Panasonic G6 vs GX800
The Panasonic Lumix DMC-G6 and the Panasonic Lumix DMC-GX800 (labelled Panasonic GX850 in some countries) are two digital cameras that were officially introduced, respectively, in April 2013 and January 2017. Both the G6 and the GX800 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The G6 has a resolution of 15.9 megapixels, whereas the GX800 provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic G6||Panasonic GX800|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Micro Four Thirds lenses|
|15.9 MP, Four Thirds Sensor||15.8 MP, Four Thirds Sensor|
|1080/60p Video||4K/30p Video|
|ISO 160-12800 (160-25600)||ISO 200-25600|
|Electronic viewfinder (1440k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1036k dots||3.0" LCD, 1040k dots|
|Swivel touchscreen||Tilting touchscreen|
|7 shutter flaps per second||10 shutter flaps per second|
|340 shots per battery charge||210 shots per battery charge|
|122 x 85 x 71 mm, 390 g||107 x 65 x 33 mm, 269 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G6 and the Panasonic Lumix DMC-GX800? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic G6 and the Panasonic GX800. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the GX800 is also available in three color-versions, but different ones (black, silver, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX800 is considerably smaller (33 percent) than the Panasonic G6. Moreover, the GX800 is markedly lighter (31 percent) than the G6. In this context, it is worth noting that neither the G6 nor the GX800 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic G6»||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||Panasonic G6|
|Panasonic GX800«||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549||Panasonic GX800|
|Canon M10« »||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||Canon M10|
|Canon 100D« »||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||Canon 100D|
|Olympus E-M10« »||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||Olympus E-M10|
|Panasonic G7« »||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||Panasonic G7|
|Panasonic GF7« »||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499||Panasonic GF7|
|Panasonic GM5« »||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||Panasonic GM5|
|Panasonic GF6« »||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||Panasonic GF6|
|Panasonic GM1« »||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||Panasonic GM1|
|Panasonic GX7« »||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||Panasonic GX7|
|Panasonic G5« »||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||Panasonic G5|
|Panasonic GF5« »||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||Panasonic GF5|
|Panasonic G3« »||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||Panasonic G3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GX800 was somewhat cheaper (by 8 percent) than the G6 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G6 offers a slightly higher resolution of 15.9 megapixels, compared with 15.8 MP of the GX800. This megapixels advantage translates into a 0.3 percent gain in linear resolution. On the other hand, these sensor specs imply that the G6 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 3.77μm for the GX800). Moreover, it should be noted that the GX800 is much more recent (by 3 years and 8 months) than the G6, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels. Coming back to sensor resolution, it should be mentioned that the GX800 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-G6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX800 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the GX800 offers substantially better image quality than the G6 (overall score 12 points higher). The advantage is based on 1.9 bits higher color depth, 1.8 EV in additional dynamic range, and 0.1 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GX800||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73||Panasonic GX800|
|Canon M10||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Canon 100D||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..||Panasonic G7|
|Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..||Panasonic GF7|
|Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..||Panasonic G5|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GX800 provides a better video resolution than the G6. It can shoot movie footage at 4K/30p, while the G6 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G6 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GX800 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic G6, the Panasonic GX800, and comparable cameras.
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GX800||none||n||3.0||1040||tilting||Y||1/500s||10.0||Y||n||Panasonic GX800|
|Canon M10||none||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Canon 100D||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon 100D|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Panasonic G7||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic GF7||none||n||3.0||1040||tilting||Y||1/500s||5.8||Y||n||Panasonic GF7|
|Panasonic GM5||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Panasonic GF6||none||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic GM1||none||n||3.0||1036||fixed||Y||1/500s||5.0||Y||n||Panasonic GM1|
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Panasonic G5||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Panasonic GF5||none||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic G3||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 and the Panasonic GX800 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G6 and the GX800 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G6 and Panasonic Lumix DMC-GX800 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GX800||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX800|
|Canon M10||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Canon 100D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Panasonic G7||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic GF7||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic GF7|
|Panasonic GM5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Panasonic GF6||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic GM1||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Panasonic G5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic GF5||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic G3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
It is notable that the G6 has a hotshoe, while the GX800 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The GX800 is a recent model that features in the current product line-up of Panasonic. In contrast, the G6 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the G6 was succeeded by the Panasonic G7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic G6 and the Panasonic GX800? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-G6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Longer lasting: Can take more shots (340 versus 210) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been available for much longer (launched in April 2013).
Reasons to prefer the Panasonic Lumix DMC-GX800:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (107x65mm vs 122x85mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 121g or 31 percent) and is thus easier to take along.
- More modern: Reflects 3 years and 8 months of technical progress since the G6 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (9 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G6 and the Panasonic GX800 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G6 and the GX800 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon SX520 vs Panasonic GX800
- Kodak S-1 vs Panasonic G6
- Leica M Typ 240 vs Panasonic G6
- Nikon D40 vs Panasonic GX800
- Nikon Z6 vs Panasonic G6
- Olympus E-M10 III vs Panasonic G6
- Panasonic G3 vs Panasonic GX800
- Panasonic G6 vs Panasonic TZ100
- Panasonic G6 vs Sony HX400V
- Panasonic G6 vs Sony RX100 V
- Panasonic GX800 vs Panasonic LX5
- Panasonic GX800 vs Sony RX100 III
Specifications: Panasonic G6 vs Panasonic GX800
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G6||Panasonic GX800|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||April 2013||January 2017|
|Launch Price||USD 599||USD 549|
|Sensor Specs||Panasonic G6||Panasonic GX800|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||15.8 Megapixels|
|Image Resolution||4608 x 3456 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.76 μm||3.77 μm|
|Pixel Density||7.08 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||160-12800 ISO||200-25600 ISO|
|ISO Boost||160-25600 ISO||100-25600 ISO|
|DXO Sensor Quality (score)||61||73|
|DXO Color Depth (bits)||21.3||23.2|
|DXO Dynamic Range (EV)||11.5||13.3|
|DXO Low Light (ISO)||639||586|
|Screen Specs||Panasonic G6||Panasonic GX800|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1036k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic G6||Panasonic GX800|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/500/s|
|Continuous Shooting||7 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/4000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic G6||Panasonic GX800|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Panasonic G6||Panasonic GX800|
|Battery Life (CIPA)||340 shots per charge||210 shots per charge|
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
|Camera Weight||390 g (13.8 oz)||269 g (9.5 oz)|
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