Panasonic G9 vs Pentax MX-1
The Panasonic Lumix DC-G9 and the Pentax MX-1 are two digital cameras that were revealed to the public, respectively, in November 2017 and January 2013. The G9 is a mirrorless interchangeable lens camera, while the MX-1 is a fixed lens compact. The cameras are based on a Four Thirds (G9) and a 1/1.7-inch (MX-1) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Pentax provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic G9||Pentax MX-1|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||28-112mm f/1.8-2.5|
|20.2 MP, Four Thirds Sensor||12 MP, 1/1.7" Sensor|
|4K/60p Video||1080/30p Video|
|ISO 200-25600||ISO 100-12800|
|Electronic viewfinder (3680k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|20 shutter flaps per second||1 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Not weather sealed|
|400 shots per battery charge||290 shots per battery charge|
|137 x 97 x 92 mm, 658 g||122 x 61 x 51 mm, 391 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-G9 and the Pentax MX-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic G9 and the Pentax MX-1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax MX-1 is considerably smaller (44 percent) than the Panasonic G9. It is worth mentioning in this context that the G9 is splash and dust resistant, while the MX-1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the MX-1 has a lens built in, whereas the G9 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G9 and their specifications in the Micro Four Thirds Lens Catalog.
The power pack in the G9 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic G9»||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Pentax MX-1«||4.8 in||2.4 in||2.0 in||13.8 oz||290||n||Jan 2013||499||-||Pentax MX-1|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||-||Canon G15|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Nikon P7800« »||4.7 in||3.1 in||2.0 in||14.1 oz||350||n||Sep 2013||549||-||Nikon P7800|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Olympus XZ-2« »||4.4 in||2.6 in||1.9 in||12.2 oz||340||n||Sep 2012||599||-||Olympus XZ-2|
|Panasonic GH5s« »||5.5 in||3.9 in||3.4 in||23.3 oz||440||Y||Jan 2018||2,499||Panasonic GH5s|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||-||Panasonic G85|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Panasonic LF1« »||4.1 in||2.4 in||1.1 in||6.8 oz||250||n||Apr 2013||499||Panasonic LF1|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The MX-1 was launched at a lower price than the G9, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G9 features a Four Thirds sensor and the Pentax MX-1 a 1/1.7-inch sensor. The sensor area in the MX-1 is 81 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 4.5. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 20.2MP, the G9 offers a higher resolution than the MX-1 (12MP), but the G9 nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 1.89μm for the MX-1) due to its larger sensor. Moreover, the G9 is a much more recent model (by 4 years and 10 months) than the MX-1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic G9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G9 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Pentax MX-1 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
Unlike the MX-1, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-G9 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax MX-1 are ISO 100 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic G9»||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Pentax MX-1«||1/1.7||12.0||4000||3000||1080/30p||20.4||11.3||208||49||Pentax MX-1|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Nikon P7800« »||1/1.7||12.0||4000||3000||1080/30p||21.2||11.7||200||54||Nikon P7800|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Olympus XZ-2« »||1/1.7||11.8||3968||2976||1080/30p||20.4||11.3||216||49||Olympus XZ-2|
|Panasonic GH5s« »||Four Thirds||9.9||3680||2700||4K/60p||-||-||-||-||Panasonic GH5s|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Panasonic LF1« »||1/1.7||12.0||4000||3000||1080/60i||20.8||11.6||211||52||Panasonic LF1|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G9 provides a higher video resolution than the MX-1. It can shoot video footage at 4K/60p, while the Pentax is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G9 has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the MX-1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic G9 and Pentax MX-1 in connection with corresponding information for a sample of similar cameras.
|Panasonic G9»||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Pentax MX-1«||-||n||3.0||920||tilting||n||1/8000s||1.0||Y||Y||Pentax MX-1|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Nikon P7800« »||921||n||3.0||921||swivel||n||1/4000s||8.0||Y||Y||Nikon P7800|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Olympus XZ-2« »||-||n||3.0||920||tilting||Y||1/2000s||5.0||Y||Y||Olympus XZ-2|
|Panasonic GH5s« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||n||Panasonic GH5s|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G85|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
|Panasonic LF1« »||200||n||3.0||920||fixed||n||1/4000s||10.0||Y||Y||Panasonic LF1|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
One feature that is present on the G9, but is missing on the MX-1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G9 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the MX-1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G9 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G9 and the MX-1 write their files to SDXC cards. The G9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the MX-1 only has one slot. The G9 supports UHS-II cards (on both slots), while the MX-1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G9 and Pentax MX-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G9»||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Pentax MX-1«||-||stereo||mono||-||-||mini||2.0||-||-||-||Pentax MX-1|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Nikon P7800« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon P7800|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Olympus XZ-2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus XZ-2|
|Panasonic GH5s« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5s|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic G85« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Panasonic LF1« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic LF1|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
It is notable that the G9 has a hotshoe, while the MX-1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Panasonic G9 (unlike the MX-1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the MX-1 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the MX-1 from Pentax. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So how do things add up? Is the Panasonic G9 better than the Pentax MX-1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DC-G9:
- More detail: Offers more megapixels (20.2 vs 12MP) with a 30% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (20 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (400 versus 290) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 4 years and 10 months of technical progress since the MX-1 launch.
Advantages of the Pentax MX-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Has an integrated lens, whereas the G9 necessitates an extra lens.
- More compact: Is smaller (122x61mm vs 137x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the G9).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in January 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the G9 is the clear winner of the match-up (31 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G9 and the Pentax MX-1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G9 or the MX-1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic G9»||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Pentax MX-1«||-||74/100||4/5||3.5/5||4/5||Jan 2013||499||-||Pentax MX-1|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Fujifilm X-H1« »||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Nikon Z6« »||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Nikon P7800« »||-||-||4/5||3.5/5||4.5/5||Sep 2013||549||-||Nikon P7800|
|Olympus E-M1 II« »||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Olympus XZ-2« »||+||-||4.5/5||4/5||4.5/5||Sep 2012||599||-||Olympus XZ-2|
|Panasonic GH5s« »||-||84/100||4.5/5||5/5||4.5/5||Jan 2018||2,499||Panasonic GH5s|
|Panasonic GX9« »||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic G85« »||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||-||Panasonic G85|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||+ +||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Panasonic LF1« »||+||-||4/5||-||4.5/5||Apr 2013||499||Panasonic LF1|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5DS vs Panasonic G9
- Canon D60 vs Pentax MX-1
- Canon SX720 vs Pentax MX-1
- Leica M Typ 240 vs Panasonic G9
- Olympus E-510 vs Pentax MX-1
- Olympus E-M10 II vs Panasonic G9
- Olympus E-M10 vs Panasonic G9
- Panasonic G9 vs Panasonic GX8
- Panasonic G9 vs Ricoh WG-60
- Panasonic LF1 vs Pentax MX-1
- Pentax 645D vs Pentax MX-1
- Pentax MX-1 vs Sony A6300
Specifications: Panasonic G9 vs Pentax MX-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G9||Pentax MX-1|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||28-112mm f/1.8-2.5|
|Launch Date||November 2017||January 2013|
|Launch Price||USD 1699||USD 499|
|Sensor Specs||Panasonic G9||Pentax MX-1|
|Sensor Format||Four Thirds Sensor||1/1.7" Sensor|
|Sensor Size||17.3 x 13.0 mm||7.6 x 5.7 mm|
|Sensor Area||224.9 mm2||43.32 mm2|
|Sensor Diagonal||21.6 mm||9.5 mm|
|Sensor Resolution||20.2 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3888 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.34 μm||1.89 μm|
|Pixel Density||8.96 MP/cm2||27.70 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||1080/30p Video|
|ISO Setting||200-25600 ISO||100-12800 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||49|
|DXO Color Depth (bits)||..||20.4|
|DXO Dynamic Range (EV)||..||11.3|
|DXO Low Light (ISO)||..||208|
|Screen Specs||Panasonic G9||Pentax MX-1|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G9||Pentax MX-1|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||20 shutter flaps/s||1 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Panasonic G9||Pentax MX-1|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||full HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic G9||Pentax MX-1|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||400 shots per charge||290 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
122 x 61 x 51 mm
(4.8 x 2.4 x 2.0 in)
|Camera Weight||658 g (23.2 oz)||391 g (13.8 oz)|
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