Panasonic GF2 vs Canon 5D

The Panasonic Lumix DMC-GF2 and the Canon EOS 5D are two digital cameras that were announced, respectively, in November 2010 and August 2005. The GF2 is a mirrorless interchangeable lens camera, while the 5D is a DSLR. The cameras are based on a Four Thirds (GF2) and a full frame (5D) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Canon provides 12.7 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GF2		Canon 5D
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Canon EF mount lenses
12 MP – Four Thirds sensor		12.7 MP – Full Frame sensor
1080/60i Video		no Video
ISO 100-6,400		ISO 100-1,600 (50 - 3,200)
Viewfinder optional		Optical viewfinder
3.0" LCD – 460k dots		2.5" LCD – 230k dots
Fixed touchscreen		Fixed screen (not touch-sensitive)
2.6 shutter flaps per second		3 shutter flaps per second
not weather sealed		Weathersealed body
300 shots per battery charge		400 shots per battery charge
113 x 68 x 33 mm, 310 g		152 x 113 x 75 mm, 895 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF2 and the Canon EOS 5D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic GF2 and the Canon 5D is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The GF2 can be obtained in four different colors (black, silver, red, white), while the 5D is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D is considerably larger (124 percent) than the Panasonic GF2. Moreover, the 5D is substantially heavier (189 percent) than the GF2. It is noteworthy in this context that the 5D is splash and dust-proof, while the GF2 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GF2) and the Canon EF Lens Catalog (5D). Mirrorless cameras, such as the Panasonic GF2, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the GF2 gets 300 shots out of its Panasonic DMW-BLD10 battery, while the 5D can take 400 images on a single charge of its Canon BP-511A power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
2.		Canon 5D	152 mm	113 mm	75 mm	895 g	400	Y	Aug 2005	3,299	ebay.com
3.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	1,999	amazon.com
4.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
5.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
6.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	2,099	ebay.com
7.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	3,499	ebay.com
8.		Olympus E-PL2	114 mm	72 mm	42 mm	362 g	280	n	Jan 2011	599	ebay.com
9.		Olympus E-PL3	110 mm	64 mm	37 mm	313 g	300	n	Jun 2011	599	ebay.com
10.		Olympus E-PM1	110 mm	64 mm	34 mm	265 g	330	n	Jun 2011	499	ebay.com
11.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
12.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
13.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
14.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
15.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
16.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	749	ebay.com
17.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GF2 was launched at a markedly lower price (by 83 percent) than the 5D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GF2 features a Four Thirds sensor and the Canon 5D a full frame sensor. The sensor area in the 5D is 284 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GF2 has a native 4:3 aspect ratio, while the one in the 5D offers a 3:2 aspect.

With 12.7MP, the 5D offers a higher resolution than the GF2 (12MP), but the 5D nevertheless has larger individual pixels (pixel pitch of 8.25μm versus 4.33μm for the GF2) due to its larger sensor. However, the GF2 is a much more recent model (by 5 years and 2 months) than the 5D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Canon 5D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D for good quality output (200 dots per inch) amounts to 21.8 x 14.6 inches or 55.5 x 37 cm, for very good quality (250 dpi) 17.5 x 11.6 inches or 44.4 x 29.6 cm, and for excellent quality (300 dpi) 14.6 x 9.7 inches or 37 x 24.7 cm. The corresponding values for the Panasonic GF2 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Panasonic Lumix DMC-GF2 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Canon EOS 5D are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 50-3200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the 5D offers substantially better image quality than the GF2 (overall score 17 points higher). The advantage is based on 1.7 bits higher color depth, 0.8 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
2.		Canon 5D	Full Frame	12.7	4368	2912	none	22.9	11.1	1368	71
3.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
4.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
5.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
6.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
7.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
8.		Olympus E-PL2	Four Thirds	12.2	4032	3024	720/30p	21.4	10.2	573	55
9.		Olympus E-PL3	Four Thirds	12.2	4032	3024	1080/60i	20.9	10.3	499	52
10.		Olympus E-PM1	Four Thirds	12.2	4032	3024	1080/60i	21.0	10.3	499	52
11.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
12.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
13.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
14.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
15.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
16.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
17.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53

Many modern cameras are not only capable of taking still images, but can also record movies. The GF2 indeed provides movie recording capabilities, while the 5D does not. The highest resolution format that the GF2 can use is 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the 5D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF2 relies on live view and the rear LCD for framing. That said, the GF2 can be equipped with an optional viewfinder – the DMW-LVF1. The following table reports on some other key feature differences and similarities of the Panasonic GF2, the Canon 5D, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
2.		Canon 5D	optical	Y	2.5 / 230	fixed	n	1/8000s	3.0/s	n	n
3.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
4.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
5.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
6.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
7.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
8.		Olympus E-PL2	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	Y
9.		Olympus E-PL3	optional	n	3.0 / 460	tilting	n	1/4000s	5.5/s	n	Y
10.		Olympus E-PM1	optional	n	3.0 / 460	fixed	n	1/4000s	5.5/s	n	Y
11.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
12.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
13.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
14.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
15.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
16.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
17.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The GF2 has one, while the 5D does not. While the built-in flash of the GF2 is not very powerful, it can at times be useful as a fill-in light.

The GF2 writes its imaging data to SDXC cards, while the 5D uses Compact Flash cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF2 and Canon EOS 5D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Canon 5D	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
5.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
6.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
7.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
8.		Olympus E-PL2	Y	stereo / -	-	-	mini	2.0	-	-	-
9.		Olympus E-PL3	Y	stereo / -	-	-	mini	2.0	-	-	-
10.		Olympus E-PM1	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
15.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
17.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-

Studio photographers will appreciate that the Canon 5D (unlike the GF2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GF2 and the 5D have been discontinued, but can regularly be found used on ebay. The 5D was replaced by the Canon 5D Mark II, while the GF2 was followed by the Panasonic GF3. Further information on the features and operation of the GF2 and 5D can be found, respectively, in the Panasonic GF2 Manual (free pdf) or the online Canon 5D Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic GF2 and the Canon 5D? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Panasonic Lumix DMC-GF2:

• Broader imaging potential: Can record not only still images but also 1080/60i movies.
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More compact: Is smaller (113x68mm vs 152x113mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 585g or 65 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
• More modern: Reflects 5 years and 2 months of technical progress since the 5D launch.

Arguments in favor of the Canon EOS 5D:

• More detail: Has more megapixels (12.7 vs 12MP), which boosts linear resolution by 5%.
• Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.7 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.4 stops ISO advantage).
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (3 vs 2.6 flaps/sec) to capture the decisive moment.
• Longer lasting: Gets more shots (400 versus 300) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been around for much longer (launched in August 2005).

If the count of individual advantages (bullet points above) is taken as a guide, the 5D emerges as the winner of the match-up (13 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GF2 and the Canon 5D place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF2 or the 5D. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
2.		Canon 5D	..	88/100	..	+ +	o	..	Aug 2005	3,299	ebay.com
3.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	1,999	amazon.com
4.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699	ebay.com
5.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	3,699	ebay.com
6.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	2,099	ebay.com
7.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	3,499	ebay.com
8.		Olympus E-PL2	3/5	83/100	..	71/100	4.5/5	4.5/5	Jan 2011	599	ebay.com
9.		Olympus E-PL3	3/5	+ +	..	72/100	4.5/5	4/5	Jun 2011	599	ebay.com
10.		Olympus E-PM1	..	86/100	..	71/100	4.5/5	4.5/5	Jun 2011	499	ebay.com
11.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
12.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
13.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
14.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
15.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
16.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	749	ebay.com
17.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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