Panasonic GF1 vs Pentax 645Z

The Panasonic Lumix DMC-GF1 and the Pentax 645Z are two digital cameras that were announced, respectively, in September 2009 and April 2014. The GF1 is a mirrorless interchangeable lens camera, while the 645Z is a DSLR. The cameras are based on a Four Thirds (GF1) and a medium format (645Z) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Pentax provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GF1		Pentax 645Z
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Pentax 645 mount lenses
12 MP – Four Thirds sensor		51.1 MP – Medium Format sensor
720/30p Video		1080/60i Video
ISO 100-3,200		ISO 100-204,800
Viewfinder optional		Optical viewfinder
3.0" LCD – 460k dots		3.2" LCD – 1037k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
3 shutter flaps per second		3 shutter flaps per second
not weather sealed		Weathersealed body
380 shots per battery charge		650 shots per battery charge
119 x 71 x 36 mm, 385 g		156 x 117 x 123 mm, 1550 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF1 and the Pentax 645Z? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic GF1 and the Pentax 645Z is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax 645Z is considerably larger (116 percent) than the Panasonic GF1. Moreover, the 645Z is substantially heavier (303 percent) than the GF1. It is noteworthy in this context that the 645Z is splash and dust-proof, while the GF1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GF1 gets 380 shots out of its Panasonic DMW-BLB13 battery, while the 645Z can take 650 images on a single charge of its Pentax D-LI90 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	749	ebay.com
2.		Pentax 645Z	156 mm	117 mm	123 mm	1550 g	650	Y	Apr 2014	8,499	ebay.com
3.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
4.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
5.		Hasselblad X1D	150 mm	98 mm	71 mm	725 g	..	Y	Jun 2016	8,995	ebay.com
6.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	7,450	ebay.com
7.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	799	ebay.com
8.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	799	ebay.com
9.		Panasonic LX100	115 mm	66 mm	55 mm	393 g	300	n	Sep 2014	899	ebay.com
10.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
11.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
12.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
13.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
14.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
15.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	899	ebay.com
16.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
17.		Pentax 645D	156 mm	117 mm	119 mm	1480 g	800	Y	Mar 2010	9,995	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF1 was launched at a markedly lower price (by 91 percent) than the 645Z, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GF1 features a Four Thirds sensor and the Pentax 645Z a medium format sensor. The sensor area in the 645Z is 539 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 51.1MP, the 645Z offers a higher resolution than the GF1 (12MP), but the 645Z nevertheless has larger individual pixels (pixel pitch of 5.30μm versus 4.33μm for the GF1) due to its larger sensor. Moreover, the 645Z is a much more recent model (by 4 years and 7 months) than the GF1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the 645Z has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax 645Z implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 645Z for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Panasonic GF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Panasonic Lumix DMC-GF1 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Pentax 645Z are ISO 100 to ISO 204800 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the 645Z offers substantially better image quality than the GF1 (overall score 47 points higher). The advantage is based on 4.8 bits higher color depth, 4.4 EV in additional dynamic range, and 3.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
2.		Pentax 645Z	Medium Format	51.1	8256	6192	1080/60i	26.0	14.7	4505	101
3.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
4.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
5.		Hasselblad X1D	Medium Format	51.3	8272	6200	1080/25p	26.2	14.8	4489	102
6.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
7.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
8.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
9.		Panasonic LX100	Four Thirds	12.7	4112	3088	4K/30p	22.3	12.5	553	67
10.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
11.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
12.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
13.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
14.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
15.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
16.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
17.		Pentax 645D	Medium Format	39.5	7264	5440	none	24.6	12.6	1262	82

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 645Z provides a better video resolution than the GF1. It can shoot movie footage at 1080/60i, while the Panasonic is limited to 720/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the 645Z has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF1 relies on live view and the rear LCD for framing. That said, the GF1 can be equipped with an optional viewfinder – the DMW-LVF1. The following table reports on some other key feature differences and similarities of the Panasonic GF1, the Pentax 645Z, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
2.		Pentax 645Z	optical	Y	3.2 / 1037	tilting	n	1/4000s	3.0/s	n	n
3.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
4.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
5.		Hasselblad X1D	2360	n	3.0 / 920	fixed	Y	1/2000s	2.3/s	n	n
6.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
7.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
8.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
9.		Panasonic LX100	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
10.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
11.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
12.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
13.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
14.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
15.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
16.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
17.		Pentax 645D	optical	Y	3.0 / 921	fixed	n	1/4000s	1.1/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The GF1 has one, while the 645Z does not. While the built-in flash of the GF1 is not very powerful, it can at times be useful as a fill-in light.

The Pentax 645Z has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GF1 writes its imaging data to SDHC cards, while the 645Z uses SDXC cards. The 645Z features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF1 only has one slot. The 645Z supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF1 and Pentax 645Z and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
2.		Pentax 645Z	Y	stereo / mono	Y	-	mini	3.0	-	-	-
3.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
4.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
5.		Hasselblad X1D	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
6.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-
7.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
8.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
9.		Panasonic LX100	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
12.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
16.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
17.		Pentax 645D	Y	stereo / -	-	-	-	2.0	-	-	-

It is notable that the 645Z has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The GF1 does not feature such a mic input.

Studio photographers will appreciate that the Pentax 645Z (unlike the GF1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GF1 and the 645Z have been discontinued, but can regularly be found used on ebay. The GF1 was replaced by the Panasonic DMC-GF2, while the 645Z does not have a direct successor. Further information on the features and operation of the GF1 and 645Z can be found, respectively, in the Panasonic GF1 Manual (free pdf) or the online Pentax 645Z Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic GF1 or the Pentax 645Z – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Panasonic Lumix DMC-GF1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (119x71mm vs 156x117mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 1165g or 75 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in September 2009).

Reasons to prefer the Pentax 645Z:

• More detail: Has more megapixels (51.1 vs 12MP), which boosts linear resolution by 106%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (47 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (4.8 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (4.4 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (3.1 stops ISO advantage).
• Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (650 versus 380) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 4 years and 7 months of technical progress since the GF1 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the 645Z is the clear winner of the contest (21 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GF1 and the Pentax 645Z place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GF1 or the 645Z perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	749	ebay.com
2.		Pentax 645Z	5/5	..	3.5/5	..	4.5/5	5/5	Apr 2014	8,499	ebay.com
3.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699	ebay.com
4.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	3,699	ebay.com
5.		Hasselblad X1D	..	o	..	81/100	..	4/5	Jun 2016	8,995	ebay.com
6.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	7,450	ebay.com
7.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	799	ebay.com
8.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	799	ebay.com
9.		Panasonic LX100	5/5	+ +	..	85/100	5/5	5/5	Sep 2014	899	ebay.com
10.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
11.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
12.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
13.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
14.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
15.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	899	ebay.com
16.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
17.		Pentax 645D	5/5	..	..	..	..	..	Mar 2010	9,995	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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