Manual (free pdf) or the online Panasonic G5 Manual.
Review summary
So how do things add up? Is there a clear favorite between the Panasonic GF3 and the Panasonic G5? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-GF3:
- More compact: Is smaller (108x67mm vs 120x83mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 132g or 33 percent) and hence easier to carry around.
- More heavily discounted: Has been on the market for longer (launched in June 2011).
Advantages of the Panasonic Lumix DMC-G5:
- More detail: Has more megapixels (15.9 vs 12MP), which boosts linear resolution by 15%.
- Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6 vs 3.2 flaps/sec) to capture the decisive moment.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (1 year and 1 month) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the G5 is the clear winner of the contest (13 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF3 and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF3 or the G5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
2. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
3. | Olympus E-PL3 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4/5 | Jun 2011 | 599 | ebay.com | |
4. | Olympus E-PM1 | .. | 86/100 | .. | 71/100 | 4.5/5 | 4.5/5 | Jun 2011 | 499 | ebay.com | |
5. | Panasonic G1 | .. | + + | .. | 70/100 | 4/5 | 4.5/5 | Sep 2008 | 599 | ebay.com | |
6. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
7. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
8. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
9. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
10. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | 549 | ebay.com | |
11. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
12. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
13. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
14. | Panasonic GX850 | .. | + | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2017 | 549 | ebay.com | |
15. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
16. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 10D vs Panasonic GF3
- Canon 5D Mark II vs Panasonic G5
- Canon 5D Mark III vs Panasonic GF3
- Canon 5DS R vs Panasonic GF3
- Fujifilm X-T100 vs Panasonic G5
- Nikon D3500 vs Panasonic GF3
- Nikon D700 vs Panasonic GF3
- Olympus E-M10 vs Panasonic G5
- Panasonic FZ150 vs Panasonic G5
- Panasonic G5 vs Panasonic G7
- Panasonic G5 vs Pentax K-3 II
- Panasonic G90 vs Panasonic GF3
Specifications: Panasonic GF3 vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic GF3 | Panasonic G5 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Micro Four Thirds lenses |
Launch Date | June 2011 | July 2012 |
Launch Price | USD 549 | USD 599 |
Sensor Specs | Panasonic GF3 | Panasonic G5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Four Thirds Sensor |
Sensor Size | 17.3 x 13.0 mm | 17.3 x 13.0 mm |
Sensor Area | 224.9 mm2 | 224.9 mm2 |
Sensor Diagonal | 21.6 mm | 21.6 mm |
Crop Factor | 2.0x | 2.0x |
Sensor Resolution | 12 Megapixels | 15.9 Megapixels |
Image Resolution | 4000 x 3000 pixels | 4608 x 3456 pixels |
Pixel Pitch | 4.33 μm | 3.76 μm |
Pixel Density | 5.34 MP/cm2 | 7.08 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60i Video | 1080/60p Video |
ISO Setting | 160 - 6,400 ISO | 160 - 12,800 ISO |
Image Processor | Venus FHD | Venus VII FHD |
DXO Sensor Quality (score) | 50 | 61 |
DXO Color Depth (bits) | 20.6 | 21.4 |
DXO Dynamic Range (EV) | 10.1 | 11.6 |
DXO Low Light (ISO) | 459 | 618 |
Screen Specs | Panasonic GF3 | Panasonic G5 |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 1440k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 460k dots | 920k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic GF3 | Panasonic G5 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Continuous Shooting | 3.2 shutter flaps/s | 6 shutter flaps/s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Panasonic GF3 | Panasonic G5 |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Panasonic GF3 | Panasonic G5 |
Battery Type | Panasonic DMW-BLE9 | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 300 shots per charge | 320 shots per charge |
Body Dimensions |
108 x 67 x 32 mm (4.3 x 2.6 x 1.3 in) |
120 x 83 x 71 mm (4.7 x 3.3 x 2.8 in) |
Camera Weight | 264 g (9.3 oz) | 396 g (14.0 oz) |
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