Panasonic G6 vs Pentax Q
The Panasonic Lumix DMC-G6 and the Pentax Q are two digital cameras that were officially introduced, respectively, in April 2013 and June 2011. Both the G6 and the Pentax Q are mirrorless interchangeable lens cameras that are based on a Four Thirds (G6) and a 1/2.3-inch (Pentax Q) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Pentax provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G6 and the Pentax Q? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic G6 and the Pentax Q are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the Pentax Q is available in two color-versions (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax Q is considerably smaller (46 percent) than the Panasonic G6. Moreover, the Pentax Q is substantially lighter (54 percent) than the G6. In this context, it is worth noting that neither the G6 nor the Pentax Q are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|2.||Pentax Q||98 mm||57 mm||31 mm||180 g||230||n||Jun 2011||649||ebay.com|
|3.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599||ebay.com|
|4.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599||ebay.com|
|5.||Olympus XZ-2||113 mm||65 mm||48 mm||346 g||340||n||Sep 2012||599||ebay.com|
|6.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599||ebay.com|
|7.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||ebay.com|
|8.||Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599||ebay.com|
|9.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||ebay.com|
|10.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|11.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|12.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|13.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||ebay.com|
|14.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||ebay.com|
|15.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||ebay.com|
|16.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||ebay.com|
|17.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G6 was somewhat cheaper (by 8 percent) than the Pentax Q at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G6 features a Four Thirds sensor and the Pentax Q a 1/2.3-inch sensor. The sensor area in the Pentax Q is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.9MP, the G6 offers a higher resolution than the Pentax Q (12MP), but the G6 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.53μm for the Pentax Q) due to its larger sensor. Moreover, the G6 is a somewhat more recent model (by 1 year and 10 months) than the Pentax Q, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Panasonic G6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G6 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Pentax Q are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-G6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Pentax Q are ISO 125 to ISO 6400 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the G6 provides substantially higher image quality than the Pentax Q, with an overall score that is 14 points higher. This advantage is based on 1.1 bits higher color depth, 0.4 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|3.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|4.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|6.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|7.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|8.||Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|9.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|10.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|11.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|12.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|13.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|14.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|15.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|16.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|17.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G6 provides a higher frame rate than the Pentax Q. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G6 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the Pentax Q relies on live view and the rear LCD for framing. That said, the Pentax Q can be equipped with an optional viewfinder – the O-VF1. The following table reports on some other key feature differences and similarities of the Panasonic G6, the Pentax Q, and comparable cameras.
|1.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|2.||Pentax Q||optional||n||3.0 / 460||fixed||n||1/2000s||1.5/s||Y||Y|
|3.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|4.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|5.||Olympus XZ-2||optional||n||3.0 / 920||tilting||Y||1/2000s||5.0/s||Y||Y|
|6.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||Y|
|7.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|8.||Olympus E-PL1||optional||n||2.7 / 230||fixed||n||1/2000s||3.0/s||Y||Y|
|9.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|10.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|11.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|12.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|13.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|14.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|15.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|16.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|17.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G6 has a touchscreen, while the Pentax Q has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G6 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the Pentax Q does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 and the Pentax Q both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G6 and the Pentax Q write their files to SDXC cards. The G6 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the Pentax Q cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G6 and Pentax Q and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|2.||Pentax Q||Y||mono / mono||-||-||mini||2.0||-||-||-|
|3.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|4.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Olympus XZ-2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|8.||Olympus E-PL1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|12.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|13.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the G6 has a microphone port, which is missing on the Pentax Q. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the G6 and the Pentax Q have been discontinued, but can regularly be found used on ebay. The Pentax Q was replaced by the Pentax Q10, while the G6 was followed by the Panasonic G7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So how do things add up? Which of the two cameras – the Panasonic G6 or the Pentax Q – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-G6:
- More detail: Offers more megapixels (15.9 vs 12MP) with a 15% higher linear resolution.
- Better image quality: Scores substantially higher (14 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.1 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.8 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Can take more shots (340 versus 230) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 10 months after the Pentax Q).
Arguments in favor of the Pentax Q:
- More compact: Is smaller (98x57mm vs 122x85mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 210g or 54 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been on the market for longer (launched in June 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the G6 is the clear winner of the match-up (19 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G6 and the Pentax Q place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the G6 and the Pentax Q in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|2.||Pentax Q||3/5||..||..||..||4/5||3.5/5||Jun 2011||649||ebay.com|
|3.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599||ebay.com|
|4.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|5.||Olympus XZ-2||4/5||+||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|6.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599||ebay.com|
|7.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|8.||Olympus E-PL1||..||86/100||..||69/100||4/5||4.5/5||Feb 2010||599||ebay.com|
|9.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699||ebay.com|
|10.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|11.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|12.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|13.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|14.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499||ebay.com|
|15.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599||ebay.com|
|16.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499||ebay.com|
|17.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D vs Pentax Q
- Canon T3 vs Pentax Q
- Fujifilm X-A5 vs Panasonic G6
- Leica D-LUX 5 vs Pentax Q
- Nikon D610 vs Panasonic G6
- Nikon W300 vs Panasonic G6
- Olympus E-M5 vs Pentax Q
- Olympus E-PM2 vs Panasonic G6
- Panasonic G6 vs Sony A7R IV
- Panasonic G6 vs Sony NEX-5R
- Panasonic G7 vs Pentax Q
- Pentax Q vs Sony RX10 IV
Specifications: Panasonic G6 vs Pentax Q
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G6||Pentax Q|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Pentax Q mount lenses|
|Launch Date||April 2013||June 2011|
|Launch Price||USD 599||USD 649|
|Sensor Specs||Panasonic G6||Pentax Q|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||15.9 Megapixels||12 Megapixels|
|Image Resolution||4608 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.76 μm||1.53 μm|
|Pixel Density||7.08 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||160 - 12,800 ISO||125 - 6,400 ISO|
|ISO Boost||160 - 25,600 ISO||no Enhancement|
|DXO Sensor Quality (score)||61||47|
|DXO Color Depth (bits)||21.3||20.2|
|DXO Dynamic Range (EV)||11.5||11.1|
|DXO Low Light (ISO)||639||189|
|Screen Specs||Panasonic G6||Pentax Q|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1036k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G6||Pentax Q|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||7 shutter flaps/s||1.5 shutter flaps/s|
|Electronic Shutter||up to 1/4000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic G6||Pentax Q|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Panasonic G6||Pentax Q|
|Battery Life (CIPA)||340 shots per charge||230 shots per charge|
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
98 x 57 x 31 mm
(3.9 x 2.2 x 1.2 in)
|Camera Weight||390 g (13.8 oz)||180 g (6.3 oz)|
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