Panasonic G80 vs Sony A5000
The Panasonic Lumix DMC-G80 (called Panasonic G85 in some regions) and the Sony Alpha A5000 are two digital cameras that were revealed to the public, respectively, in September 2016 and January 2014. Both the G80 and the A5000 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G80) and an APS-C (A5000) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G80 and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic G80 and the Sony A5000. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The A5000 can be obtained in three different colors (black, silver, white), while the G80 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is considerably smaller (39 percent) than the Panasonic G80. Moreover, the A5000 is substantially lighter (47 percent) than the G80. It is worth mentioning in this context that the G80 is splash and dust resistant, while the A5000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G80) and the Sony E-Mount Lens Catalog (A5000). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the G80 gets 330 shots out of its DMW-BLC12 battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic G80||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|2.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|3.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|4.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|5.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|6.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|7.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|8.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|9.||Panasonic G90||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|10.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|11.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|12.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|13.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|14.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|15.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|16.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|17.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A5000 was launched at a markedly lower price (by 50 percent) than the G80, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G80 features a Four Thirds sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 59 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G80 has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.
With 19.8MP, the A5000 offers a higher resolution than the G80 (15.8MP), but the A5000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 3.77μm for the G80) due to its larger sensor. However, the G80 is a much more recent model (by 2 years and 8 months) than the A5000, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the G80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A5000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Panasonic G80 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DMC-G80 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A5000 has a markedly higher DXO score than the G80 (overall score 8 points higher), which will translate into better image quality. The advantage is based on 1 bits higher color depth, 0.5 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|4.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|5.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|6.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|7.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|8.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|9.||Panasonic G90||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|10.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|11.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|12.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|13.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|14.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G80 provides a higher video resolution than the A5000. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G80 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic G80 and Sony A5000 in connection with corresponding information for a sample of similar cameras.
|4.||Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
|5.||Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
|6.||Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
|14.||Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One feature that differentiates the G80 and the A5000 is in-body image stabilization (IBIS). The G80 reduces the risk of handshake-induced blur with all attached lenses, while the A5000 offers no blur reduction with lenses that themselves do not provide optical image stabilization.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G80 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G80 writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. The G80 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A5000 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G80 and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|4.||Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|5.||Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
|6.||Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
|14.||Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the G80 has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the G80 and the A5000 have been discontinued, but can regularly be found used on eBay. The A5000 was replaced by the Sony A5100, while the G80 was followed by the Panasonic G90. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Is there a clear favorite between the Panasonic G80 and the Sony A5000? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-G80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 461k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (9 vs 3.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 8 months of technical progress since the A5000 launch.
Advantages of the Sony Alpha A5000:
- More detail: Has more megapixels (19.8 vs 15.8MP), which boosts linear resolution by 14%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- More compact: Is smaller (110x63mm vs 128x89mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 236g or 47 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (420 versus 330) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the G80 is the clear winner of the match-up (15 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G80 and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G80 or the A5000 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G80||..||+ +||84/100||5/5||4.5/5||Sep 2016||899|
|2.||Sony A5000||3/5||+||..||4.5/5||4.5/5||Jan 2014||449|
|3.||Canon M10||..||..||..||..||4/5||Oct 2015||499|
|4.||Olympus E-M1 II||5/5||+ +||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|5.||Olympus E-M5 II||5/5||+ +||81/100||5/5||5/5||Feb 2015||1,099|
|6.||Olympus E-M10 II||4.5/5||+ +||80/100||5/5||5/5||Aug 2015||649|
|7.||Olympus E-M1||5/5||+ +||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|8.||Olympus E-P5||5/5||+ +||78/100||4.5/5||5/5||May 2013||999|
|9.||Panasonic G90||4.5/5||+||83/100||4.5/5||4.5/5||Apr 2019||999|
|10.||Panasonic GH5||4.5/5||+ +||85/100||4.5/5||5/5||Jan 2017||1,999|
|11.||Panasonic GX80||4.5/5||+ +||82/100||5/5||5/5||Apr 2016||799|
|12.||Panasonic G7||4/5||+ +||80/100||5/5||4.5/5||May 2015||649|
|13.||Panasonic GX8||5/5||+||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|14.||Sony RX100 IV||4.5/5||+ +||85/100||4/5||4.5/5||Jun 2015||999|
|15.||Sony A5100||4.5/5||+||..||4.5/5||5/5||Aug 2014||549|
|16.||Sony A6000||5/5||+||80/100||4.5/5||5/5||Feb 2014||599|
|17.||Sony NEX-3N||3/5||..||..||4.5/5||4.5/5||Feb 2013||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Panasonic G80 vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G80||Sony A5000|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||September 2016||January 2014|
|Launch Price||USD 899||USD 449|
|Sensor Specs||Panasonic G80||Sony A5000|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.2 x 15.4 mm|
|Sensor Area||224.9 mm2||357.28 mm2|
|Sensor Diagonal||21.6 mm||27.8 mm|
|Sensor Resolution||15.8 Megapixels||19.8 Megapixels|
|Image Resolution||4592 x 3448 pixels||5456 x 3632 pixels|
|Pixel Pitch||3.77 μm||4.25 μm|
|Pixel Density||7.04 MP/cm2||5.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||200 - 25,600 ISO||100 - 16,000 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||71||79|
|DXO Color Depth (bits)||22.8||23.8|
|DXO Dynamic Range (EV)||12.5||13.0|
|DXO Low Light (ISO)||656||1089|
|Screen Specs||Panasonic G80||Sony A5000|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||461k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G80||Sony A5000|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||9 shutter flaps/s||3.5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Panasonic G80||Sony A5000|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic G80||Sony A5000|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||330 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
128 x 89 x 74 mm
(5.0 x 3.5 x 2.9 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||505 g (17.8 oz)||269 g (9.5 oz)|
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