Panasonic G80 versus Nikon D5600
The Panasonic Lumix DMC-G80 (called Panasonic G85 in some regions) and the Nikon D5600 are two digital cameras that were revealed to the public, respectively, in September 2016 and November 2016. The G80 is a mirrorless interchangeable lens camera, while the D5600 is a DSLR. The cameras are based on a Four Thirds (G80) and an APS-C (D5600) sensor. The Panasonic has a resolution of 15.8 megapixel, whereas the Nikon provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic G80 vs Nikon D5600
An illustration of the physical size and weight of the Panasonic G80 and the Nikon D5600 is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the G80 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5600 is notably larger (6 percent) than the Panasonic G80. However, the D5600 is markedly lighter (8 percent) than the G80. It is worth mentioning in this context that the G80 is splash and dust resistant, while the D5600 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (G80) and the Nikon Lens Catalog (D5600). Mirrorless cameras, such as the Panasonic G80, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Panasonic G80 (⇒ rgt)||5.0 in||3.5 in||2.9 in||17.8 oz||330||YES||2016||899||latest||check|
|Nikon D5600 (⇒ lft)||4.9 in||3.8 in||2.8 in||16.4 oz||970||no||2016||699||latest||check|
|Canon T6i (⇒ lft | rgt)||5.2 in||4.0 in||3.1 in||19.6 oz||440||no||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||5.2 in||4.0 in||3.1 in||19.9 oz||440||no||2015||849||discont.||check|
|Nikon D3300 (⇒ lft | rgt)||4.9 in||3.9 in||3.0 in||15.2 oz||700||no||2014||499||discont.||check|
|Nikon D3200 (⇒ lft | rgt)||4.9 in||3.8 in||3.0 in||17.8 oz||540||no||2012||599||discont.||check|
|Nikon D5200 (⇒ lft | rgt)||5.1 in||3.9 in||3.1 in||19.6 oz||500||no||2012||749||discont.||check|
|Olympus E-M10 II (⇒ lft | rgt)||4.7 in||3.3 in||1.9 in||13.8 oz||320||no||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||4.9 in||3.3 in||1.8 in||16.5 oz||310||YES||2015||1,099||latest||check|
|Olympus E-P5 (⇒ lft | rgt)||4.8 in||2.7 in||1.5 in||14.8 oz||330||no||2013||999||discont.||check|
|Olympus E-M5 (⇒ lft | rgt)||4.8 in||3.5 in||1.7 in||15.0 oz||360||YES||2012||1,299||discont.||check|
|Panasonic GH5 (⇒ lft | rgt)||5.5 in||3.9 in||3.4 in||25.6 oz||410||YES||2017||1,999||latest||check|
|Panasonic GX80 (⇒ lft | rgt)||4.8 in||2.8 in||1.7 in||15.0 oz||290||no||2016||799||latest||check|
|Panasonic G7 (⇒ lft | rgt)||4.9 in||3.4 in||3.0 in||14.5 oz||350||no||2015||649||discont.||check|
|Panasonic GX8 (⇒ lft | rgt)||5.2 in||3.1 in||2.5 in||17.2 oz||330||YES||2015||1,199||discont.||check|
|Panasonic GX7 (⇒ lft | rgt)||4.8 in||2.8 in||2.2 in||14.2 oz||350||no||2013||999||discont.||check|
|Panasonic GH3 (⇒ lft | rgt)||5.2 in||3.7 in||3.2 in||19.4 oz||540||YES||2012||1,299||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5600 was launched at a somewhat lower price (by 22 percent) than the G80, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic G80 vs Nikon D5600
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G80 features a Four Thirds sensor and the Nikon D5600 an APS-C sensor. The sensor area in the D5600 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G80 has a native 4:3 aspect ratio, while the one in the D5600 offers a 3:2 aspect.
With 24MP, the D5600 offers a higher resolution than the G80 (15.8MP), but the D5600 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the G80) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the D5600 offers substantially better image quality than the G80 (overall score 13 points higher). The advantage is based on 1.3 bits higher color depth, 1.5 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic G80 (⇒ rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Nikon D5600 (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Nikon D3300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82|
|Nikon D3200 (⇒ lft | rgt)||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81|
|Nikon D5200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-P5 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Olympus E-M5 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|Panasonic GH5 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic GX80 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Panasonic G7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Panasonic GX8 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Panasonic GX7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic GH3 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G80 provides a higher video resolution than the D5600. It can shoot video footage at 4K/30p, while the Nikon is limited to 1080/60p.
Feature comparison: Panasonic G80 vs Nikon D5600
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G80 has an electronic viewfinder (2360k dots), while the D5600 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Panasonic G80 and Nikon D5600 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Panasonic G80 (⇒ rgt)||2360||no||3.0||1040||swivel||YES||4000||9.0||6.2||YES|
|Nikon D5600 (⇒ lft)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Nikon D3300 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||5.0||12||no|
|Nikon D3200 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||4.0||12||no|
|Nikon D5200 (⇒ lft | rgt)||optical||no||3.0||921||swivel||no||4000||5.0||12||no|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M5 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-P5 (⇒ lft | rgt)||no||no||3.0||1037||tilting||YES||8000||9.0||7||YES|
|Olympus E-M5 (⇒ lft | rgt)||1440||no||3.0||610||tilting||YES||4000||9.0||no||YES|
|Panasonic GH5 (⇒ lft | rgt)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||YES|
|Panasonic GX80 (⇒ lft | rgt)||2765||no||3.0||1040||tilting||YES||4000||8.0||6||YES|
|Panasonic G7 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||7.0||9.3||no|
|Panasonic GX8 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||8000||10.0||no||YES|
|Panasonic GX7 (⇒ lft | rgt)||2760||no||3.0||1040||tilting||YES||8000||5.0||7||YES|
|Panasonic GH3 (⇒ lft | rgt)||1746||no||3.0||614||swivel||YES||4000||6.0||12||no|
Both the G80 and the D5600 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G80 replaced the earlier Panasonic G7, while the D5600 followed on from the Nikon D5500.
Review summary: Panasonic G80 vs Nikon D5600
So how do things add up? Which of the two cameras – the Panasonic G80 or the Nikon D5600 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-G80:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Sharper images: Has hand-shake reducing image stabilization build-in.
Arguments in favor of the Nikon D5600:
- More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
- Better image quality: Scores substantially higher (13 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Gets more shots (970 versus 330) out of a single battery charge.
- More affordable: Was released into a lower priced segment (22 percent cheaper at launch).
If the count of relative strengths (bullet points above) is taken as a measure, the D5600 emerges as the winner of the match-up (9 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G80 or the D5600 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic G80 (⇒ rgt)||HiRec||84/100 Gold||5/5||4.5/5||4.5/5||2016||899||latest||check|
|Nikon D5600 (⇒ lft)||-||79/100 Silver||4.5/5||4.5/5||4/5||2016||699||latest||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Nikon D3300 (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2014||499||discont.||check|
|Nikon D3200 (⇒ lft | rgt)||HiRec||73/100 Silver||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Nikon D5200 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4.5/5||4.5/5||2012||749||discont.||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Olympus E-P5 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4.5/5||5/5||2013||999||discont.||check|
|Olympus E-M5 (⇒ lft | rgt)||HiRec||80/100 Gold||4.5/5||5/5||5/5||2012||1,299||discont.||check|
|Panasonic GH5 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||5/5||2017||1,999||latest||check|
|Panasonic GX80 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||4.5/5||5/5||2016||799||latest||check|
|Panasonic G7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||4.5/5||2015||649||discont.||check|
|Panasonic GX8 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||4.5/5||2015||1,199||discont.||check|
|Panasonic GX7 (⇒ lft | rgt)||Rec||79/100 Silver||5/5||4.5/5||5/5||2013||999||discont.||check|
|Panasonic GH3 (⇒ lft | rgt)||HiRec||79/100 Gold||4.5/5||5/5||4.5/5||2012||1,299||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, kindly get in touch, and I will try to update the database with the necessary infos.
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