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Panasonic G9 versus Fujifilm X-E3

The Panasonic Lumix DC-G9 and the Fujifilm X-E3 are two digital cameras that were officially introduced, respectively, in November 2017 and September 2017. Both the G9 and the X-E3 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G9) and an APS-C sensor. The Panasonic has a resolution of 20.2 megapixel, whereas the Fujifilm provides 24 MP.

Body comparison

The physical size and weight of the Panasonic G9 and the Fujifilm X-E3 are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the G9 – represents the basis or 100 percent across all the size and weight measures).

Panasonic G9 vs Fujifilm X-E3 front
G9 versus X-E3 top view
G9 and X-E3 rear side
Body view (G9 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E3 is notably smaller (33 percent) than the Panasonic G9. Moreover, the X-E3 is substantially lighter (49 percent) than the G9. It is worth mentioning in this context that the G9 is splash and dust resistant, while the X-E3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (G9) and the Fujinon X Lens Catalog (X-E3). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic G9 (⇒ rgt) 137 mm 97 mm 92 mm 658 g 400 YES 2017 1,699 latest check
Fujifilm X-E3 (⇒ lft) 121 mm 74 mm 43 mm 337 g 350 no 2017 899 latest check
Canon M6 (⇒ lft | rgt) 112 mm 68 mm 45 mm 390 g 295 no 2017 779 latest check
Fujifilm X-T20 (⇒ lft | rgt) 118 mm 83 mm 41 mm 383 g 350 no 2017 899 latest check
Fujifilm X70 (⇒ lft | rgt) 113 mm 64 mm 44 mm 340 g 330 no 2016 799 latest check
Fujifilm X-A3 (⇒ lft | rgt) 117 mm 67 mm 40 mm 339 g 410 no 2016 399 latest check
Fujifilm X-E2S (⇒ lft | rgt) 129 mm 75 mm 37 mm 350 g 350 no 2016 699discont. check
Olympus E-M1 II (⇒ lft | rgt) 134 mm 91 mm 67 mm 574 g 440 YES 2016 1,999 latest check
Panasonic GH5s (⇒ lft | rgt) 139 mm 98 mm 87 mm 660 g 440 YES 2018 2,499 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Panasonic G85 (⇒ lft | rgt) 128 mm 89 mm 74 mm 505 g 330 YES 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199 latest check
Panasonic GH4 (⇒ lft | rgt) 133 mm 93 mm 84 mm 560 g 500 YES 2014 1,499discont. check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A6500 (⇒ lft | rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Sony A7 II (⇒ lft | rgt) 127 mm 96 mm 60 mm 599 g 350 YES 2014 1,999 latest check
Sony A77 (⇒ lft | rgt) 143 mm 104 mm 81 mm 732 g 470 YES 2011 1,999discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-E3 was launched at a markedly lower price (by 47 percent) than the G9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G9 features a Four Thirds sensor and the Fujifilm X-E3 an APS-C sensor. The sensor area in the X-E3 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G9 has a native 4:3 aspect ratio, while the one in the X-E3 offers a 3:2 aspect.

Panasonic G9 and Fujifilm X-E3 sensor measures
Sensor size

With 24MP, the X-E3 offers a higher resolution than the G9 (20.2MP), but the X-E3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the G9) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

Unlike the X-E3, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

G9 versus X-E3 MP
Sensor resolution

For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Panasonic G9 (⇒ rgt) Four Thirds 20.2 5184 3888 4K/60p - - - -
Fujifilm X-E3 (⇒ lft) APS-C 24.0 6000 4000 4K/30p - - - -
Canon M6 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p .. .. .. ..
Fujifilm X-T20 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Fujifilm X70 (⇒ lft | rgt) APS-C 16.0 4896 3264 1080/60p - - - -
Fujifilm X-A3 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-E2S (⇒ lft | rgt) APS-C 16.0 4896 3264 1080/60p - - - -
Olympus E-M1 II (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.7 12.8 1312 80
Panasonic GH5s (⇒ lft | rgt) Four Thirds 9.9 3680 2700 4K/60p .. .. .. ..
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Panasonic G85 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.8 12.5 656 71
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Panasonic GH4 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 4K/30p 23.2 12.8 791 74
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A6500 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Sony A7 II (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.9 13.6 2449 90
Sony A77 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24 13.2 801 78

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G9 provides a higher frame rate than the X-E3. It can shoot video footage at 4K/60p, while the Fujifilm is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G9 offers a substantially higher resolution than the one in the X-E3 (3680k vs 2360k dots). The table below summarizes some of the other core capabilities of the Panasonic G9 and Fujifilm X-E3 in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Panasonic G9 (⇒ rgt) 3680 YES 3.0 1040 swivel YES 8000 20.0 no YES
Fujifilm X-E3 (⇒ lft) 2360 no 3.0 1040 fixed YES 4000 8.0 no no
Canon M6 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 9.0 5 no
Fujifilm X-T20 (⇒ lft | rgt) 2360 no 3.0 1040 tilting YES 4000 8.0 5 no
Fujifilm X70 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 8.0 7.9 ..
Fujifilm X-A3 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 6.0 7 no
Fujifilm X-E2S (⇒ lft | rgt) 2360 no 3.0 1040 fixed no 4000 7.0 7 no
Olympus E-M1 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 18.0 no YES
Panasonic GH5s (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no no
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Panasonic G85 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 4000 9.0 6.2 YES
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Panasonic GH4 (⇒ lft | rgt) 2359 no 3.0 1036 swivel YES 8000 12.0 17 no
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A6500 (⇒ lft | rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Sony A7 II (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no YES
Sony A77 (⇒ lft | rgt) 2359 YES 3.0 921 full-flex no 8000 12.0 12 YES

Both the G9 and the X-E3 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-E3 replaced the earlier Fujifilm X-E2S, while the G9 followed on from the Panasonic G85.

Summary

So what is the bottom line? Is there a clear favorite between the Panasonic G9 and the Panasonic G9? Below is a summary of the relative strengths of each of the two contestants.


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Reasons to prefer the Panasonic Lumix DC-G9:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher movie framerates (4K/60p vs 4K/30p).
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2360k dots).
  • Easier setting verification: Has an LCD display on top to control shooting parameters.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (20 vs 8 flaps/sec) to capture the decisive moment.
  • Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Sharper images: Has hand-shake reducing image stabilization build-in.

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Advantages of the Fujifilm X-E3:

  • More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
  • Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
  • More compact: Is smaller (121x74mm vs 137x97mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 321g or 49 percent) and is thus easier to take along.
  • More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).

If the count of relative strengths (bullet points above) is taken as a measure, the G9 is the clear winner of the match-up (10 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.

G9 10:05 X-E3

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the G9 or the X-E3. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic G9 (⇒ rgt) .. 85/100 Silver 5/5 .. 5/5 2017 1,699 latest check
Fujifilm X-E3 (⇒ lft) Rec 84/100 Gold 4.5/5 .. 4.5/5 2017 899 latest check
Canon M6 (⇒ lft | rgt) - 80/100 Silver 4/5 4.5/5 4/5 2017 779 latest check
Fujifilm X-T20 (⇒ lft | rgt) HiRec 82/100 Silver 5/5 .. 4.5/5 2017 899 latest check
Fujifilm X70 (⇒ lft | rgt) - 76/100 4.5/5 4/5 4.5/5 2016 799 latest check
Fujifilm X-A3 (⇒ lft | rgt) - 74/100 4.5/5 - 4/5 2016 399 latest check
Fujifilm X-E2S (⇒ lft | rgt) - 77/100 4.5/5 - 4.5/5 2016 699discont. check
Olympus E-M1 II (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 4.5/5 2016 1,999 latest check
Panasonic GH5s (⇒ lft | rgt) .. .. .. .. .. 2018 2,499 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Panasonic G85 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4.5/5 4.5/5 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199 latest check
Panasonic GH4 (⇒ lft | rgt) HiRec 85/100 Gold 5/5 5/5 5/5 2014 1,499discont. check
Sony A9 (⇒ lft | rgt) .. 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A6500 (⇒ lft | rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Sony A7 II (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 5/5 2014 1,999 latest check
Sony A77 (⇒ lft | rgt) 91/100 81/100 Silver - 4.5/5 5/5 2011 1,999discont. check

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Other comparisons

If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, kindly get in touch, and I will try to update the database with the necessary infos.

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