Panasonic G80 vs Sony A1

The Panasonic Lumix DMC-G80 (called Panasonic G85 in some regions) and the Sony A1 are two digital cameras that were announced, respectively, in September 2016 and January 2021. Both the G80 and the A1 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G80) and a full frame (A1) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 49.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G80		Sony A1
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.8 MP – Four Thirds sensor		49.8 MP – Full Frame sensor
4K/30p Video		8k/30p Video
ISO 200-25,600		ISO 100-32,000 (50 - 102,400)
Electronic viewfinder (2360k dots)		Electronic viewfinder (9437k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1440k dots
Swivel touchscreen		Tilting touchscreen
9 shutter flaps per second		10 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
330 shots per battery charge		530 shots per battery charge
128 x 89 x 74 mm, 505 g		129 x 97 x 81 mm, 737 g

Check G80 offers at
ebay.com
Check A1 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G80 and the Sony A1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic G80 and the Sony A1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A1 is notably larger (10 percent) than the Panasonic G80. Moreover, the A1 is substantially heavier (46 percent) than the G80. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G80) and the Sony FE Lens Catalog (A1). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G80 gets 330 shots out of its Panasonic DMW-BLC12 battery, while the A1 can take 530 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A1 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G80	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	899	ebay.com
2.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	6,499	amazon.com
3.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	1,999	ebay.com
4.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
5.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
6.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
7.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
8.		Panasonic G90	130 mm	94 mm	77 mm	536 g	290	Y	Apr 2019	999	ebay.com
9.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
10.		Panasonic GX80	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	799	amazon.com
11.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
12.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
13.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	3,899	amazon.com
14.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	2,499	amazon.com
15.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	3,199	amazon.com
16.		Sony A7R IVA	129 mm	96 mm	78 mm	665 g	670	Y	Apr 2021	3,499	amazon.com
17.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	3,499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G80 was launched at a markedly lower price (by 86 percent) than the A1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G80 features a Four Thirds sensor and the Sony A1 a full frame sensor. The sensor area in the A1 is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G80 has a native 4:3 aspect ratio, while the one in the A1 offers a 3:2 aspect.

With 49.8MP, the A1 offers a higher resolution than the G80 (15.8MP), but the A1 nevertheless has larger individual pixels (pixel pitch of 4.16μm versus 3.77μm for the G80) due to its larger sensor. Moreover, the A1 is a much more recent model (by 4 years and 4 months) than the G80, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Sony A1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A1 for good quality output (200 dots per inch) amounts to 43.2 x 28.8 inches or 109.7 x 73.2 cm, for very good quality (250 dpi) 34.6 x 23 inches or 87.8 x 58.5 cm, and for excellent quality (300 dpi) 28.8 x 19.2 inches or 73.2 x 48.8 cm. The corresponding values for the Panasonic G80 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The A1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the G80, the A1 has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-G80 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony A1 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the G80 is build around a CMOS sensor, while the A1 uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A1 offers substantially better image quality than the G80 (overall score 27 points higher). The advantage is based on 3.1 bits higher color depth, 2 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G80	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
2.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
3.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
4.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
5.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
6.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
7.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
8.		Panasonic G90	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1273	75
9.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
10.		Panasonic GX80	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
11.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
12.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
13.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
14.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
15.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
16.		Sony A7R IVA	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
17.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A1 provides a better video resolution than the G80. It can shoot movie footage at 8k/30p, while the Panasonic is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A1 offers a substantially higher resolution than the one in the G80 (9437k vs 2360k dots). The adjacent table lists some of the other core features of the Panasonic G80 and Sony A1 along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G80	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
2.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
3.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
4.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
5.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
6.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
7.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
8.		Panasonic G90	2360	n	3.0 / 1240	swivel	Y	1/4000s	9.0/s	Y	Y
9.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
10.		Panasonic GX80	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
11.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
12.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
13.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
14.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7R IVA	5760	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
17.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G80 has one, while the A1 does not. While the built-in flash of the G80 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G80 and the Sony A1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G80 writes its imaging data to SDXC cards, while the A1 uses CFexpress (type A) or SDXC cards. The A1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G80 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G80 and Sony A1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G80	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
4.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic G90	Y	stereo / mono	Y	Y	micro	2.0	Y	-	Y
9.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
10.		Panasonic GX80	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
13.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
16.		Sony A7R IVA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
17.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the A1 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The G80 lacks such a headphone port.

Studio photographers will appreciate that the Sony A1 (unlike the G80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A1 is a recent model that features in the current product line-up of Sony. In contrast, the G80 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G80 was succeeded by the Panasonic G90. Further information on the features and operation of the G80 and A1 can be found, respectively, in the Panasonic G80 Manual (free pdf) or the online Sony A1 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Panasonic G80 or the Sony A1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Panasonic Lumix DMC-G80:

• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less heavy: Is lighter (by 232g or 31 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (86 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in September 2016).

Advantages of the Sony A1:

• More detail: Has more megapixels (49.8 vs 15.8MP), which boosts linear resolution by 81%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (27 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (3.1 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.3 stops ISO advantage).
• Better video: Provides higher definition movie capture (8k/30p vs 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (9437k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.74x).
• More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Longer lasting: Gets more shots (530 versus 330) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 4 years and 4 months of technical progress since the G80 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A1 is the clear winner of the contest (21 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G80 and the Sony A1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G80 and the A1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G80	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	899	ebay.com
2.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	6,499	amazon.com
3.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	1,999	ebay.com
4.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
5.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
6.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
7.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
8.		Panasonic G90	4.5/5	+	4.5/5	83/100	4.5/5	4.5/5	Apr 2019	999	ebay.com
9.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
10.		Panasonic GX80	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	799	amazon.com
11.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
12.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
13.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	3,899	amazon.com
14.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	2,499	amazon.com
15.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	3,199	amazon.com
16.		Sony A7R IVA	5/5	+	4.5/5	91/100	4.5/5	5/5	Apr 2021	3,499	amazon.com
17.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	3,499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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