Panasonic G6 vs S1R
The Panasonic Lumix DMC-G6 and the Panasonic Lumix DC-S1R are two digital cameras that were officially introduced, respectively, in April 2013 and February 2019. Both the G6 and the S1R are mirrorless interchangeable lens cameras that are based on a Four Thirds (G6) and a full frame (S1R) sensor. The G6 has a resolution of 15.9 megapixels, whereas the S1R provides 46.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G6 and the Panasonic Lumix DC-S1R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic G6 and the Panasonic S1R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the S1R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1R is considerably larger (58 percent) than the Panasonic G6. Moreover, the S1R is substantially heavier (161 percent) than the G6. It is noteworthy in this context that the S1R is splash and dust-proof, while the G6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the G6 gets 340 shots out of its Panasonic DMW-BLC12 battery, while the S1R can take 380 images on a single charge of its Panasonic DMW-BLJ31 power pack. The power pack in the S1R can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
2. | Panasonic S1R | 149 mm | 110 mm | 97 mm | 1016 g | 380 | Y | Feb 2019 | 3,699 | amazon.com | |
3. | Leica SL2 | 146 mm | 107 mm | 42 mm | 953 g | 370 | Y | Nov 2019 | 5,999 | amazon.com | |
4. | Nikon Z7 | 134 mm | 101 mm | 67 mm | 675 g | 330 | Y | Aug 2018 | 3,399 | ebay.com | |
5. | Olympus E-PL5 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | Sep 2012 | 599 | ebay.com | |
6. | Olympus E-PL7 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Aug 2014 | 599 | ebay.com | |
7. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
8. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
9. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
10. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
11. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
12. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
13. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | 499 | ebay.com | |
14. | Panasonic GX7 | 123 mm | 71 mm | 55 mm | 402 g | 350 | n | Aug 2013 | 999 | ebay.com | |
15. | Panasonic S1 | 149 mm | 110 mm | 97 mm | 1017 g | 400 | Y | Feb 2019 | 2,499 | amazon.com | |
16. | Panasonic S1H | 151 mm | 114 mm | 110 mm | 1052 g | 400 | Y | May 2019 | 3,999 | amazon.com | |
17. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G6 was launched at a markedly lower price (by 84 percent) than the S1R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G6 features a Four Thirds sensor and the Panasonic S1R a full frame sensor. The sensor area in the S1R is 284 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G6 has a native 4:3 aspect ratio, while the one in the S1R offers a 3:2 aspect.
With 46.7MP, the S1R offers a higher resolution than the G6 (15.9MP), but the S1R nevertheless has larger individual pixels (pixel pitch of 4.30μm versus 3.76μm for the G6) due to its larger sensor. Moreover, the S1R is a much more recent model (by 5 years and 9 months) than the G6, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S1R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1R for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inches or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inches or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inches or 70.8 x 47.3 cm. The corresponding values for the Panasonic G6 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
Unlike the G6, the S1R has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DMC-G6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Panasonic Lumix DC-S1R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the S1R offers substantially better image quality than the G6 (overall score 39 points higher). The advantage is based on 5.1 bits higher color depth, 2.6 EV in additional dynamic range, and 2.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
2. | Panasonic S1R | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 26.4 | 14.1 | 3525 | 100 | |
3. | Leica SL2 | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 25.3 | 14.3 | 2866 | 95 | |
4. | Nikon Z7 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.3 | 14.6 | 2668 | 99 | |
5. | Olympus E-PL5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 889 | 72 | |
6. | Olympus E-PL7 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.4 | 873 | 72 | |
7. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
8. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
9. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
10. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
11. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
12. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
13. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
14. | Panasonic GX7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.6 | 12.2 | 718 | 70 | |
15. | Panasonic S1 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.2 | 14.5 | 3333 | 95 | |
16. | Panasonic S1H | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.2 | 14.2 | 2805 | 94 | |
17. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S1R provides a better video resolution than the G6. It can shoot movie footage at 4K/60p, while the G6 is limited to 1080/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S1R offers a substantially higher resolution than the one in the G6 (5760k vs 1440k dots). The adjacent table lists some of the other core features of the Panasonic G6 and Panasonic S1R along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
2. | Panasonic S1R | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
3. | Leica SL2 | 5760 | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 10.0/s | n | Y | |
4. | Nikon Z7 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 9.0/s | n | Y | |
5. | Olympus E-PL5 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
6. | Olympus E-PL7 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
7. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
8. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
9. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
10. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
11. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
12. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
13. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
14. | Panasonic GX7 | 2760 | n | 3.0 / 1040 | tilting | Y | 1/8000s | 5.0/s | Y | Y | |
15. | Panasonic S1 | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
16. | Panasonic S1H | 5760 | Y | 3.2 / 2330 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
17. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The G6 has one, while the S1R does not. While the built-in flash of the G6 is not very powerful, it can at times be useful as a fill-in light.
The G6 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the S1R does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 and the Panasonic S1R both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G6 writes its imaging data to SDXC cards, while the S1R uses SDXC or XQD cards. The S1R features dual card slots, which can be very useful in case a memory card fails. In contrast, the G6 only has one slot. The S1R supports UHS-II cards (on both slots), while the G6 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G6 and Panasonic Lumix DC-S1R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
2. | Panasonic S1R | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
3. | Leica SL2 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
4. | Nikon Z7 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
5. | Olympus E-PL5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Olympus E-PL7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
7. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
14. | Panasonic GX7 | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
15. | Panasonic S1 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
16. | Panasonic S1H | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
17. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y |
It is notable that the S1R has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The G6 lacks such a headphone port.
Studio photographers will appreciate that the Panasonic S1R (unlike the G6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1R is a recent model that features in the current product line-up of Panasonic. In contrast, the G6 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G6 was succeeded by the Panasonic G7. Further information on the features and operation of the G6 and S1R can be found, respectively, in the Panasonic G6 Manual (free pdf) or the online Panasonic S1R Manual.
Review summary
So how do things add up? Which of the two cameras – the Panasonic G6 or the Panasonic S1R – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-G6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (122x85mm vs 149x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 626g or 62 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (84 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2013).
Arguments in favor of the Panasonic Lumix DC-S1R:
- More detail: Has more megapixels (46.7 vs 15.9MP), which boosts linear resolution by 75%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (39 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (5.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1036k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 7 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (380 versus 340) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 9 months of technical progress since the G6 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S1R is the clear winner of the contest (27 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G6 and the Panasonic S1R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G6 or the S1R perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
2. | Panasonic S1R | 4.5/5 | .. | 4.6/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2019 | 3,699 | amazon.com | |
3. | Leica SL2 | 4/5 | .. | 4.5/5 | .. | 4.5/5 | 4/5 | Nov 2019 | 5,999 | amazon.com | |
4. | Nikon Z7 | 5/5 | + | 4.8/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 3,399 | ebay.com | |
5. | Olympus E-PL5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Sep 2012 | 599 | ebay.com | |
6. | Olympus E-PL7 | 4/5 | + | .. | .. | 5/5 | 4/5 | Aug 2014 | 599 | ebay.com | |
7. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
8. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
9. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
10. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
11. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
12. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
13. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
14. | Panasonic GX7 | 4/5 | + | .. | 79/100 | 5/5 | 5/5 | Aug 2013 | 999 | ebay.com | |
15. | Panasonic S1 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4/5 | Feb 2019 | 2,499 | amazon.com | |
16. | Panasonic S1H | .. | .. | 4/5 | 90/100 | .. | .. | May 2019 | 3,999 | amazon.com | |
17. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark II vs Panasonic G6
- Canon D30 vs Panasonic G6
- Canon SX430 vs Panasonic S1R
- Fujifilm X-A2 vs Panasonic G6
- Fujifilm X-A3 vs Panasonic G6
- Fujifilm X-A7 vs Panasonic S1R
- Kodak S-1 vs Panasonic S1R
- Nikon D7500 vs Panasonic G6
- Panasonic FZ200 vs Panasonic S1R
- Panasonic G6 vs Pentax K-3 II
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Specifications: Panasonic G6 vs Panasonic S1R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic G6 | Panasonic S1R |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Leica L mount lenses |
Launch Date | April 2013 | February 2019 |
Launch Price | USD 599 | USD 3,699 |
Sensor Specs | Panasonic G6 | Panasonic S1R |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Full Frame Sensor |
Sensor Size | 17.3 x 13.0 mm | 36.0 x 24.0 mm |
Sensor Area | 224.9 mm2 | 864 mm2 |
Sensor Diagonal | 21.6 mm | 43.3 mm |
Crop Factor | 2.0x | 1.0x |
Sensor Resolution | 15.9 Megapixels | 46.7 Megapixels |
Image Resolution | 4608 x 3456 pixels | 8368 x 5584 pixels |
Pixel Pitch | 3.76 μm | 4.30 μm |
Pixel Density | 7.08 MP/cm2 | 5.41 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/60p Video | 4K/60p Video |
ISO Setting | 160 - 12,800 ISO | 100 - 25,600 ISO |
ISO Boost | 160 - 25,600 ISO | 50 - 51,200 ISO |
Image Processor | Venus | Venus |
DXO Sensor Quality (score) | 61 | 100 |
DXO Color Depth (bits) | 21.3 | 26.4 |
DXO Dynamic Range (EV) | 11.5 | 14.1 |
DXO Low Light (ISO) | 639 | 3525 |
Screen Specs | Panasonic G6 | Panasonic S1R |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.78x |
Viewfinder Resolution | 1440k dots | 5760k dots |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1036k dots | 2100k dots |
LCD Attachment | Swivel screen | Fully flexible screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic G6 | Panasonic S1R |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 7 shutter flaps/s | 9 shutter flaps/s |
Electronic Shutter | up to 1/4000s | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC or XQD cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Panasonic G6 | Panasonic S1R |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.1 |
HDMI Port | mini HDMI | full HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Panasonic G6 | Panasonic S1R |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Panasonic DMW-BLC12 | Panasonic DMW-BLJ31 |
Battery Life (CIPA) | 340 shots per charge | 380 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
122 x 85 x 71 mm (4.8 x 3.3 x 2.8 in) |
149 x 110 x 97 mm (5.9 x 4.3 x 3.8 in) |
Camera Weight | 390 g (13.8 oz) | 1016 g (35.8 oz) |
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