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Panasonic G6 vs Pentax K-3

The Panasonic Lumix DMC-G6 and the Pentax K-3 are two digital cameras that were revealed to the public, respectively, in April 2013 and October 2013. The G6 is a mirrorless interchangeable lens camera, while the K-3 is a DSLR. The cameras are based on a Four Thirds (G6) and an APS-C (K-3) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Pentax provides 24.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic G6   Pentax K-3
Panasonic G6 Pentax K-3
Mirrorless system camera Digital single lens reflex
Micro Four Thirds lenses Pentax K mount lenses
15.9 MP, Four Thirds Sensor 24.1 MP, APS-C Sensor
1080/60p Video 1080/60i Video
ISO 160-12800 (160-25600) ISO 100-51200
Electronic viewfinder (1440k dots) Optical viewfinder
3.0" LCD, 1036k dots 3.2" LCD, 1037k dots
Swivel touchscreen Fixed screen (not touch-sensitive)
7 shutter flaps per second 8.3 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Not weather sealedWeathersealed body
340 shots per battery charge560 shots per battery charge
122 x 85 x 71 mm, 390 g 131 x 100 x 77 mm, 800 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G6 and the Pentax K-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic G6 and the Pentax K-3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The G6 can be obtained in three different colors (black, silver, white), while the K-3 is available in two color-versions (black, silver).

Size Panasonic G6 vs Pentax K-3
Compare G6 versus K-3 top
Comparison G6 or K-3 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 is notably larger (26 percent) than the Panasonic G6. Moreover, the K-3 is substantially heavier (105 percent) than the G6. It is noteworthy in this context that the K-3 is splash and dust-proof, while the G6 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the G6 gets 340 shots out of its DMW-BLC12 battery, while the K-3 can take 560 images on a single charge of its D-LI90 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic G6» 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
 
Pentax K-3« 5.2 in 3.9 in 3.0 in 28.2 oz 560 Y Oct 2013 1,299- i Pentax K-3
 
Olympus E-PL7« » 4.5 in 2.6 in 1.5 in 12.6 oz 350 n Aug 2014 599- i Olympus E-PL7
 
Olympus E-PL5« » 4.4 in 2.5 in 1.5 in 11.5 oz 360 n Sep 2012 599- i Olympus E-PL5
 
Panasonic G7« » 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
 
Panasonic GF6« » 4.4 in 2.6 in 1.5 in 11.4 oz 340 n Apr 2013 499- i Panasonic GF6
 
Panasonic GX7« » 4.8 in 2.8 in 2.2 in 14.2 oz 350 n Aug 2013 999- i Panasonic GX7
 
Panasonic G5« » 4.7 in 3.3 in 2.8 in 14.0 oz 320 n Jul 2012 599- i Panasonic G5
 
Panasonic GF5« » 4.3 in 2.6 in 1.5 in 9.4 oz 360 n Apr 2012 499- i Panasonic GF5
 
Panasonic G3« » 4.5 in 3.3 in 1.9 in 11.9 oz 270 n May 2011 599- i Panasonic G3
 
Panasonic G10« » 4.9 in 3.3 in 2.9 in 13.7 oz 380 n Mar 2010 499- i Panasonic G10
 
Panasonic G2« » 4.9 in 3.3 in 2.9 in 15.1 oz 360 n Mar 2010 599- i Panasonic G2
 
Pentax KP« » 5.2 in 4.0 in 3.0 in 24.8 oz 390 Y Jan 2017 1,099 i i Pentax KP
 
Pentax K-70« » 5.0 in 3.7 in 2.9 in 24.3 oz 410 Y Jun 2016 649 i i Pentax K-70
 
Pentax K-3 II« » 5.2 in 3.9 in 3.0 in 28.2 oz 720 Y Apr 2015 1,099 i i Pentax K-3 II
 
Pentax K-5« » 5.2 in 3.8 in 2.9 in 26.8 oz 740 Y Sep 2010 1,099- i Pentax K-5
 
Sony A77« » 5.6 in 4.1 in 3.2 in 25.8 oz 470 Y Aug 2011 1,399- i Sony A77
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G6 was launched at a markedly lower price (by 54 percent) than the K-3, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic G6 features a Four Thirds sensor and the Pentax K-3 an APS-C sensor. The sensor area in the K-3 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G6 has a native 4:3 aspect ratio, while the one in the K-3 offers a 3:2 aspect.

Panasonic G6 and Pentax K-3 sensor measures

With 24.1MP, the K-3 offers a higher resolution than the G6 (15.9MP), but the K-3 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.76μm for the G6) due to its larger sensor. Moreover, the K-3 is a somewhat more recent model (by 5 months) than the G6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax K-3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 for good quality output (200 dots per inch) amounts to 30.1 x 20 inch or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inch or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inch or 50.9 x 33.9 cm. The corresponding values for the Panasonic G6 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.

The Panasonic Lumix DMC-G6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Pentax K-3 are ISO 100 to ISO 51200 (no boost).

G6 versus K-3 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the K-3 offers substantially better image quality than the G6 (overall score 19 points higher). The advantage is based on 2.4 bits higher color depth, 1.9 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic G6» Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
 
Pentax K-3« APS-C 24.1 6016 40001080/60i23.713.4121680Pentax K-3
 
Olympus E-PL7« » Four Thirds 15.9 4608 34561080/30p22.712.487372Olympus E-PL7
 
Olympus E-PL5« » Four Thirds 15.9 4608 34561080/30p22.812.388972Olympus E-PL5
 
Panasonic G7« » Four Thirds 15.8 4592 34484K/30p----Panasonic G7
 
Panasonic GF6« » Four Thirds 15.8 4592 34481080/60i20.710.662254Panasonic GF6
 
Panasonic GX7« » Four Thirds 15.8 4592 34481080/60p22.612.271870Panasonic GX7
 
Panasonic G5« » Four Thirds 15.9 4608 34561080/60p----Panasonic G5
 
Panasonic GF5« » Four Thirds 12.0 4000 30001080/60i21.411.661861Panasonic GF5
 
Panasonic G3« » Four Thirds 15.8 4592 34481080/60i21.010.666756Panasonic G3
 
Panasonic G10« » Four Thirds 12.0 4000 3000720/30p21.210.141152Panasonic G10
 
Panasonic G2« » Four Thirds 12.0 4000 3000720/30p21.210.349353Panasonic G2
 
Pentax KP« » APS-C 24.1 6016 40001080/60i----Pentax KP
 
Pentax K-70« » APS-C 24.0 6000 40001080/60i----Pentax K-70
 
Pentax K-3 II« » APS-C 24.1 6016 40001080/60i23.613.6110680Pentax K-3 II
 
Pentax K-5« » APS-C 16.1 4928 32641080/25p23.714.1116282Pentax K-5
 
Sony A77« » APS-C 24.0 6000 40001080/60p24.013.280178Sony A77

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G6 provides a higher frame rate than the K-3. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/60i.

 

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the G6 has an electronic viewfinder (1440k dots), while the K-3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the G6 has a higher magnification than the one of the K-3 (0.70x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic G6, the Pentax K-3, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic G6»1440 n 3.0 1036 swivel Y 1/4000s 7.0 Y n Panasonic G6
 
Pentax K-3«optical Y 3.2 1037 fixed n 1/8000s 8.3 Y Y Pentax K-3
 
Olympus E-PL7« »- n 3.0 1037 tilting Y 1/4000s 8.0 n Y Olympus E-PL7
 
Olympus E-PL5« »- n 3.0 460 tilting Y 1/4000s 8.0 n Y Olympus E-PL5
 
Panasonic G7« »2360 n 3.0 1040 swivel Y 1/4000s 7.0 Y n Panasonic G7
 
Panasonic GF6« »- n 3.0 1040 tilting Y 1/4000s 4.2 Y n Panasonic GF6
 
Panasonic GX7« »2760 n 3.0 1040 tilting Y 1/8000s 5.0 Y Y Panasonic GX7
 
Panasonic G5« »1440 n 3.0 920 swivel Y 1/4000s 6.0 Y n Panasonic G5
 
Panasonic GF5« »- n 3.0 920 fixed Y 1/4000s 4.0 Y n Panasonic GF5
 
Panasonic G3« »1440 n 3.0 460 swivel Y 1/4000s 4.0 Y n Panasonic G3
 
Panasonic G10« »202 n 3.0 460 fixed n 1/4000s 2.6 Y n Panasonic G10
 
Panasonic G2« »1440 n 3.0 460 swivel Y 1/4000s 2.6 Y n Panasonic G2
 
Pentax KP« »optical n 3.0 921 tilting n 1/6000s 7.0 Y Y Pentax KP
 
Pentax K-70« »optical n 3.0 921 swivel n 1/6000s 6.0 Y Y Pentax K-70
 
Pentax K-3 II« »optical Y 3.2 1037 fixed n 1/8000s 8.3 n Y Pentax K-3 II
 
Pentax K-5« »optical Y 3.0 921 fixed n 1/8000s 7.0 Y Y Pentax K-5
 
Sony A77« »2359 Y 3.0 921 full-flex n 1/8000s 12.0 Y Y Sony A77

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G6 has a touchscreen, while the K-3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The G6 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the K-3 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G6 and the Pentax K-3 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the G6 and the K-3 write their files to SDXC cards. The K-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G6 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G6 and Pentax K-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic G6»YstereomonoY-mini2.0YY-Panasonic G6
 
Pentax K-3«YmonomonoYYmini3.0---Pentax K-3
 
Olympus E-PL7« »Ystereomono--micro2.0Y--Olympus E-PL7
 
Olympus E-PL5« »Ystereomono--mini2.0---Olympus E-PL5
 
Panasonic G7« »YstereomonoY-micro2.0Y--Panasonic G7
 
Panasonic GF6« »-stereomono--mini2.0YY-Panasonic GF6
 
Panasonic GX7« »Ystereomono--mini2.0YY-Panasonic GX7
 
Panasonic G5« »Ystereomono--mini2.0---Panasonic G5
 
Panasonic GF5« »-stereomono--mini2.0---Panasonic GF5
 
Panasonic G3« »Ystereomono--mini2.0---Panasonic G3
 
Panasonic G10« »Ymono---mini2.0---Panasonic G10
 
Panasonic G2« »Ystereomono--mini2.0---Panasonic G2
 
Pentax KP« »YstereomonoY--2.0Y--Pentax KP
 
Pentax K-70« »YstereomonoY-mini2.0Y--Pentax K-70
 
Pentax K-3 II« »YmonomonoYYmini3.0---Pentax K-3 II
 
Pentax K-5« »YstereomonoY-mini2.0---Pentax K-5
 
Sony A77« »YstereomonoY-mini2.0---Sony A77

It is notable that the G6 offers wifi support, while the K-3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Pentax K-3 (unlike the G6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the G6 and the K-3 have been discontinued, but can regularly be found used on eBay. The G6 was replaced by the Panasonic G7, while the K-3 was followed by the Pentax K-3 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.


Review summary

So how do things add up? Which of the two cameras – the Panasonic G6 or the Pentax K-3 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

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Arguments in favor of the Panasonic Lumix DMC-G6:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.63x).
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More compact: Is smaller (122x85mm vs 131x100mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 410g or 51 percent) and hence easier to carry around.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More affordable: Was introduced into a lower priced category (54 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in April 2013).

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Reasons to prefer the Pentax K-3:

  • More detail: Has more megapixels (24.1 vs 15.9MP), which boosts linear resolution by 25%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (2.4 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (1.9 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (8.3 vs 7 flaps/sec) to capture the decisive moment.
  • Longer lasting: Gets more shots (560 versus 340) out of a single battery charge.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More modern: Was introduced somewhat (5 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the K-3 is the clear winner of the contest (19 : 15 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

G6 15:19 K-3

How about other alternatives? Do the specifications of the Panasonic G6 and the Pentax K-3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G6 or the K-3. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic G6»+ +-5/5-4.5/5 Apr 2013 599- i Panasonic G6
 
Pentax K-3«-83/1005/54.5/55/5 Oct 2013 1,299- i Pentax K-3
 
Olympus E-PL7« »+-5/54.5/54/5 Aug 2014 599- i Olympus E-PL7
 
Olympus E-PL5« »+ +-4.5/54.5/54.5/5 Sep 2012 599- i Olympus E-PL5
 
Panasonic G7« »+ +80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
 
Panasonic GF6« »+ +-4.5/5-4.5/5 Apr 2013 499- i Panasonic GF6
 
Panasonic GX7« »+79/1005/54.5/55/5 Aug 2013 999- i Panasonic GX7
 
Panasonic G5« »+ +-4.5/54.5/54.5/5 Jul 2012 599- i Panasonic G5
 
Panasonic GF5« »--4.5/54/54.5/5 Apr 2012 499- i Panasonic GF5
 
Panasonic G3« »+ +75/1004.5/54.5/55/5 May 2011 599- i Panasonic G3
 
Panasonic G10« »-70/1004/5-4/5 Mar 2010 499- i Panasonic G10
 
Panasonic G2« »-72/1004/54/54.5/5 Mar 2010 599- i Panasonic G2
 
Pentax KP« »-82/1005/5-4.5/5 Jan 2017 1,099 i i Pentax KP
 
Pentax K-70« »-79/1004.5/54/54.5/5 Jun 2016 649 i i Pentax K-70
 
Pentax K-3 II« »--5/54.5/55/5 Apr 2015 1,099 i i Pentax K-3 II
 
Pentax K-5« »-83/1005/54.5/54.5/5 Sep 2010 1,099- i Pentax K-5
 
Sony A77« »91/10081/100-4.5/55/5 Aug 2011 1,399- i Sony A77
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Panasonic G6:
Check Ebay offers
Pentax K-3:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Panasonic G6 vs Pentax K-3

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic G6 Pentax K-3
    Camera Type Mirrorless system camera Digital single lens reflex
    Camera Lens Micro Four Thirds lenses Pentax K mount lenses
    Launch Date April 2013 October 2013
    Launch Price USD 599 USD 1299
    Sensor Specs Panasonic G6 Pentax K-3
    Sensor Technology CMOS CMOS
    Sensor Format Four Thirds Sensor APS-C Sensor
    Sensor Size 17.3 x 13.0 mm 23.5 x 15.6 mm
    Sensor Area 224.9 mm2 366.6 mm2
    Sensor Diagonal 21.6 mm 28.2 mm
    Crop Factor 2.0x 1.5x
    Sensor Resolution 15.9 Megapixels 24.1 Megapixels
    Image Resolution 4608 x 3456 pixels 6016 x 4000 pixels
    Pixel Pitch 3.76 μm 3.90 μm
    Pixel Density 7.08 MP/cm2 6.56 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 1080/60p Video 1080/60i Video
    ISO Setting 160-12800 ISO 100-51200 ISO
    ISO Boost 160-25600 ISO no Enhancement
    Image Processor Venus PRIME III
    DXO Sensor Quality (score) 61 80
    DXO Color Depth (bits) 21.3 23.7
    DXO Dynamic Range (EV) 11.5 13.4
    DXO Low Light (ISO) 639 1216
    Screen Specs Panasonic G6 Pentax K-3
    Viewfinder Type Electronic viewfinder Optical viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.70x 0.63x
    Viewfinder Resolution 1440k dots
    Top-Level Screen no Top Display Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.2 inch
    LCD Resolution 1036k dots 1037k dots
    LCD Attachment Swivel screen Fixed screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Panasonic G6 Pentax K-3
    Autofocus System Contrast-detect AF Phase-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/8000/s
    Continuous Shooting 7 shutter flaps/s 8.3 shutter flaps/s
    Electronic Shutterup to 1/4000sno E-Shutter
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash Build-in Flash Build-in Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Single card slot Dual card slots
    UHS card support UHS-I UHS-I
    Connectivity Specs Panasonic G6 Pentax K-3
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 3.0
    HDMI Port mini HDMI mini HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support Wifi built-in no Wifi
    Near-Field Communication NFC built-in no NFC
    Body Specs Panasonic G6 Pentax K-3
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type DMW-BLC12 D-LI90
    Battery Life (CIPA)340 shots per charge560 shots per charge
    Body Dimensions 122 x 85 x 71 mm
    (4.8 x 3.3 x 2.8 in)
    131 x 100 x 77 mm
    (5.2 x 3.9 x 3.0 in)
    Camera Weight 390 g (13.8 oz) 800 g (28.2 oz)

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