Panasonic G7 versus Fujifilm X-E2S
The Panasonic Lumix DMC-G7 and the Fujifilm X-E2S are two digital cameras that were announced, respectively, in May 2015 and January 2016. Both the G7 and the X-E2S are mirrorless interchangeable lens cameras that are based on a Four Thirds (G7) and an APS-C sensor. The Panasonic has a resolution of 15.8 megapixel, whereas the Fujifilm provides 16 MP.
An illustration of the physical size and weight of the Panasonic G7 and the Fujifilm X-E2S is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the G7 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E2S is notably smaller (10 percent) than the Panasonic G7. Moreover, the X-E2S is markedly lighter (15 percent) than the G7. In this context, it is worth noting that neither the G7 nor the X-E2S are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (G7) and the Fujinon X Lens Catalog (X-E2S). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic G7 (⇒ rgt)||125 mm||86 mm||77 mm||410 g||350||no||2015||649||discont.||check|
|Fujifilm X-E2S (⇒ lft)||129 mm||75 mm||37 mm||350 g||350||no||2016||699||discont.||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||118 mm||83 mm||41 mm||381 g||350||no||2015||799||discont.||check|
|Fujifilm X-E2 (⇒ lft | rgt)||129 mm||75 mm||37 mm||350 g||350||no||2013||999||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||117 mm||67 mm||39 mm||330 g||350||no||2013||699||latest||check|
|Panasonic GX850 (⇒ lft | rgt)||107 mm||65 mm||33 mm||269 g||210||no||2017||549||latest||check|
|Panasonic G85 (⇒ lft | rgt)||128 mm||89 mm||74 mm||505 g||330||YES||2016||899||latest||check|
|Panasonic GX85 (⇒ lft | rgt)||122 mm||71 mm||44 mm||426 g||290||no||2016||799||latest||check|
|Panasonic GF7 (⇒ lft | rgt)||107 mm||65 mm||33 mm||266 g||230||no||2015||499||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||99 mm||60 mm||36 mm||211 g||220||no||2014||749||discont.||check|
|Panasonic G6 (⇒ lft | rgt)||122 mm||85 mm||71 mm||390 g||340||no||2013||599||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||99 mm||55 mm||30 mm||204 g||230||no||2013||749||discont.||check|
|Panasonic G5 (⇒ lft | rgt)||120 mm||83 mm||71 mm||396 g||320||no||2012||599||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||115 mm||84 mm||47 mm||336 g||270||no||2011||599||discont.||check|
|Panasonic GH2 (⇒ lft | rgt)||124 mm||90 mm||76 mm||442 g||330||no||2010||1,499||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7 was somewhat cheaper (by 7 percent) than the X-E2S at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Fujifilm X-E2S an APS-C sensor. The sensor area in the X-E2S is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G7 has a native 4:3 aspect ratio, while the one in the X-E2S offers a 3:2 aspect.
With 16MP, the X-E2S offers a higher resolution than the G7 (15.8MP), but the X-E2S nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 3.77μm for the G7) due to its larger sensor. Moreover, the X-E2S is a somewhat more recent model (by 7 months) than the G7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-E2S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic G7 (⇒ rgt)||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Fujifilm X-E2S (⇒ lft)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X70 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-T10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-E2 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-M1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Panasonic GX850 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Panasonic G85 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic GX85 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Panasonic GF7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||-||-||-||-|
|Panasonic GM5 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic G6 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GM1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic G5 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-|
|Panasonic G3 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||21||10.6||667||56|
|Panasonic GH2 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G7 provides a higher video resolution than the X-E2S. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The G7 and the X-E2S are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The following table reports on some other key feature differences and similarities of the Panasonic G7, the Fujifilm X-E2S, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Panasonic G7 (⇒ rgt)||2360||no||3.0||1040||swivel||YES||4000||7.0||9.3||no|
|Fujifilm X-E2S (⇒ lft)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X70 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Fujifilm X-T10 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||8.0||5||no|
|Fujifilm X-E2 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Fujifilm X-M1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Panasonic GX850 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||500||10.0||4||no|
|Panasonic G85 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||9.0||6.2||YES|
|Panasonic GX85 (⇒ lft | rgt)||2765||no||3.0||1040||tilting||YES||4000||8.0||6||YES|
|Panasonic GF7 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||500||5.8||4||no|
|Panasonic GM5 (⇒ lft | rgt)||1166||no||3.0||921||fixed||YES||500||5.8||no||no|
|Panasonic G6 (⇒ lft | rgt)||1440||no||3.0||1036||swivel||YES||4000||7.0||10.5||no|
|Panasonic GM1 (⇒ lft | rgt)||no||no||3.0||1036||fixed||YES||500||5.0||4||no|
|Panasonic G5 (⇒ lft | rgt)||1440||no||3.0||920||swivel||YES||4000||6.0||10.5||no|
|Panasonic G3 (⇒ lft | rgt)||1440||no||3.0||460||swivel||YES||4000||4.0||11||no|
|Panasonic GH2 (⇒ lft | rgt)||1534||no||3.0||460||swivel||no||4000||3.0||15.6||no|
Both the G7 and the X-E2S have been discontinued, but can regularly be found used on ebay. The G7 was replaced by the Panasonic G85, while the X-E2S was followed by the Fujifilm X-E3.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic G7 and the Panasonic G7? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-G7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More heavily discounted: Has been on the market for longer (launched in May 2015).
Arguments in favor of the Fujifilm X-E2S:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Less heavy: Has a lower weight (by 60g or 15 percent) and is thus easier to take along.
- More modern: Was introduced somewhat (7 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the G7 comes out slightly ahead of the X-E2S (5 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G7 or the X-E2S handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic G7 (⇒ rgt)||HiRec||80/100 Silver||5/5||4.5/5||4.5/5||2015||649||discont.||check|
|Fujifilm X-E2S (⇒ lft)||-||77/100||4.5/5||-||4.5/5||2016||699||discont.||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4/5||5/5||2015||799||discont.||check|
|Fujifilm X-E2 (⇒ lft | rgt)||-||80/100 Gold||4.5/5||-||5/5||2013||999||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||Rec||77/100 Gold||4.5/5||-||4.5/5||2013||699||latest||check|
|Panasonic GX850 (⇒ lft | rgt)||Rec||76/100||4.5/5||4/5||4.5/5||2017||549||latest||check|
|Panasonic G85 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4.5/5||4.5/5||2016||899||latest||check|
|Panasonic GX85 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||4.5/5||5/5||2016||799||latest||check|
|Panasonic GF7 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2015||499||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||Rec||77/100 Silver||5/5||5/5||4.5/5||2014||749||discont.||check|
|Panasonic G6 (⇒ lft | rgt)||HiRec||-||5/5||-||4.5/5||2013||599||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||Rec||78/100 Gold||5/5||4.5/5||4.5/5||2013||749||discont.||check|
|Panasonic G5 (⇒ lft | rgt)||HiRec||-||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||88/100 HiRec||75/100 Silver||4.5/5||4.5/5||5/5||2011||599||discont.||check|
|Panasonic GH2 (⇒ lft | rgt)||86/100 HiRec||79/100 Silver||4.5/5||4.5/5||5/5||2010||1,499||discont.||check|
The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please send me an email, and I will try to update the database with the necessary infos.
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