Panasonic GF2 vs Sony RX1R II
The Panasonic Lumix DMC-GF2 and the Sony Cyber-shot DSC-RX1R II are two digital cameras that were announced, respectively, in November 2010 and October 2015. The GF2 is a mirrorless interchangeable lens camera, while the RX1R II is a fixed lens compact. The cameras are based on a Four Thirds (GF2) and a full frame (RX1R II) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GF2||Sony RX1R II|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||35mm f/2.0|
|12 MP, Four Thirds Sensor||42.2 MP, Full Frame Sensor|
|1080/60i Video||1080/60p Video|
|ISO 100-6400||ISO 100-25600 (50-102400)|
|Viewfinder optional||Electronic viewfinder (2360k dots)|
|3.0" LCD, 460k dots||3.0" LCD, 1229k dots|
|Fixed touchscreen||Tilting screen (not touch-sensitive)|
|2.6 shutter flaps per second||5 shutter flaps per second|
|300 shots per battery charge||220 shots per battery charge|
|113 x 68 x 33 mm, 310 g||113 x 65 x 72 mm, 507 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF2 and the Sony Cyber-shot DSC-RX1R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic GF2 and the Sony RX1R II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GF2 can be obtained in four different colors (black, silver, red, white), while the RX1R II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1R II is somewhat smaller (4 percent) than the Panasonic GF2. In this context, it is worth noting that neither the GF2 nor the RX1R II are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1R II has a lens built in, whereas the GF2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF2 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the GF2 gets 300 shots out of its DMW-BLD10 battery, while the RX1R II can take 220 images on a single charge of its NP-BX1 power pack. The power pack in the RX1R II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic GF2»||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549||Panasonic GF2|
|Sony RX1R II«||113 mm||65 mm||72 mm||507 g||220||n||Oct 2015||3,299||Sony RX1R II|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Fujifilm X10« »||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599||Fujifilm X10|
|Panasonic GF6« »||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||Panasonic GF6|
|Panasonic GF5« »||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||Panasonic GF5|
|Panasonic G3« »||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||Panasonic G3|
|Panasonic GF3« »||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||Panasonic GF3|
|Panasonic GX1« »||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||Panasonic GX1|
|Panasonic G10« »||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||Panasonic G10|
|Panasonic G2« »||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599||Panasonic G2|
|Panasonic GF1« »||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749||Panasonic GF1|
|Panasonic G1« »||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599||Panasonic G1|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||Sony RX100 IV|
|Sony H300« »||128 mm||89 mm||92 mm||590 g||350||n||Feb 2014||219||Sony H300|
|Sony RX1R« »||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799||Sony RX1R|
|Sony RX1« »||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799||Sony RX1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GF2 features a Four Thirds sensor and the Sony RX1R II a full frame sensor. The sensor area in the RX1R II is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GF2 has a native 4:3 aspect ratio, while the one in the RX1R II offers a 3:2 aspect.
With 42.2MP, the RX1R II offers a higher resolution than the GF2 (12MP), but the RX1R II nevertheless has larger individual pixels (pixel pitch of 4.50μm versus 4.33μm for the GF2) due to its larger sensor. Moreover, the RX1R II is a much more recent model (by 4 years and 11 months) than the GF2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the RX1R II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX1R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX1R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inch or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inch or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inch or 67.3 x 44.9 cm. The corresponding values for the Panasonic GF2 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-GF2 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the RX1R II offers substantially better image quality than the GF2 (overall score 43 points higher). The advantage is based on 4.6 bits higher color depth, 3.6 EV in additional dynamic range, and 2.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Sony RX1R II||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97||Sony RX1R II|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Fujifilm X10||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54||Panasonic GF1|
|Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53||Panasonic G1|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony H300||1/2.3||19.9||5152||3864||720/30p||..||..||..||..||Sony H300|
|Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91||Sony RX1R|
|Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX1R II provides a faster frame rate than the GF2. It can shoot movie footage at 1080/60p, while the Panasonic is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX1R II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF2 relies on live view and the rear LCD for framing. That said, the GF2 can be equipped with an optional viewfinder – the DMW-LVF1. The table below summarizes some of the other core capabilities of the Panasonic GF2 and Sony RX1R II in connection with corresponding information for a sample of similar cameras.
|Panasonic GF2||optional||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Sony RX1R II||2360||n||3.0||1229||tilting||n||1/4000s||5.0||n||n||Sony RX1R II|
|Canon 5DS||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Fujifilm X10||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Panasonic GF6||none||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic GF5||none||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic G3||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GF3||none||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic GX1||optional||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Panasonic G10||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GF1||optional||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Panasonic GF1|
|Panasonic G1||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic G1|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony H300||none||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H300|
|Sony RX1R||optional||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1R|
|Sony RX1||optional||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1|
One difference between the cameras concerns the presence of an on-board flash. The GF2 has one, while the RX1R II does not. While the built-in flash of the GF2 is not very powerful, it can at times be useful as a fill-in light.
The GF2 writes its imaging data to SDXC cards, while the RX1R II uses SDXC or Memory Stick PRO Duo cards. The RX1R II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF2 and Sony Cyber-shot DSC-RX1R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic GF2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Sony RX1R II||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony RX1R II|
|Canon 5DS||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Fujifilm X10||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Panasonic GF6||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic GF5||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic G3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GF3||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic GX1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Panasonic G10||Y||mono||none||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GF1||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic GF1|
|Panasonic G1||Y||none||none||-||-||mini||2.0||-||-||-||Panasonic G1|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony H300||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H300|
|Sony RX1R||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1R|
|Sony RX1||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
It is notable that the RX1R II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the GF2 does not offer wifi capability.
The RX1R II is a recent model that features in the current product line-up of Sony. In contrast, the GF2 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GF2 was succeeded by the Panasonic GF3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Panasonic GF2 or the Sony RX1R II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-GF2:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (300 versus 220) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in November 2010).
Advantages of the Sony Cyber-shot DSC-RX1R II:
- More detail: Has more megapixels (42.2 vs 12MP), which boosts linear resolution by 91%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (43 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.7 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (5 vs 2.6 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GF2 necessitates an extra lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 11 months of technical progress since the GF2 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the RX1R II is the clear winner of the contest (17 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF2 and the Sony RX1R II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF2 or the RX1R II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 6D Mark II vs Sony RX1R II
- Canon 7D II vs Panasonic GF2
- Canon G3 X vs Sony RX1R II
- Contax N Digital vs Sony RX1R II
- Leica CL vs Sony RX1R II
- Nikon B700 vs Sony RX1R II
- Nikon D5100 vs Panasonic GF2
- Olympus E-PL7 vs Sony RX1R II
- Panasonic GF2 vs Sony NEX-5
- Sony A6100 vs Sony RX1R II
- Sony A7R IV vs Sony RX1R II
- Sony RX10 II vs Sony RX1R II
Specifications: Panasonic GF2 vs Sony RX1R II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GF2||Sony RX1R II|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||35mm f/2.0|
|Launch Date||November 2010||October 2015|
|Launch Price||USD 549||USD 3299|
|Sensor Specs||Panasonic GF2||Sony RX1R II|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.8 x 23.9 mm|
|Sensor Area||224.9 mm2||855.62 mm2|
|Sensor Diagonal||21.6 mm||43 mm|
|Sensor Resolution||12 Megapixels||42.2 Megapixels|
|Image Resolution||4000 x 3000 pixels||7952 x 5304 pixels|
|Pixel Pitch||4.33 μm||4.50 μm|
|Pixel Density||5.34 MP/cm2||4.93 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||100-6400 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-102400 ISO|
|Image Processor||Venus FHD||BIONZ X|
|DXO Sensor Quality (score)||54||97|
|DXO Color Depth (bits)||21.2||25.8|
|DXO Dynamic Range (EV)||10.3||13.9|
|DXO Low Light (ISO)||506||3204|
|Screen Specs||Panasonic GF2||Sony RX1R II|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GF2||Sony RX1R II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||2.6 shutter flaps/s||5 shutter flaps/s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic GF2||Sony RX1R II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic GF2||Sony RX1R II|
|Battery Life (CIPA)||300 shots per charge||220 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
113 x 68 x 33 mm
(4.4 x 2.7 x 1.3 in)
113 x 65 x 72 mm
(4.4 x 2.6 x 2.8 in)
|Camera Weight||310 g (10.9 oz)||507 g (17.9 oz)|
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