Panasonic G95 vs Sony A7R II
The Panasonic Lumix DC-G95 (called Panasonic G90 in some regions) and the Sony Alpha A7R II are two digital cameras that were revealed to the public, respectively, in April 2019 and June 2015. Both the G95 and the A7R II are mirrorless interchangeable lens cameras that are based on a Four Thirds (G95) and a full frame (A7R II) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-G95 and the Sony Alpha A7R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic G95 and the Sony A7R II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G95 and the Sony A7R II are of equal size. However, the A7R II is markedly heavier (17 percent) than the G95. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G95) and the Sony FE Lens Catalog (A7R II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G95 | 130 mm | 94 mm | 77 mm | 536 g | 290 | Y | Apr 2019 | 999 | ebay.com | |
2. | Sony A7R II | 127 mm | 96 mm | 60 mm | 625 g | 290 | Y | Jun 2015 | 3,199 | ebay.com | |
3. | Olympus E-M1 II | 134 mm | 91 mm | 67 mm | 574 g | 440 | Y | Sep 2016 | 1,999 | ebay.com | |
4. | Olympus E-M1 III | 134 mm | 91 mm | 69 mm | 580 g | 420 | Y | Feb 2020 | 1,799 | ebay.com | |
5. | Olympus E-M1X | 144 mm | 147 mm | 75 mm | 997 g | 870 | Y | Jan 2019 | 2,999 | ebay.com | |
6. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ebay.com | |
7. | Olympus E-M5 III | 125 mm | 85 mm | 50 mm | 414 g | 310 | Y | Oct 2019 | 1,199 | ebay.com | |
8. | Panasonic G9 | 137 mm | 97 mm | 92 mm | 658 g | 400 | Y | Nov 2017 | 1,699 | ebay.com | |
9. | Panasonic G85 | 128 mm | 89 mm | 74 mm | 505 g | 330 | Y | Sep 2016 | 899 | ebay.com | |
10. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | 1,999 | ebay.com | |
11. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | 1,199 | ebay.com | |
12. | Panasonic GX9 | 124 mm | 72 mm | 47 mm | 407 g | 260 | n | Feb 2018 | 849 | ebay.com | |
13. | Sony A7R | 127 mm | 94 mm | 48 mm | 465 g | 340 | Y | Oct 2013 | 2,299 | ebay.com | |
14. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
15. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
16. | Sony A7S II | 127 mm | 96 mm | 60 mm | 627 g | 370 | Y | Sep 2015 | 2,999 | ebay.com | |
17. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G95 was launched at a markedly lower price (by 69 percent) than the A7R II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G95 features a Four Thirds sensor and the Sony A7R II a full frame sensor. The sensor area in the A7R II is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G95 has a native 4:3 aspect ratio, while the one in the A7R II offers a 3:2 aspect.
With 42.2MP, the A7R II offers a higher resolution than the G95 (20.2MP), but the A7R II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.34μm for the G95) due to its larger sensor. However, the G95 is a much more recent model (by 3 years and 9 months) than the A7R II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Panasonic G95 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The A7R II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-G95 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the G95 is build around a CMOS sensor, while the A7R II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G95 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.2 | 13.0 | 1273 | 75 | |
2. | Sony A7R II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 13.9 | 3434 | 98 | |
3. | Olympus E-M1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.7 | 12.8 | 1312 | 80 | |
4. | Olympus E-M1 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1356 | 76 | |
5. | Olympus E-M1X | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.2 | 13.0 | 1254 | 75 | |
6. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
7. | Olympus E-M5 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1324 | 76 | |
8. | Panasonic G9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.1 | 12.8 | 1138 | 74 | |
9. | Panasonic G85 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.5 | 656 | 71 | |
10. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
11. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
12. | Panasonic GX9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.1 | 12.8 | 1163 | 74 | |
13. | Sony A7R | Full Frame | 36.2 | 7360 | 4912 | 1080/60p | 25.6 | 14.1 | 2746 | 95 | |
14. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
15. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
16. | Sony A7S II | Full Frame | 12.0 | 4240 | 2832 | 4K/30p | 23.6 | 13.3 | 2993 | 85 | |
17. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R II offers a slightly higher resolution than the one in the G95 (2400k vs 2360k dots). The adjacent table lists some of the other core features of the Panasonic G95 and Sony A7R II along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G95 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 9.0/s | Y | Y | |
2. | Sony A7R II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
3. | Olympus E-M1 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
4. | Olympus E-M1 III | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
5. | Olympus E-M1X | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
6. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
7. | Olympus E-M5 III | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
8. | Panasonic G9 | 3680 | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 20.0/s | n | Y | |
9. | Panasonic G85 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 9.0/s | Y | Y | |
10. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
11. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
12. | Panasonic GX9 | 2760 | n | 3.0 / 1240 | tilting | Y | 1/4000s | 9.0/s | Y | Y | |
13. | Sony A7R | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 4.0/s | n | n | |
14. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A7S II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
17. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The G95 has one, while the A7R II does not. While the built-in flash of the G95 is not very powerful, it can at times be useful as a fill-in light.
The G95 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R II does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G95 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G95 writes its imaging data to SDXC cards, while the A7R II uses SDXC or Memory Stick PRO Duo cards. The G95 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A7R II can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G95 and Sony Alpha A7R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G95 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | Y | |
2. | Sony A7R II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
3. | Olympus E-M1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
4. | Olympus E-M1 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
5. | Olympus E-M1X | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
6. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
7. | Olympus E-M5 III | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Panasonic G9 | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
9. | Panasonic G85 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
10. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
11. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
12. | Panasonic GX9 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
13. | Sony A7R | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
14. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
15. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
16. | Sony A7S II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
17. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y |
Both the G95 and the A7R II have been discontinued, but can regularly be found used on ebay. The A7R II was replaced by the Sony A7R III, while the G95 does not have a direct successor. Further information on the features and operation of the G95 and A7R II can be found, respectively, in the Panasonic G95 Manual (free pdf) or the online Sony A7R II Manual.
Review summary
So how do things add up? Is there a clear favorite between the Panasonic G95 and the Sony A7R II? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DC-G95:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Is lighter (by 89g or 14 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
- More modern: Reflects 3 years and 9 months of technical progress since the A7R II launch.
Arguments in favor of the Sony Alpha A7R II:
- More detail: Has more megapixels (42.2 vs 20.2MP), which boosts linear resolution by 48%.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.74x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in June 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the G95 is the clear winner of the match-up (11 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G95 and the Sony A7R II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G95 or the A7R II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G95 | 4.5/5 | + | 4.5/5 | 83/100 | 4.5/5 | 4.5/5 | Apr 2019 | 999 | ebay.com | |
2. | Sony A7R II | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jun 2015 | 3,199 | ebay.com | |
3. | Olympus E-M1 II | 5/5 | + + | 5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 1,999 | ebay.com | |
4. | Olympus E-M1 III | 5/5 | .. | 5/5 | 83/100 | 4.5/5 | 4/5 | Feb 2020 | 1,799 | ebay.com | |
5. | Olympus E-M1X | 4.5/5 | o | 5/5 | 85/100 | 4.5/5 | .. | Jan 2019 | 2,999 | ebay.com | |
6. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ebay.com | |
7. | Olympus E-M5 III | 5/5 | + | 5/5 | 82/100 | 4.5/5 | 4.5/5 | Oct 2019 | 1,199 | ebay.com | |
8. | Panasonic G9 | .. | + + | 5/5 | 85/100 | 5/5 | 5/5 | Nov 2017 | 1,699 | ebay.com | |
9. | Panasonic G85 | .. | + + | .. | 84/100 | 5/5 | 4.5/5 | Sep 2016 | 899 | ebay.com | |
10. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | 1,999 | ebay.com | |
11. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | 1,199 | ebay.com | |
12. | Panasonic GX9 | 4/5 | + | 4/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2018 | 849 | ebay.com | |
13. | Sony A7R | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | Oct 2013 | 2,299 | ebay.com | |
14. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
15. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
16. | Sony A7S II | 5/5 | + | .. | .. | 4.5/5 | 5/5 | Sep 2015 | 2,999 | ebay.com | |
17. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Fujifilm X-A7 vs Sony A7R II
- Fujifilm X-T30 II vs Panasonic G95
- Fujifilm X10 vs Sony A7R II
- Fujifilm XF10 vs Panasonic G95
- Nikon D70 vs Panasonic G95
- Nikon D7500 vs Sony A7R II
- Olympus E-PL10 vs Sony A7R II
- Panasonic G95 vs Sony A6500
- Panasonic G95 vs Sony A7C
- Panasonic G95 vs Sony RX100 II
- Sigma fp L vs Sony A7R II
- Sony A7R II vs Sony RX0 II
Specifications: Panasonic G95 vs Sony A7R II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic G95 | Sony A7R II |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Sony E mount lenses |
Launch Date | April 2019 | June 2015 |
Launch Price | USD 999 | USD 3,199 |
Sensor Specs | Panasonic G95 | Sony A7R II |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Four Thirds Sensor | Full Frame Sensor |
Sensor Size | 17.3 x 13.0 mm | 35.9 x 24.0 mm |
Sensor Area | 224.9 mm2 | 861.6 mm2 |
Sensor Diagonal | 21.6 mm | 43.2 mm |
Crop Factor | 2.0x | 1.0x |
Sensor Resolution | 20.2 Megapixels | 42.2 Megapixels |
Image Resolution | 5184 x 3888 pixels | 7952 x 5304 pixels |
Pixel Pitch | 3.34 μm | 4.52 μm |
Pixel Density | 8.96 MP/cm2 | 4.90 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 200 - 25,600 ISO | 100 - 25,600 ISO |
ISO Boost | 100 - 25,600 ISO | 50 - 102,400 ISO |
Image Processor | Venus | BIONZ X |
DXO Sensor Quality (score) | .. | 98 |
DXO Color Depth (bits) | .. | 26.0 |
DXO Dynamic Range (EV) | .. | 13.9 |
DXO Low Light (ISO) | .. | 3434 |
Screen Specs | Panasonic G95 | Sony A7R II |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.74x | 0.78x |
Viewfinder Resolution | 2360k dots | 2400k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1240k dots | 1229k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Panasonic G95 | Sony A7R II |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 9 shutter flaps/s | 5 shutter flaps/s |
Electronic Shutter | up to 1/16000s | YES |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-II | UHS-I |
Connectivity Specs | Panasonic G95 | Sony A7R II |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Panasonic G95 | Sony A7R II |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Panasonic DMW-BLC12 | Sony NP-FW50 |
Battery Life (CIPA) | 290 shots per charge | 290 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
130 x 94 x 77 mm (5.1 x 3.7 x 3.0 in) |
127 x 96 x 60 mm (5.0 x 3.8 x 2.4 in) |
Camera Weight | 536 g (18.9 oz) | 625 g (22.0 oz) |
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