Panasonic G7 vs Canon 1D X
The Panasonic Lumix DMC-G7 and the Canon EOS-1D X are two digital cameras that were officially introduced, respectively, in May 2015 and October 2011. The G7 is a mirrorless interchangeable lens camera, while the 1DX is a DSLR. The cameras are based on a Four Thirds (G7) and a full frame (1DX) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Canon provides 17.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G7 and the Canon EOS-1D X? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Panasonic G7 and the Canon 1D X. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The G7 can be obtained in two different colors (black, silver), while the 1DX is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1D X is considerably larger (147 percent) than the Panasonic G7. Moreover, the 1DX is substantially heavier (278 percent) than the G7. It is noteworthy in this context that the 1DX is splash and dust-proof, while the G7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G7) and the Canon EF Lens Catalog (1DX). Mirrorless cameras, such as the Panasonic G7, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the G7 gets 350 shots out of its Panasonic DMW-BLC12 battery, while the 1DX can take 1120 images on a single charge of its Canon LP-E4N power pack. As can be seen in the images above, the 1DX has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
2. | Canon 1D X | 158 mm | 168 mm | 83 mm | 1551 g | 1120 | Y | Oct 2011 | 6,799 | ebay.com | |
3. | Canon 1D X Mark III | 158 mm | 168 mm | 83 mm | 1440 g | 2850 | Y | Jan 2020 | 6,499 | amazon.com | |
4. | Canon 1D X Mark II | 158 mm | 168 mm | 83 mm | 1530 g | 1210 | Y | Feb 2016 | 5,999 | ebay.com | |
5. | Canon 6D | 145 mm | 111 mm | 71 mm | 770 g | 1090 | Y | Sep 2012 | 2,099 | ebay.com | |
6. | Canon 5D Mark II | 152 mm | 114 mm | 75 mm | 850 g | 850 | Y | Sep 2008 | 3,499 | ebay.com | |
7. | Canon 1Ds Mark III | 150 mm | 160 mm | 80 mm | 1385 g | 1800 | Y | Aug 2007 | 7,999 | ebay.com | |
8. | Olympus E-PL7 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Aug 2014 | 599 | ebay.com | |
9. | Panasonic GF7 | 107 mm | 65 mm | 33 mm | 266 g | 230 | n | Jan 2015 | 499 | ebay.com | |
10. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | 749 | ebay.com | |
11. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
12. | Panasonic GM1 | 99 mm | 55 mm | 30 mm | 204 g | 230 | n | Oct 2013 | 749 | ebay.com | |
13. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
14. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
15. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
16. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
17. | Panasonic GF1 | 119 mm | 71 mm | 36 mm | 385 g | 380 | n | Sep 2009 | 749 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G7 was launched at a markedly lower price (by 90 percent) than the 1DX, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Canon 1D X a full frame sensor. The sensor area in the 1DX is 284 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G7 has a native 4:3 aspect ratio, while the one in the 1DX offers a 3:2 aspect.
With 17.9MP, the 1DX offers a higher resolution than the G7 (15.8MP), but the 1DX nevertheless has larger individual pixels (pixel pitch of 6.95μm versus 3.77μm for the G7) due to its larger sensor. However, the G7 is a much more recent model (by 3 years and 7 months) than the 1DX, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon 1D X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1DX for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DMC-G7 has a native sensitivity range from ISO 160 to ISO 25600. The corresponding ISO settings for the Canon EOS-1D X are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
2. | Canon 1D X | Full Frame | 17.9 | 5184 | 3456 | 1080/30p | 23.8 | 11.8 | 2786 | 82 | |
3. | Canon 1D X Mark III | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.2 | 14.5 | 3248 | 91 | |
4. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
5. | Canon 6D | Full Frame | 20.0 | 5472 | 3648 | 1080/30p | 23.8 | 12.1 | 2340 | 82 | |
6. | Canon 5D Mark II | Full Frame | 21.0 | 5616 | 3744 | 1080/30p | 23.7 | 11.9 | 1815 | 79 | |
7. | Canon 1Ds Mark III | Full Frame | 21.0 | 5616 | 3744 | none | 24.0 | 12.0 | 1663 | 80 | |
8. | Olympus E-PL7 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.4 | 873 | 72 | |
9. | Panasonic GF7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.7 | 12.3 | 874 | 70 | |
10. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
11. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
12. | Panasonic GM1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 22.3 | 11.7 | 660 | 66 | |
13. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
14. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
15. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
16. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
17. | Panasonic GF1 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 513 | 54 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7 provides a higher video resolution than the 1DX. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G7 has an electronic viewfinder (2360k dots), while the 1DX has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1DX has a higher magnification than the one of the G7 (0.76x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic G7 and Canon 1D X along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
2. | Canon 1D X | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 14.0/s | n | n | |
3. | Canon 1D X Mark III | optical | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 20.0/s | n | n | |
4. | Canon 1D X Mark II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | n | |
5. | Canon 6D | optical | Y | 3.0 / 1040 | fixed | n | 1/4000s | 4.5/s | n | n | |
6. | Canon 5D Mark II | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 3.9/s | n | n | |
7. | Canon 1Ds Mark III | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
8. | Olympus E-PL7 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
9. | Panasonic GF7 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 5.8/s | Y | n | |
10. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
11. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
12. | Panasonic GM1 | none | n | 3.0 / 1036 | fixed | Y | 1/500s | 5.0/s | Y | n | |
13. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
14. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
15. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
16. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
17. | Panasonic GF1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The G7 has one, while the 1DX does not. While the built-in flash of the G7 is not very powerful, it can at times be useful as a fill-in light.
The G7 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the 1DX does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G7 writes its imaging data to SDXC cards, while the 1DX uses Compact Flash cards. The 1DX features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G7 and Canon EOS-1D X and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
2. | Canon 1D X | Y | mono / - | Y | - | mini | 2.0 | - | - | - | |
3. | Canon 1D X Mark III | Y | mono / mono | Y | Y | mini | 3.1 | Y | - | Y | |
4. | Canon 1D X Mark II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
5. | Canon 6D | Y | mono / mono | Y | - | mini | 2.0 | Y | - | - | |
6. | Canon 5D Mark II | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
7. | Canon 1Ds Mark III | Y | mono / - | - | - | - | 2.0 | - | - | - | |
8. | Olympus E-PL7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
9. | Panasonic GF7 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
10. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
12. | Panasonic GM1 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
13. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Panasonic GF1 | Y | mono / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the G7 offers wifi support, while the 1DX does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Canon 1D X (unlike the G7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the G7 and the 1DX have been discontinued, but can regularly be found used on ebay. The 1DX was replaced by the Canon 1DX Mark II, while the G7 was followed by the Panasonic G85. Further information on the features and operation of the G7 and 1DX can be found, respectively, in the Panasonic G7 Manual (free pdf) or the online Canon 1D X Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Panasonic G7 and the Canon 1D X? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-G7:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (125x86mm vs 158x168mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 1141g or 74 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
- More modern: Reflects 3 years and 7 months of technical progress since the 1DX launch.
Arguments in favor of the Canon EOS-1D X:
- More detail: Has more megapixels (17.9 vs 15.8MP), which boosts linear resolution by 8%.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.70x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 7 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (1120 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in October 2011).
If the number of relative strengths (bullet points above) is taken as a guide, the G7 comes out slightly ahead of the 1DX (14 : 13 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G7 and the Canon 1D X place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G7 or the 1DX. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
2. | Canon 1D X | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Oct 2011 | 6,799 | ebay.com | |
3. | Canon 1D X Mark III | .. | + + | 5/5 | .. | 4.5/5 | 4/5 | Jan 2020 | 6,499 | amazon.com | |
4. | Canon 1D X Mark II | .. | .. | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2016 | 5,999 | ebay.com | |
5. | Canon 6D | 5/5 | + + | .. | 83/100 | 4.5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
6. | Canon 5D Mark II | 4/5 | 91/100 | .. | 79/100 | 4/5 | .. | Sep 2008 | 3,499 | ebay.com | |
7. | Canon 1Ds Mark III | .. | .. | .. | + + | 4.5/5 | .. | Aug 2007 | 7,999 | ebay.com | |
8. | Olympus E-PL7 | 4/5 | + | .. | .. | 5/5 | 4/5 | Aug 2014 | 599 | ebay.com | |
9. | Panasonic GF7 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | 499 | ebay.com | |
10. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | 749 | ebay.com | |
11. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
12. | Panasonic GM1 | 3/5 | + | .. | 78/100 | 5/5 | 4.5/5 | Oct 2013 | 749 | ebay.com | |
13. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
14. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
15. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
16. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
17. | Panasonic GF1 | .. | 85/100 | .. | 69/100 | 4.5/5 | 4.5/5 | Sep 2009 | 749 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X vs Canon 5D Mark IV
- Canon 1D X vs Canon XT
- Canon 1D X vs Fujifilm GFX 100
- Canon 1D X vs Fujifilm X-E2S
- Canon 1D X vs Leica S Typ 006
- Canon 1D X vs Pentax K-3
- Fujifilm X10 vs Panasonic G7
- Leica S2 vs Panasonic G7
- Nikon D1H vs Panasonic G7
- Nikon D800 vs Panasonic G7
- Nikon Z50 vs Panasonic G7
- Olympus E-510 vs Panasonic G7
Specifications: Panasonic G7 vs Canon 1D X
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic G7 | Canon 1D X |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Micro Four Thirds lenses | Canon EF mount lenses |
Launch Date | May 2015 | October 2011 |
Launch Price | USD 649 | USD 6,799 |
Sensor Specs | Panasonic G7 | Canon 1D X |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Full Frame Sensor |
Sensor Size | 17.3 x 13.0 mm | 36.0 x 24.0 mm |
Sensor Area | 224.9 mm2 | 864 mm2 |
Sensor Diagonal | 21.6 mm | 43.3 mm |
Crop Factor | 2.0x | 1.0x |
Sensor Resolution | 15.8 Megapixels | 17.9 Megapixels |
Image Resolution | 4592 x 3448 pixels | 5184 x 3456 pixels |
Pixel Pitch | 3.77 μm | 6.95 μm |
Pixel Density | 7.04 MP/cm2 | 2.07 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/30p Video |
ISO Setting | 160 - 25,600 ISO | 100 - 51,200 ISO |
ISO Boost | no Enhancement | 50 - 204,800 ISO |
Image Processor | Venus | DIGIC 5+ (Dual) |
DXO Sensor Quality (score) | .. | 82 |
DXO Color Depth (bits) | .. | 23.8 |
DXO Dynamic Range (EV) | .. | 11.8 |
DXO Low Light (ISO) | .. | 2786 |
Screen Specs | Panasonic G7 | Canon 1D X |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.76x |
Viewfinder Resolution | 2360k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1040k dots | 1040k dots |
LCD Attachment | Swivel screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Panasonic G7 | Canon 1D X |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 7 shutter flaps/s | 14 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | CF cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
Connectivity Specs | Panasonic G7 | Canon 1D X |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | External MIC port |
Wifi Support | Wifi built-in | no Wifi |
Body Specs | Panasonic G7 | Canon 1D X |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Panasonic DMW-BLC12 | Canon LP-E4N |
Battery Life (CIPA) | 350 shots per charge | 1120 shots per charge |
Body Dimensions |
125 x 86 x 77 mm (4.9 x 3.4 x 3.0 in) |
158 x 168 x 83 mm (6.2 x 6.6 x 3.3 in) |
Camera Weight | 410 g (14.5 oz) | 1551 g (54.7 oz) |
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