Panasonic G6 vs GF5
The Panasonic Lumix DMC-G6 and the Panasonic Lumix DMC-GF5 are two digital cameras that were revealed to the public, respectively, in April 2013 and April 2012. Both the G6 and the GF5 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The G6 has a resolution of 15.9 megapixels, whereas the GF5 provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic G6||Panasonic GF5|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Micro Four Thirds lenses|
|15.9 MP, Four Thirds Sensor||12 MP, Four Thirds Sensor|
|1080/60p Video||1080/60i Video|
|ISO 160-12800 (160-25600)||ISO 160-6400 (160-12800)|
|Electronic viewfinder (1440k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1036k dots||3.0" LCD, 920k dots|
|Swivel touchscreen||Fixed touchscreen|
|7 shutter flaps per second||4 shutter flaps per second|
|340 shots per battery charge||360 shots per battery charge|
|122 x 85 x 71 mm, 390 g||108 x 67 x 37 mm, 267 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G6 and the Panasonic Lumix DMC-GF5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic G6 vs GF5
The physical size and weight of the Panasonic G6 and the Panasonic GF5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the GF5 is also available in three color-versions, but different ones (black, red, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF5 is considerably smaller (30 percent) than the Panasonic G6. Moreover, the GF5 is markedly lighter (32 percent) than the G6. In this context, it is worth noting that neither the G6 nor the GF5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic G6»||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GF5«||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||-||Olympus E-PL5|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-||Panasonic G7|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-||Panasonic GX7|
|Panasonic G5« »||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||-||Panasonic G5|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-||Panasonic G2|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GF5 was launched at a somewhat lower price (by 17 percent) than the G6, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic G6 vs GF5
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G6 offers a higher resolution of 15.9 megapixels, compared with 12 MP of the GF5. This megapixels advantage translates into a 15 percent gain in linear resolution. On the other hand, these sensor specs imply that the G6 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.33μm for the GF5). In this context, it should be noted, however, that the G6 is a somewhat more recent model (by 1 year) than the GF5, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The resolution advantage of the Panasonic G6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G6 for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-G6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GF5 are ISO 160 to ISO 6400, with the possibility to increase the ISO range to 160-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic G6»||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GF5«||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Olympus E-PL7« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-PL5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-||Panasonic G7|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Panasonic G5« »||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-||Panasonic G5|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G6 provides a higher frame rate than the GF5. It can shoot video footage at 1080/60p, while the GF5 is limited to 1080/60i.
Feature comparison: Panasonic G6 vs GF5
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G6 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF5 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic G6 and Panasonic GF5 in connection with corresponding information for a sample of similar cameras.
|Panasonic G6»||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GF5«||-||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Olympus E-PL7« »||-||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-PL5« »||-||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Panasonic G5« »||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G6 and the GF5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Panasonic G6 vs GF5
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G6 and Panasonic Lumix DMC-GF5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G6»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GF5«||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Olympus E-PL7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-PL5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Panasonic G7« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic GX7« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Panasonic G5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
It is notable that the G6 has a hotshoe, while the GF5 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the G6 and the GF5 have been discontinued, but can regularly be found used on eBay. The GF5 was replaced by the Panasonic GF6, while the G6 was followed by the Panasonic G7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
Review summary: Panasonic G6 vs GF5
So what conclusions can be drawn? Is the Panasonic G6 better than the Panasonic GF5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-G6:
- More detail: Offers more megapixels (15.9 vs 12MP) with a 15% higher linear resolution.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 920k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Is somewhat more recent (announced 1 year after the GF5).
Advantages of the Panasonic Lumix DMC-GF5:
- More compact: Is smaller (108x67mm vs 122x85mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 123g or 32 percent) and is thus easier to take along.
- More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in April 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the G6 is the clear winner of the match-up (14 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G6 and the Panasonic GF5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G6 and the GF5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Panasonic G6 vs GF5
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic G6»||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GF5«||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Olympus E-PL7« »||+||-||5/5||4.5/5||4/5||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-PL5« »||+ +||-||4.5/5||4.5/5||4.5/5||Sep 2012||599||-||Olympus E-PL5|
|Panasonic G7« »||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649||-||Panasonic G7|
|Panasonic GF6« »||+ +||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic GX7« »||+||79/100||5/5||4.5/5||5/5||Aug 2013||999||-||Panasonic GX7|
|Panasonic G5« »||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic G5|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 100D vs Panasonic G6
- Canon 600D vs Panasonic G6
- Fujifilm X-E3 vs Panasonic G6
- Fujifilm X-T30 vs Panasonic G6
- Leica D-LUX Typ 109 vs Panasonic G6
- Olympus E-M10 vs Panasonic GF5
- Panasonic FZ100 vs Panasonic G6
- Panasonic G2 vs Panasonic G6
- Panasonic G6 vs Panasonic GH3
- Panasonic G6 vs Panasonic GX7
- Panasonic G6 vs Panasonic S1
- Panasonic GF5 vs Panasonic GF7
Specifications: Panasonic G6 vs Panasonic GF5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G6||Panasonic GF5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||April 2013||April 2012|
|Launch Price||USD 599||USD 499|
|Sensor Specs||Panasonic G6||Panasonic GF5|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||12 Megapixels|
|Image Resolution||4608 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.76 μm||4.33 μm|
|Pixel Density||7.08 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||160-12800 ISO||160-6400 ISO|
|ISO Boost||160-25600 ISO||160-12800 ISO|
|Image Processor||Venus||Venus FHD|
|DXO Sensor Quality (score)||61||61|
|DXO Color Depth (bits)||21.3||21.4|
|DXO Dynamic Range (EV)||11.5||11.6|
|DXO Low Light (ISO)||639||618|
|Screen Specs||Panasonic G6||Panasonic GF5|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1036k dots||920k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Panasonic G6||Panasonic GF5|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||7 shutter flaps/s||4 shutter flaps/s|
|Electronic Shutter||up to 1/4000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic G6||Panasonic GF5|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Panasonic G6||Panasonic GF5|
|Battery Type||DMW-BLC12 power pack||DMW-BLE9 power pack|
|Battery Life (CIPA)||340 shots per charge||360 shots per charge|
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
108 x 67 x 37 mm
(4.3 x 2.6 x 1.5 in)
|Camera Weight||390 g (13.8 oz)||267 g (9.4 oz)|
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