Panasonic G6 vs Sony A7 II

The Panasonic Lumix DMC-G6 and the Sony Alpha A7 II are two digital cameras that were announced, respectively, in April 2013 and November 2014. Both the G6 and the A7 II are mirrorless interchangeable lens cameras that are based on a Four Thirds (G6) and a full frame (A7 II) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G6		Sony A7 II
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.9 MP – Four Thirds sensor		24 MP – Full Frame sensor
1080/60p Video		1080/60p Video
ISO 160-12,800 (160 - 25,600)		ISO 100-25,600 (50 - 51,200)
Electronic viewfinder (1440k dots)		Electronic viewfinder (2400k dots)
3.0" LCD – 1036k dots		3.0" LCD – 1230k dots
Swivel touchscreen		Tilting screen (no touchscreen)
7 shutter flaps per second		5 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
340 shots per battery charge		350 shots per battery charge
122 x 85 x 71 mm, 390 g		127 x 96 x 60 mm, 599 g

Check G6 offers at
ebay.com
Check A7 II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G6 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic G6 and the Sony A7 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The G6 can be obtained in three different colors (black, silver, white), while the A7 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is notably larger (18 percent) than the Panasonic G6. Moreover, the A7 II is substantially heavier (54 percent) than the G6. It is noteworthy in this context that the A7 II is splash and dust-proof, while the G6 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G6) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G6 gets 340 shots out of its DMW-BLC12 battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
2.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
3.		Canon 100D	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	549	ebay.com
4.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	699	ebay.com
5.		Panasonic GX800	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	549	ebay.com
6.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
7.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
8.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
9.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	749	ebay.com
10.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
11.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
12.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
13.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
14.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	4,499	ebay.com
15.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
16.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
17.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G6 was launched at a markedly lower price (by 70 percent) than the A7 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic G6 features a Four Thirds sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G6 has a native 4:3 aspect ratio, while the one in the A7 II offers a 3:2 aspect.

With 24MP, the A7 II offers a higher resolution than the G6 (15.9MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.76μm for the G6) due to its larger sensor. Moreover, the A7 II is a somewhat more recent model (by 1 year and 6 months) than the G6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G6 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-G6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7 II offers substantially better image quality than the G6 (overall score 29 points higher). The advantage is based on 3.6 bits higher color depth, 2.1 EV in additional dynamic range, and 1.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
2.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
3.		Canon 100D	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
4.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
5.		Panasonic GX800	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73
6.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
7.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
8.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
9.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
10.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
11.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
12.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
13.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
14.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
15.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
16.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
17.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 II offers a substantially higher resolution than the one in the G6 (2400k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic G6 and Sony A7 II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
2.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
3.		Canon 100D	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
4.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
5.		Panasonic GX800	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
6.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
7.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
8.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
9.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
10.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
11.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
12.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
13.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
15.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
16.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
17.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G6 has one, while the A7 II does not. While the built-in flash of the G6 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G6 writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G6 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
2.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon 100D	Y	mono / mono	Y	-	mini	2.0	-	-	-
4.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Panasonic GX800	-	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
9.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
11.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
14.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
15.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the A7 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The G6 lacks such a headphone port.

Both the G6 and the A7 II have been discontinued, but can regularly be found used on ebay. The G6 was replaced by the Panasonic G7, while the A7 II was followed by the Sony A7 III. Further information on the features and operation of the G6 and A7 II can be found, respectively, in the Panasonic G6 Manual (free pdf) or the online Sony A7 II Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Panasonic G6 and the Sony A7 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Panasonic Lumix DMC-G6:

• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (122x85mm vs 127x96mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 209g or 35 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in April 2013).

Advantages of the Sony Alpha A7 II:

• More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
• Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (3.6 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.9 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (2400k vs 1440k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (1230k vs 1036k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More modern: Was introduced somewhat (1 year and 6 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the A7 II is the clear winner of the contest (15 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G6 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G6 or the A7 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
2.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
3.		Canon 100D	4/5	+	..	78/100	4/5	4/5	Mar 2013	549	ebay.com
4.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	699	ebay.com
5.		Panasonic GX800	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	549	ebay.com
6.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
7.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
8.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
9.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	749	ebay.com
10.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
11.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
12.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
13.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
14.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	4,499	ebay.com
15.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
16.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
17.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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