Panasonic G80 versus Olympus PEN-F
The Panasonic Lumix DMC-G80 (called Panasonic G85 in some regions) and the Olympus PEN-F are two digital cameras that were revealed to the public, respectively, in September 2016 and January 2016. Both the G80 and the PEN-F are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Panasonic has a resolution of 15.8 megapixel, whereas the Olympus provides 20.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic G80 vs Olympus PEN-F
The side-by-side display below illustrates the physical size and weight of the Panasonic G80 and the Olympus PEN-F. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the G80 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is notably smaller (21 percent) than the Panasonic G80. Moreover, the PEN-F is markedly lighter (15 percent) than the G80. It is worth mentioning in this context that the G80 is splash and dust resistant, while the PEN-F does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Panasonic G80»||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|Olympus PEN-F«||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|Olympus E-M10 II« »||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||799||-|
|Olympus E-M5 II« »||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|Olympus E-M10« »||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||-|
|Olympus E-M1« »||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||-|
|Olympus E-P5« »||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||-|
|Olympus E-M5« »||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299||-|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|Panasonic GX80« »||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|Panasonic G7« »||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||-|
|Panasonic GX8« »||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||-|
|Panasonic GX7« »||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||-|
|Panasonic GH3« »||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G80 was launched at a somewhat lower price (by 25 percent) than the PEN-F, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic G80 vs Olympus PEN-F
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the PEN-F offers a higher resolution of 20.2 megapixel, compared with 15.8 MP of the G80. This megapixel advantage translates into a 13 percent gain in linear resolution. On the other hand, these sensor specs imply that the PEN-F has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 3.77μm for the G80). Moreover, it should be noted, that the G80 is a somewhat more recent model (by 7 months) than the PEN-F, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Unlike the G80, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic G80»||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Olympus PEN-F«||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Olympus E-M5« »||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic GX80« »||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic GH3« »||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G80 provides a higher video resolution than the PEN-F. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/60p.
Feature comparison: Panasonic G80 vs Olympus PEN-F
Apart from body and sensor, cameras can and do differ across a range of features. The G80 and the PEN-F are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Panasonic G80 and Olympus PEN-F in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||Y|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||4000||8.0||Y||Y|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||8000||10.0||n||Y|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||8000||9.0||Y||Y|
|Olympus E-M5« »||1440||n||3.0||610||tilting||Y||4000||9.0||n||Y|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y|
|Panasonic GX80« »||2765||n||3.0||1040||tilting||Y||4000||8.0||Y||Y|
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||4000||7.0||Y||n|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||8000||10.0||n||Y|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||8000||5.0||Y||Y|
|Panasonic GH3« »||1746||n||3.0||614||swivel||Y||4000||6.0||Y||n|
Both the G80 and the PEN-F are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G80 replaced the earlier Panasonic G7, while the PEN-F does not have a direct predecessor.
Review summary: Panasonic G80 vs Olympus PEN-F
So what is the bottom line? Which of the two cameras – the Panasonic G80 or the Olympus PEN-F – has the upper hand? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-G80:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 7 months after the PEN-F).
Reasons to prefer the Olympus PEN-F:
- More detail: Has more megapixels (20.2 vs 15.8MP), which boosts linear resolution by 13%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- More compact: Is smaller (125x72mm vs 128x89mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 78g or 15 percent) and is thus easier to take along.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the PEN-F emerges as the winner of the match-up (7 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the G80 and the PEN-F in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Panasonic G80»||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Olympus PEN-F«||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Olympus E-M10 II« »||HiRec||80/100||5/5||5/5||5/5||Aug 2015||799||-|
|Olympus E-M5 II« »||HiRec||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-|
|Olympus E-M1« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-|
|Olympus E-P5« »||HiRec||78/100||4.5/5||4.5/5||5/5||May 2013||999||-|
|Olympus E-M5« »||HiRec||80/100||4.5/5||5/5||5/5||Feb 2012||1,299||-|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic GX80« »||HiRec||82/100||5/5||4.5/5||5/5||Apr 2016||799|
|Panasonic G7« »||HiRec||80/100||5/5||4.5/5||4.5/5||May 2015||649||-|
|Panasonic GX8« »||Rec||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-|
|Panasonic GX7« »||Rec||79/100||5/5||4.5/5||5/5||Aug 2013||999||-|
|Panasonic GH3« »||HiRec||79/100||4.5/5||5/5||4.5/5||Sep 2012||1,299||-|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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