Panasonic G85 vs Pentax 645Z
The Panasonic Lumix DMC-G85 (called Panasonic G80 in some regions) and the Pentax 645Z are two digital cameras that were revealed to the public, respectively, in September 2016 and April 2014. The G85 is a mirrorless interchangeable lens camera, while the 645Z is a DSLR. The cameras are based on a Four Thirds (G85) and a medium format (645Z) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Pentax provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G85 and the Pentax 645Z? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic G85 and the Pentax 645Z is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax 645Z is considerably larger (60 percent) than the Panasonic G85. Moreover, the 645Z is substantially heavier (207 percent) than the G85. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|2.||Pentax 645Z||156 mm||117 mm||123 mm||1550 g||650||Y||Apr 2014||8,499|
|3.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|4.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|5.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995|
|6.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|7.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|8.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|9.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|10.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299|
|11.||Panasonic G95||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|12.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|13.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|14.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|15.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|16.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|17.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G85 was launched at a markedly lower price (by 89 percent) than the 645Z, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G85 features a Four Thirds sensor and the Pentax 645Z a medium format sensor. The sensor area in the 645Z is 539 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 51.1MP, the 645Z offers a higher resolution than the G85 (15.8MP), but the 645Z nevertheless has larger individual pixels (pixel pitch of 5.30μm versus 3.77μm for the G85) due to its larger sensor. However, the G85 is a much more recent model (by 2 years and 5 months) than the 645Z, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Pentax 645Z implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 645Z for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Panasonic G85 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DMC-G85 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax 645Z are ISO 100 to ISO 204800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the 645Z offers substantially better image quality than the G85 (overall score 30 points higher). The advantage is based on 3.2 bits higher color depth, 2.2 EV in additional dynamic range, and 2.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|2.||Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|3.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|4.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|5.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|6.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|7.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|8.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|9.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|10.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|11.||Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|12.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|13.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|14.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|15.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|16.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|17.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G85 provides a higher video resolution than the 645Z. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G85 has an electronic viewfinder (2360k dots), while the 645Z has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G85 offers a wider field of view (100%) than the one in the 645Z (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 645Z has a higher magnification (0.78x vs 0.74x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic G85, the Pentax 645Z, and comparable cameras.
|1.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|2.||Pentax 645Z||optical||Y||3.2 / 1037||tilting||n||1/4000s||3.0||n||n|
|3.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|4.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|5.||Hasselblad X1D||2360||n||3.0 / 920||fixed||Y||1/2000s||2.3||n||n|
|6.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0||n||n|
|7.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|8.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|9.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|10.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0||n||Y|
|11.||Panasonic G95||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0||Y||Y|
|12.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|13.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|14.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|15.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0||Y||n|
|16.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|17.||Pentax 645D||optical||Y||3.0 / 921||fixed||n||1/4000s||1.1||n||n|
One difference between the cameras concerns the presence of an on-board flash. The G85 has one, while the 645Z does not. While the built-in flash of the G85 is not very powerful, it can at times be useful as a fill-in light.The G85 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the 645Z does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G85 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G85 and the Pentax 645Z both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G85 and the 645Z write their files to SDXC cards. The 645Z features dual card slots, which can be very useful in case a memory card fails. In contrast, the G85 only has one slot. The G85 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 645Z can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G85 and Pentax 645Z and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Pentax 645Z||Y||stereo / mono||Y||-||mini||3.0||-||-||-|
|3.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|4.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|5.||Hasselblad X1D||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|6.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|7.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|8.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic G95||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|12.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|17.||Pentax 645D||Y||stereo / -||-||-||-||2.0||-||-||-|
It is notable that the G85 offers wifi support, while the 645Z does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Pentax 645Z (unlike the G85) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The 645Z is a recent model that features in the current product line-up of Pentax. In contrast, the G85 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G85 was succeeded by the Panasonic G95. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So what is the bottom line? Is the Panasonic G85 better than the Pentax 645Z or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-G85:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (128x89mm vs 156x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 1045g or 67 percent) and hence easier to carry around.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
- More modern: Reflects 2 years and 5 months of technical progress since the 645Z launch.
Arguments in favor of the Pentax 645Z:
- More detail: Has more megapixels (51.1 vs 15.8MP), which boosts linear resolution by 80%.
- Better image quality: Scores substantially higher (30 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.8 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.74x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Gets more shots (650 versus 330) out of a single battery charge.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in April 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the G85 emerges as the winner of the contest (17 : 14 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G85 and the Pentax 645Z place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G85 or the 645Z. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|2.||Pentax 645Z||5/5||..||..||..||4.5/5||5/5||Apr 2014||8,499|
|3.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|4.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|5.||Hasselblad X1D||..||o||..||81/100||..||4/5||Jun 2016||8,995|
|6.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|7.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|8.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|9.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|10.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299|
|11.||Panasonic G95||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|12.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|13.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|14.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|15.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|16.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|17.||Pentax 645D||5/5||..||..||..||..||..||Mar 2010||9,995|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M3 vs Panasonic G85
- Canon M50 Mark II vs Panasonic G85
- Canon SX410 vs Panasonic G85
- Canon SX430 vs Panasonic G85
- Canon SX530 vs Pentax 645Z
- Canon SX710 vs Pentax 645Z
- Fujifilm X-T3 vs Pentax 645Z
- Fujifilm X20 vs Pentax 645Z
- Leica X2 vs Panasonic G85
- Nikon Z6 vs Pentax 645Z
- Olympus E-PL8 vs Panasonic G85
- Panasonic FZ1000 II vs Pentax 645Z
Specifications: Panasonic G85 vs Pentax 645Z
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G85||Pentax 645Z|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Pentax 645 mount lenses|
|Launch Date||September 2016||April 2014|
|Launch Price||USD 899||USD 8,499|
|Sensor Specs||Panasonic G85||Pentax 645Z|
|Sensor Format||Four Thirds Sensor||Medium Format Sensor|
|Sensor Size||17.3 x 13.0 mm||43.8 x 32.8 mm|
|Sensor Area||224.9 mm2||1436.64 mm2|
|Sensor Diagonal||21.6 mm||54.7 mm|
|Sensor Resolution||15.8 Megapixels||51.1 Megapixels|
|Image Resolution||4592 x 3448 pixels||8256 x 6192 pixels|
|Pixel Pitch||3.77 μm||5.30 μm|
|Pixel Density||7.04 MP/cm2||3.56 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||200 - 25,600 ISO||100 - 204,800 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||Venus||PRIME III|
|DXO Sensor Quality (score)||71||101|
|DXO Color Depth (bits)||22.8||26.0|
|DXO Dynamic Range (EV)||12.5||14.7|
|DXO Low Light (ISO)||656||4505|
|Screen Specs||Panasonic G85||Pentax 645Z|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||98%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G85||Pentax 645Z|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||9 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Panasonic G85||Pentax 645Z|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic G85||Pentax 645Z|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||650 shots per charge|
128 x 89 x 74 mm
(5.0 x 3.5 x 2.9 in)
156 x 117 x 123 mm
(6.1 x 4.6 x 4.8 in)
|Camera Weight||505 g (17.8 oz)||1550 g (54.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.