Panasonic G80 vs Sony A7R III

The Panasonic Lumix DMC-G80 (called Panasonic G85 in some regions) and the Sony Alpha A7R III are two digital cameras that were announced, respectively, in September 2016 and October 2017. Both the G80 and the A7R III are mirrorless interchangeable lens cameras that are based on a Four Thirds (G80) and a full frame (A7R III) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 42.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G80		Sony A7R III
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.8 MP – Four Thirds sensor		42.2 MP – Full Frame sensor
4K/30p Video		4K/30p Video
ISO 200-25,600		ISO 100-32,000 (50 - 102,400)
Electronic viewfinder (2360k dots)		Electronic viewfinder (3686k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1440k dots
Swivel touchscreen		Tilting touchscreen
9 shutter flaps per second		10 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
330 shots per battery charge		650 shots per battery charge
128 x 89 x 74 mm, 505 g		127 x 96 x 74 mm, 650 g

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Check A7R III offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G80 and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic G80 and the Sony A7R III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is notably larger (7 percent) than the Panasonic G80. Moreover, the A7R III is markedly heavier (29 percent) than the G80. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G80) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G80 gets 330 shots out of its DMW-BLC12 battery, while the A7R III can take 650 images on a single charge of its NP-FZ100 power pack. The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G80	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	899	ebay.com
2.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199	ebay.com
3.		Nikon Z7	134 mm	101 mm	67 mm	675 g	330	Y	Aug 2018	3,399	ebay.com
4.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	1,999	ebay.com
5.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
6.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
7.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
8.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
9.		Panasonic G90	130 mm	94 mm	77 mm	536 g	290	Y	Apr 2019	999	amazon.com
10.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
11.		Panasonic GX80	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	799	amazon.com
12.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
13.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
14.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	3,899	amazon.com
15.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	6,499	amazon.com
16.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	3,499	amazon.com
17.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G80 was launched at a markedly lower price (by 72 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic G80 features a Four Thirds sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G80 has a native 4:3 aspect ratio, while the one in the A7R III offers a 3:2 aspect.

With 42.2MP, the A7R III offers a higher resolution than the G80 (15.8MP), but the A7R III nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.77μm for the G80) due to its larger sensor. Moreover, the A7R III is a somewhat more recent model (by 1 year and 1 month) than the G80, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Panasonic G80 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the G80, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-G80 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the G80 is build around a CMOS sensor, while the A7R III uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R III offers substantially better image quality than the G80 (overall score 29 points higher). The advantage is based on 3.2 bits higher color depth, 2.2 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G80	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
2.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
3.		Nikon Z7	Full Frame	45.4	8256	5504	4K/30p	26.3	14.6	2668	99
4.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
5.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
6.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
7.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
8.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
9.		Panasonic G90	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1273	75
10.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
11.		Panasonic GX80	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
12.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
13.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
14.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
15.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
16.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
17.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R III offers a substantially higher resolution than the one in the G80 (3686k vs 2360k dots). The table below summarizes some of the other core capabilities of the Panasonic G80 and Sony A7R III in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G80	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
2.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
3.		Nikon Z7	3690	Y	3.2 / 2100	tilting	Y	1/8000s	9.0/s	n	Y
4.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
5.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
6.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
7.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
8.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
9.		Panasonic G90	2360	n	3.0 / 1240	swivel	Y	1/4000s	9.0/s	Y	Y
10.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
11.		Panasonic GX80	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
12.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
13.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
15.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
17.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G80 has one, while the A7R III does not. While the built-in flash of the G80 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G80 and the Sony A7R III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G80 writes its imaging data to SDXC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the G80 only has one slot. Both the G80 and the A7R III support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s (the second slot of the A7R III only offers slower UHS-I transfer rates, though).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G80 and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G80	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
3.		Nikon Z7	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
4.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
5.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
8.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Panasonic G90	Y	stereo / mono	Y	Y	micro	2.0	Y	-	Y
10.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
11.		Panasonic GX80	Y	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
13.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
14.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
16.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the A7R III has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The G80 lacks such a headphone port.

Studio photographers will appreciate that the Sony A7R III (unlike the G80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the G80 and the A7R III have been discontinued, but can regularly be found used on ebay. The G80 was replaced by the Panasonic G90, while the A7R III was followed by the Sony A7R IV. Further information on the features and operation of the G80 and A7R III can be found, respectively, in the Panasonic G80 Manual (free pdf) or the online Sony A7R III Manual.

Review summary

So what conclusions can be drawn? Is the Panasonic G80 better than the Sony A7R III or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Panasonic Lumix DMC-G80:

• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less heavy: Is lighter (by 145g or 22 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (72 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in September 2016).

Reasons to prefer the Sony Alpha A7R III:

• More detail: Has more megapixels (42.2 vs 15.8MP), which boosts linear resolution by 66%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (3.2 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.2 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.4 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.74x).
• More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Longer lasting: Gets more shots (650 versus 330) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Was introduced somewhat (1 year and 1 month) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the contest (20 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G80 and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G80 or the A7R III. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G80	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	899	ebay.com
2.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199	ebay.com
3.		Nikon Z7	5/5	+	4.8/5	89/100	4.5/5	5/5	Aug 2018	3,399	ebay.com
4.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	1,999	ebay.com
5.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
6.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
7.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
8.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
9.		Panasonic G90	4.5/5	+	4.5/5	83/100	4.5/5	4.5/5	Apr 2019	999	amazon.com
10.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
11.		Panasonic GX80	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	799	amazon.com
12.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
13.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
14.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	3,899	amazon.com
15.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	6,499	amazon.com
16.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	3,499	amazon.com
17.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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