Panasonic GF2 vs Samsung NX1
The Panasonic Lumix DMC-GF2 and the Samsung NX1 are two digital cameras that were announced, respectively, in November 2010 and September 2014. Both the GF2 and the NX1 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GF2) and an APS-C (NX1) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Samsung provides 28 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF2 and the Samsung NX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic GF2 and the Samsung NX1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GF2 can be obtained in four different colors (black, silver, red, white), while the NX1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Samsung NX1 is considerably larger (85 percent) than the Panasonic GF2. Moreover, the NX1 is substantially heavier (77 percent) than the GF2. It is noteworthy in this context that the NX1 is splash and dust-proof, while the GF2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the NX1 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549|
|2.||Samsung NX1||139 mm||102 mm||66 mm||550 g||500||Y||Sep 2014||1,499|
|3.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|4.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599|
|5.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|6.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599|
|7.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|8.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|9.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|10.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|11.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|12.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|13.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|14.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749|
|15.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|16.||Samsung NX500||120 mm||64 mm||43 mm||287 g||370||n||Feb 2015||799|
|17.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GF2 was launched at a markedly lower price (by 63 percent) than the NX1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GF2 features a Four Thirds sensor and the Samsung NX1 an APS-C sensor. The sensor area in the NX1 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GF2 has a native 4:3 aspect ratio, while the one in the NX1 offers a 3:2 aspect.
With 28MP, the NX1 offers a higher resolution than the GF2 (12MP), but the NX1 has smaller individual pixels (pixel pitch of 3.63μm versus 4.33μm for the GF2). Yet, the NX1 is a much more recent model (by 3 years and 10 months) than the GF2, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the NX1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Samsung NX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NX1 for good quality output (200 dots per inch) amounts to 32.4 x 21.6 inches or 82.3 x 54.9 cm, for very good quality (250 dpi) 25.9 x 17.3 inches or 65.8 x 43.9 cm, and for excellent quality (300 dpi) 21.6 x 14.4 inches or 54.9 x 36.6 cm. The corresponding values for the Panasonic GF2 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The NX1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-GF2 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Samsung NX1 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NX1 offers substantially better image quality than the GF2 (overall score 29 points higher). The advantage is based on 3 bits higher color depth, 2.9 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|6.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|7.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|8.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|9.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|10.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|11.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|12.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|13.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|14.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|15.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|17.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the NX1 provides a better video resolution than the GF2. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the NX1 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF2 relies on live view and the rear LCD for framing. That said, the GF2 can be equipped with an optional viewfinder – the DMW-LVF1. The table below summarizes some of the other core capabilities of the Panasonic GF2 and Samsung NX1 in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic GF2||optional||n||3.0 / 460||fixed||Y||1/4000s||2.6/s||Y||n|
|2.||Samsung NX1||2360||Y||3.0 / 1036||tilting||Y||1/8000s||15.0/s||Y||n|
|3.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|4.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0/s||n||n|
|5.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|6.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||Y|
|7.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|8.||Olympus E-PM1||optional||n||3.0 / 460||fixed||n||1/4000s||5.5/s||n||Y|
|9.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|10.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|11.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|12.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|13.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|14.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|15.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|16.||Samsung NX500||none||n||3.0 / 1036||tilting||Y||1/6000s||9.0/s||Y||n|
|17.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the NX1, but is missing on the GF2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Samsung NX1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GF2 and the NX1 write their files to SDXC cards. The NX1 supports UHS-II cards on its first slot and UHS-I on its second one, while the GF2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF2 and Samsung NX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GF2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Samsung NX1||Y||stereo / mono||Y||Y||micro||3.0||Y||Y||Y|
|3.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|4.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|5.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|6.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|8.||Olympus E-PM1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|13.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
|16.||Samsung NX500||Y||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|17.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the NX1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the GF2 does not provide wifi capability.
Both the GF2 and the NX1 have been discontinued, but can regularly be found used on eBay. The GF2 was replaced by the Panasonic GF3, while the NX1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Samsung websites.
So what conclusions can be drawn? Which of the two cameras – the Panasonic GF2 or the Samsung NX1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-GF2:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (113x68mm vs 139x102mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 240g or 44 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in November 2010).
Advantages of the Samsung NX1:
- More detail: Has more megapixels (28 vs 12MP), which boosts linear resolution by 56%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.4 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (15 vs 2.6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (500 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 3 years and 10 months of technical progress since the GF2 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the NX1 is the clear winner of the contest (26 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF2 and the Samsung NX1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF2 or the NX1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GF2||3/5||82/100||..||70/100||4.5/5||4.5/5||Nov 2010||549|
|2.||Samsung NX1||5/5||..||..||87/100||5/5||5/5||Sep 2014||1,499|
|3.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|4.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599|
|5.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|6.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599|
|7.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599|
|8.||Olympus E-PM1||..||86/100||..||71/100||4.5/5||4.5/5||Jun 2011||499|
|9.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|10.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|11.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|12.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|13.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|14.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749|
|15.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|16.||Samsung NX500||4.5/5||..||..||81/100||5/5||4.5/5||Feb 2015||799|
|17.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X vs Panasonic GF2
- Canon M10 vs Samsung NX1
- Canon T4i vs Panasonic GF2
- Fujifilm X-A2 vs Samsung NX1
- Fujifilm XP120 vs Samsung NX1
- Leica D-LUX 5 vs Panasonic GF2
- Nikon D5600 vs Panasonic GF2
- Nikon D800E vs Samsung NX1
- Panasonic G2 vs Panasonic GF2
- Panasonic GF2 vs Sony NEX-5
- Ricoh GR II vs Samsung NX1
- Samsung NX1 vs Sony RX100 IV
Specifications: Panasonic GF2 vs Samsung NX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GF2||Samsung NX1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Samsung NX mount lenses|
|Launch Date||November 2010||September 2014|
|Launch Price||USD 549||USD 1,499|
|Sensor Specs||Panasonic GF2||Samsung NX1|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.7 mm|
|Sensor Area||224.9 mm2||368.95 mm2|
|Sensor Diagonal||21.6 mm||28.3 mm|
|Sensor Resolution||12 Megapixels||28 Megapixels|
|Image Resolution||4000 x 3000 pixels||6480 x 4320 pixels|
|Pixel Pitch||4.33 μm||3.63 μm|
|Pixel Density||5.34 MP/cm2||7.59 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 51,200 ISO|
|Image Processor||Venus FHD||DRIMe 5|
|DXO Sensor Quality (score)||54||83|
|DXO Color Depth (bits)||21.2||24.2|
|DXO Dynamic Range (EV)||10.3||13.2|
|DXO Low Light (ISO)||506||1363|
|Screen Specs||Panasonic GF2||Samsung NX1|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||1036k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic GF2||Samsung NX1|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||2.6 shutter flaps/s||15 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Panasonic GF2||Samsung NX1|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic GF2||Samsung NX1|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||500 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
113 x 68 x 33 mm
(4.4 x 2.7 x 1.3 in)
139 x 102 x 66 mm
(5.5 x 4.0 x 2.6 in)
|Camera Weight||310 g (10.9 oz)||550 g (19.4 oz)|
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