Panasonic G7 vs Canon G1 X Mark II
The Panasonic Lumix DMC-G7 and the Canon PowerShot G1 X Mark II are two digital cameras that were revealed to the public, respectively, in May 2015 and February 2014. The G7 is a mirrorless interchangeable lens camera, while the G1X Mark II is a fixed lens compact. The cameras are based on a Four Thirds (G7) and an 1.5-inch (G1X Mark II) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Canon provides 13 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G7 and the Canon PowerShot G1 X Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic G7 and the Canon G1 X Mark II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The G7 can be obtained in two different colors (black, silver), while the G1X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G1 X Mark II is notably smaller (20 percent) than the Panasonic G7. In this context, it is worth noting that neither the G7 nor the G1X Mark II are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark II has a lens built in, whereas the G7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G7 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G7 gets 350 shots out of its Panasonic DMW-BLC12 battery, while the G1X Mark II can take 240 images on a single charge of its Canon NB-12L power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
2. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
3. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | 799 | ebay.com | |
4. | Canon G5 X | 112 mm | 76 mm | 44 mm | 353 g | 210 | n | Oct 2015 | 799 | ebay.com | |
5. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
6. | Canon T6s | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | 649 | ebay.com | |
7. | Olympus E-PL7 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Aug 2014 | 599 | ebay.com | |
8. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
9. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
10. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
11. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
12. | Panasonic GF1 | 119 mm | 71 mm | 36 mm | 385 g | 380 | n | Sep 2009 | 749 | ebay.com | |
13. | Panasonic GF7 | 107 mm | 65 mm | 33 mm | 266 g | 230 | n | Jan 2015 | 499 | ebay.com | |
14. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
15. | Panasonic GM1 | 99 mm | 55 mm | 30 mm | 204 g | 230 | n | Oct 2013 | 749 | ebay.com | |
16. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | 749 | ebay.com | |
17. | Panasonic LX100 | 115 mm | 66 mm | 55 mm | 393 g | 300 | n | Sep 2014 | 899 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Canon G1 X Mark II an 1.5-inch sensor. The sensor area in the G1X Mark II is 16 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.85. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Panasonic G7 offers a higher resolution of 15.8 megapixels, compared with 13 MP of the Canon G1 X Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 4.49μm for the G1X Mark II). However, it should be noted that the G7 is a somewhat more recent model (by 1 year and 3 months) than the G1X Mark II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
The resolution advantage of the Panasonic G7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Canon G1 X Mark II are 20.8 x 15.6 inches or 52.8 x 39.6 cm for good quality, 16.6 x 12.5 inches or 42.3 x 31.7 cm for very good quality, and 13.9 x 10.4 inches or 35.2 x 26.4 cm for excellent quality prints.
The Panasonic Lumix DMC-G7 has a native sensitivity range from ISO 160 to ISO 25600. The corresponding ISO settings for the Canon PowerShot G1 X Mark II are ISO 100 to ISO 12800 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
2. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
3. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
4. | Canon G5 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 471 | 62 | |
5. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
6. | Canon T6s | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
7. | Olympus E-PL7 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.4 | 873 | 72 | |
8. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
9. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
10. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
11. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
12. | Panasonic GF1 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 513 | 54 | |
13. | Panasonic GF7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.7 | 12.3 | 874 | 70 | |
14. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
15. | Panasonic GM1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 22.3 | 11.7 | 660 | 66 | |
16. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
17. | Panasonic LX100 | Four Thirds | 12.7 | 4112 | 3088 | 4K/30p | 22.3 | 12.5 | 553 | 67 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7 provides a higher video resolution than the G1X Mark II. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G7 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G1X Mark II relies on live view and the rear LCD for framing. That said, the G1X Mark II can be equipped with an optional viewfinder – the EVF-DC1. The adjacent table lists some of the other core features of the Panasonic G7 and Canon G1 X Mark II along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
2. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
3. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
4. | Canon G5 X | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 5.9/s | Y | Y | |
5. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
6. | Canon T6s | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
7. | Olympus E-PL7 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
8. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
9. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
10. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
11. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
12. | Panasonic GF1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
13. | Panasonic GF7 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 5.8/s | Y | n | |
14. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
15. | Panasonic GM1 | none | n | 3.0 / 1036 | fixed | Y | 1/500s | 5.0/s | Y | n | |
16. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
17. | Panasonic LX100 | 2764 | n | 3.0 / 921 | fixed | n | 1/4000s | 11.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 and the Canon G1 X Mark II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G7 and the G1X Mark II write their files to SDXC cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the G1X Mark II can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G7 and Canon PowerShot G1 X Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
2. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
3. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
4. | Canon G5 X | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
5. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
6. | Canon T6s | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
7. | Olympus E-PL7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
11. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
12. | Panasonic GF1 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic GF7 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
14. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
15. | Panasonic GM1 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Panasonic LX100 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the G7 has a microphone port, which is missing on the G1X Mark II. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the G7 and the G1X Mark II have been discontinued, but can regularly be found used on ebay. The G1X Mark II was replaced by the Canon G1 X Mark III, while the G7 was followed by the Panasonic G85. Further information on the features and operation of the G7 and G1X Mark II can be found, respectively, in the Panasonic G7 Manual (free pdf) or the online Canon G1 X Mark II Manual.
Review summary
So how do things add up? Which of the two cameras – the Panasonic G7 or the Canon G1 X Mark II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-G7:
- More detail: Offers more megapixels (15.8 vs 13MP) with a 10% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (7 vs 5.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (350 versus 240) on a single battery charge.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 1 year and 3 months after the G1X Mark II).
Arguments in favor of the Canon PowerShot G1 X Mark II:
- Ready to shoot: Has an integrated lens, whereas the G7 necessitates an extra lens.
- More compact: Is smaller (116x74mm vs 125x86mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in February 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the G7 is the clear winner of the match-up (11 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G7 and the Canon G1 X Mark II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the G7 and the G1X Mark II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
2. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
3. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | 799 | ebay.com | |
4. | Canon G5 X | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Oct 2015 | 799 | ebay.com | |
5. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
6. | Canon T6s | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | 649 | ebay.com | |
7. | Olympus E-PL7 | 4/5 | + | .. | .. | 5/5 | 4/5 | Aug 2014 | 599 | ebay.com | |
8. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
9. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
10. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
11. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
12. | Panasonic GF1 | .. | 85/100 | .. | 69/100 | 4.5/5 | 4.5/5 | Sep 2009 | 749 | ebay.com | |
13. | Panasonic GF7 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | 499 | ebay.com | |
14. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
15. | Panasonic GM1 | 3/5 | + | .. | 78/100 | 5/5 | 4.5/5 | Oct 2013 | 749 | ebay.com | |
16. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | 749 | ebay.com | |
17. | Panasonic LX100 | 5/5 | + + | .. | 85/100 | 5/5 | 5/5 | Sep 2014 | 899 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark II vs Canon G1 X Mark II
- Canon G1 X Mark II vs Leica S Typ 007
- Canon G1 X Mark II vs Leica V-LUX 5
- Canon G1 X Mark II vs Nikon D4S
- Canon G1 X Mark II vs Panasonic G1
- Canon G1 X Mark II vs Sony RX1R II
- Olympus E-330 vs Panasonic G7
- Panasonic G7 vs Panasonic GX850
- Panasonic G7 vs Panasonic L1
- Panasonic G7 vs Panasonic LX5
- Panasonic G7 vs Sony A7
- Panasonic G7 vs Sony A7 II
Specifications: Panasonic G7 vs Canon G1 X Mark II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic G7 | Canon G1 X Mark II |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Micro Four Thirds lenses | 24-120mm f/2.0-3.9 |
Launch Date | May 2015 | February 2014 |
Launch Price | USD 649 | USD 799 |
Sensor Specs | Panasonic G7 | Canon G1 X Mark II |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | 1.5" Sensor |
Sensor Size | 17.3 x 13.0 mm | 18.7 x 14.0 mm |
Sensor Area | 224.9 mm2 | 261.8 mm2 |
Sensor Diagonal | 21.6 mm | 23.4 mm |
Crop Factor | 2.0x | 1.85x |
Sensor Resolution | 15.8 Megapixels | 13 Megapixels |
Image Resolution | 4592 x 3448 pixels | 4160 x 3120 pixels |
Pixel Pitch | 3.77 μm | 4.49 μm |
Pixel Density | 7.04 MP/cm2 | 4.96 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/30p Video |
ISO Setting | 160 - 25,600 ISO | 100 - 12,800 ISO |
Image Processor | Venus | DIGIC 6 |
DXO Sensor Quality (score) | .. | 58 |
DXO Color Depth (bits) | .. | 21.5 |
DXO Dynamic Range (EV) | .. | 10.8 |
DXO Low Light (ISO) | .. | 581 |
Screen Specs | Panasonic G7 | Canon G1 X Mark II |
Viewfinder Type | Electronic viewfinder | Viewfinder optional |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1040k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic G7 | Canon G1 X Mark II |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 7 shutter flaps/s | 5.2 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-II | UHS-I |
Connectivity Specs | Panasonic G7 | Canon G1 X Mark II |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Body Specs | Panasonic G7 | Canon G1 X Mark II |
Battery Type | Panasonic DMW-BLC12 | Canon NB-12L |
Battery Life (CIPA) | 350 shots per charge | 240 shots per charge |
Body Dimensions |
125 x 86 x 77 mm (4.9 x 3.4 x 3.0 in) |
116 x 74 x 66 mm (4.6 x 2.9 x 2.6 in) |
Camera Weight | 410 g (14.5 oz) | 553 g (19.5 oz) |
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