Panasonic GF1 vs Samsung NX500
The Panasonic Lumix DMC-GF1 and the Samsung NX500 are two digital cameras that were officially introduced, respectively, in September 2009 and February 2015. Both the GF1 and the NX500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GF1) and an APS-C (NX500) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Samsung provides 28 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF1 and the Samsung NX500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic GF1 and the Samsung NX500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Samsung NX500 is notably smaller (9 percent) than the Panasonic GF1. Moreover, the NX500 is markedly lighter (25 percent) than the GF1. In this context, it is worth noting that neither the GF1 nor the NX500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the NX500 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF1 | 119 mm | 71 mm | 36 mm | 385 g | 380 | n | Sep 2009 | 749 | ebay.com | |
2. | Samsung NX500 | 120 mm | 64 mm | 43 mm | 287 g | 370 | n | Feb 2015 | 799 | ebay.com | |
3. | Nikon D5500 | 124 mm | 97 mm | 70 mm | 470 g | 820 | n | Jan 2015 | 899 | ebay.com | |
4. | Nikon D5600 | 124 mm | 97 mm | 70 mm | 465 g | 970 | n | Nov 2016 | 699 | ebay.com | |
5. | Olympus E-P1 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Jun 2009 | 799 | ebay.com | |
6. | Olympus E-P2 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Nov 2009 | 799 | ebay.com | |
7. | Panasonic G1 | 124 mm | 84 mm | 45 mm | 360 g | 410 | n | Sep 2008 | 599 | ebay.com | |
8. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
9. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
10. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | 549 | ebay.com | |
11. | Panasonic GH1 | 124 mm | 90 mm | 45 mm | 385 g | 300 | n | Mar 2009 | 899 | ebay.com | |
12. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
13. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
14. | Panasonic LX100 | 115 mm | 66 mm | 55 mm | 393 g | 300 | n | Sep 2014 | 899 | ebay.com | |
15. | Ricoh GR II | 117 mm | 63 mm | 35 mm | 251 g | 320 | n | Jun 2015 | 699 | ebay.com | |
16. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | 549 | ebay.com | |
17. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GF1 was somewhat cheaper (by 6 percent) than the NX500 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GF1 features a Four Thirds sensor and the Samsung NX500 an APS-C sensor. The sensor area in the NX500 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GF1 has a native 4:3 aspect ratio, while the one in the NX500 offers a 3:2 aspect.
With 28MP, the NX500 offers a higher resolution than the GF1 (12MP), but the NX500 has smaller individual pixels (pixel pitch of 3.63μm versus 4.33μm for the GF1). Yet, the NX500 is a much more recent model (by 5 years and 5 months) than the GF1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the NX500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Samsung NX500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NX500 for good quality output (200 dots per inch) amounts to 32.4 x 21.6 inches or 82.3 x 54.9 cm, for very good quality (250 dpi) 25.9 x 17.3 inches or 65.8 x 43.9 cm, and for excellent quality (300 dpi) 21.6 x 14.4 inches or 54.9 x 36.6 cm. The corresponding values for the Panasonic GF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The NX500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-GF1 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Samsung NX500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
In terms of underlying technology, the GF1 is build around a CMOS sensor, while the NX500 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the NX500 offers substantially better image quality than the GF1 (overall score 33 points higher). The advantage is based on 3.6 bits higher color depth, 3.6 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF1 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 513 | 54 | |
2. | Samsung NX500 | APS-C | 28.0 | 6480 | 4320 | 4K/30p | 24.8 | 13.9 | 1379 | 87 | |
3. | Nikon D5500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1438 | 84 | |
4. | Nikon D5600 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1306 | 84 | |
5. | Olympus E-P1 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.4 | 10.4 | 536 | 55 | |
6. | Olympus E-P2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.4 | 505 | 56 | |
7. | Panasonic G1 | Four Thirds | 12.0 | 4000 | 3000 | none | 21.1 | 10.3 | 463 | 53 | |
8. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
9. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
10. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 | |
11. | Panasonic GH1 | Four Thirds | 12.0 | 4000 | 3000 | 1080/24p | 21.6 | 11.6 | 772 | 64 | |
12. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
13. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
14. | Panasonic LX100 | Four Thirds | 12.7 | 4112 | 3088 | 4K/30p | 22.3 | 12.5 | 553 | 67 | |
15. | Ricoh GR II | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.6 | 13.7 | 1078 | 80 | |
16. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
17. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the NX500 provides a better video resolution than the GF1. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 720/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The GF1 and the NX500 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GF1 can be equipped with an optional viewfinder – the DMW-LVF1. The following table reports on some other key feature differences and similarities of the Panasonic GF1, the Samsung NX500, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
2. | Samsung NX500 | none | n | 3.0 / 1036 | tilting | Y | 1/6000s | 9.0/s | Y | n | |
3. | Nikon D5500 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
4. | Nikon D5600 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
5. | Olympus E-P1 | none | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
6. | Olympus E-P2 | optional | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
7. | Panasonic G1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
8. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
9. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
10. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
11. | Panasonic GH1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
12. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
13. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
14. | Panasonic LX100 | 2764 | n | 3.0 / 921 | fixed | n | 1/4000s | 11.0/s | n | Y | |
15. | Ricoh GR II | optional | n | 3.0 / 1230 | fixed | n | 1/4000s | 4.0/s | Y | n | |
16. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
17. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The NX500 has a touchscreen, while the GF1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The NX500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GF1 does not have a selfie-screen.The Samsung NX500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GF1 writes its imaging data to SDHC cards, while the NX500 uses SDXC cards. The NX500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF1 and Samsung NX500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF1 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
2. | Samsung NX500 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
3. | Nikon D5500 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
4. | Nikon D5600 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
5. | Olympus E-P1 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
6. | Olympus E-P2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
7. | Panasonic G1 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
8. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
11. | Panasonic GH1 | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
12. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
13. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic LX100 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Ricoh GR II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the NX500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the GF1 does not provide wifi capability.
Both the GF1 and the NX500 have been discontinued, but can regularly be found used on ebay. The GF1 was replaced by the Panasonic DMC-GF2, while the NX500 does not have a direct successor. Further information on the features and operation of the GF1 and NX500 can be found, respectively, in the Panasonic GF1 Manual (free pdf) or the online Samsung NX500 Manual.
Review summary
So what is the bottom line? Is the Panasonic GF1 better than the Samsung NX500 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DMC-GF1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More heavily discounted: Has been available for much longer (launched in September 2009).
Reasons to prefer the Samsung NX500:
- More detail: Has more megapixels (28 vs 12MP), which boosts linear resolution by 56%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (33 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.4 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Has a lower weight (by 98g or 25 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 5 months of technical progress since the GF1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the NX500 is the clear winner of the contest (22 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF1 and the Samsung NX500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GF1 and the NX500 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF1 | .. | 85/100 | .. | 69/100 | 4.5/5 | 4.5/5 | Sep 2009 | 749 | ebay.com | |
2. | Samsung NX500 | 4.5/5 | .. | .. | 81/100 | 5/5 | 4.5/5 | Feb 2015 | 799 | ebay.com | |
3. | Nikon D5500 | 5/5 | + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2015 | 899 | ebay.com | |
4. | Nikon D5600 | 4/5 | .. | 4/5 | 79/100 | 4.5/5 | 4/5 | Nov 2016 | 699 | ebay.com | |
5. | Olympus E-P1 | .. | + | .. | 66/100 | 4/5 | 4.5/5 | Jun 2009 | 799 | ebay.com | |
6. | Olympus E-P2 | 3/5 | + | .. | 69/100 | 4/5 | 4.5/5 | Nov 2009 | 799 | ebay.com | |
7. | Panasonic G1 | .. | + + | .. | 70/100 | 4/5 | 4.5/5 | Sep 2008 | 599 | ebay.com | |
8. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
9. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
10. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | 549 | ebay.com | |
11. | Panasonic GH1 | .. | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Mar 2009 | 899 | ebay.com | |
12. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
13. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
14. | Panasonic LX100 | 5/5 | + + | .. | 85/100 | 5/5 | 5/5 | Sep 2014 | 899 | ebay.com | |
15. | Ricoh GR II | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jun 2015 | 699 | ebay.com | |
16. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | 549 | ebay.com | |
17. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 10D vs Samsung NX500
- Canon 450D vs Panasonic GF1
- Canon G1 X Mark II vs Samsung NX500
- Canon G7 X Mark III vs Panasonic GF1
- Canon G9 X vs Panasonic GF1
- Canon T7i vs Samsung NX500
- Fujifilm X-T1 vs Samsung NX500
- Leica V-LUX 2 vs Panasonic GF1
- Olympus E-M1X vs Samsung NX500
- Olympus E-PL7 vs Panasonic GF1
- Panasonic GF1 vs Panasonic GX800
- Panasonic GF6 vs Samsung NX500
Specifications: Panasonic GF1 vs Samsung NX500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic GF1 | Samsung NX500 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Samsung NX mount lenses |
Launch Date | September 2009 | February 2015 |
Launch Price | USD 749 | USD 799 |
Sensor Specs | Panasonic GF1 | Samsung NX500 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Four Thirds Sensor | APS-C Sensor |
Sensor Size | 17.3 x 13.0 mm | 23.5 x 15.7 mm |
Sensor Area | 224.9 mm2 | 368.95 mm2 |
Sensor Diagonal | 21.6 mm | 28.3 mm |
Crop Factor | 2.0x | 1.5x |
Sensor Resolution | 12 Megapixels | 28 Megapixels |
Image Resolution | 4000 x 3000 pixels | 6480 x 4320 pixels |
Pixel Pitch | 4.33 μm | 3.63 μm |
Pixel Density | 5.34 MP/cm2 | 7.59 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 720/30p Video | 4K/30p Video |
ISO Setting | 100 - 3,200 ISO | 100 - 25,600 ISO |
ISO Boost | no Enhancement | 100 - 51,200 ISO |
Image Processor | Venus HD | DRIMe Vs |
DXO Sensor Quality (score) | 54 | 87 |
DXO Color Depth (bits) | 21.2 | 24.8 |
DXO Dynamic Range (EV) | 10.3 | 13.9 |
DXO Low Light (ISO) | 513 | 1379 |
Screen Specs | Panasonic GF1 | Samsung NX500 |
Viewfinder Type | Viewfinder optional | no viewfinder |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 460k dots | 1036k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Panasonic GF1 | Samsung NX500 |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/6000s |
Continuous Shooting | 3 shutter flaps/s | 9 shutter flaps/s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Panasonic GF1 | Samsung NX500 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Panasonic GF1 | Samsung NX500 |
Battery Type | Panasonic DMW-BLB13 | Samsung BP1130 |
Battery Life (CIPA) | 380 shots per charge | 370 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
119 x 71 x 36 mm (4.7 x 2.8 x 1.4 in) |
120 x 64 x 43 mm (4.7 x 2.5 x 1.7 in) |
Camera Weight | 385 g (13.6 oz) | 287 g (10.1 oz) |
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