Panasonic G5 vs Sony NEX-F3

The Panasonic Lumix DMC-G5 and the Sony Alpha NEX-F3 are two digital cameras that were announced, respectively, in July 2012 and May 2012. Both the G5 and the NEX-F3 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G5) and an APS-C (NEX-F3) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Sony provides 16 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G5		Sony NEX-F3
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.9 MP – Four Thirds sensor		16 MP – APS-C sensor
1080/60p Video		1080/60i Video
ISO 160-12,800		ISO 100-16,000
Electronic viewfinder (1440k dots)		Viewfinder optional
3.0" LCD – 920k dots		3.0" LCD – 920k dots
Swivel touchscreen		Tilting screen (no touchscreen)
6 shutter flaps per second		5.5 shutter flaps per second
320 shots per battery charge		470 shots per battery charge
120 x 83 x 71 mm, 396 g		117 x 67 x 42 mm, 314 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G5 and the Sony Alpha NEX-F3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic G5 and the Sony NEX-F3. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The G5 can be obtained in two different colors (black, silver), while the NEX-F3 is available in three color-versions (black, silver, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-F3 is notably smaller (21 percent) than the Panasonic G5. Moreover, the NEX-F3 is markedly lighter (21 percent) than the G5. In this context, it is worth noting that neither the G5 nor the NEX-F3 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G5) and the Sony E-Mount Lens Catalog (NEX-F3). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G5 gets 320 shots out of its Panasonic DMW-BLC12 battery, while the NEX-F3 can take 470 images on a single charge of its Sony NP-FW50 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
2.		Sony NEX-F3	117 mm	67 mm	42 mm	314 g	470	n	May 2012	599	ebay.com
3.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
4.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
5.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
6.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
7.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
8.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
9.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	749	ebay.com
10.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
11.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
12.		Panasonic GX850	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	549	ebay.com
13.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
14.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	599	ebay.com
15.		Sony NEX-3N	110 mm	62 mm	35 mm	269 g	480	n	Feb 2013	499	ebay.com
16.		Sony NEX-5	111 mm	59 mm	38 mm	287 g	330	n	May 2010	699	ebay.com
17.		Sony NEX-5N	111 mm	59 mm	38 mm	269 g	460	n	Aug 2011	699	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G5 features a Four Thirds sensor and the Sony NEX-F3 an APS-C sensor. The sensor area in the NEX-F3 is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G5 has a native 4:3 aspect ratio, while the one in the NEX-F3 offers a 3:2 aspect.

With 16MP, the NEX-F3 offers a higher resolution than the G5 (15.9MP), but the NEX-F3 nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 3.76μm for the G5) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.

The Panasonic Lumix DMC-G5 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Sony Alpha NEX-F3 are ISO 100 to ISO 16000 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the NEX-F3 offers substantially better image quality than the G5 (overall score 12 points higher). The advantage is based on 1.3 bits higher color depth, 0.7 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
2.		Sony NEX-F3	APS-C	16.0	4912	3264	1080/60i	22.7	12.3	1114	73
3.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
4.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
5.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
6.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
7.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
8.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
9.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
10.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
11.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
12.		Panasonic GX850	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73
13.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
14.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
15.		Sony NEX-3N	APS-C	16.0	4912	3264	1080/60i	22.8	12.5	1067	74
16.		Sony NEX-5	APS-C	14.0	4592	3056	1080/60i	22.2	12.2	796	69
17.		Sony NEX-5N	APS-C	16.0	4912	3264	1080/60i	23.6	12.7	1079	77

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G5 provides a higher frame rate than the NEX-F3. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G5 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-F3 relies on live view and the rear LCD for framing. That said, the NEX-F3 can be equipped with an optional viewfinder – the FDA-EV1S. The table below summarizes some of the other core capabilities of the Panasonic G5 and Sony NEX-F3 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
2.		Sony NEX-F3	optional	n	3.0 / 920	tilting	n	1/4000s	5.5/s	Y	n
3.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
4.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
5.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
6.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
7.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
8.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
9.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
10.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
11.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
12.		Panasonic GX850	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
13.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
14.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
15.		Sony NEX-3N	optional	n	3.0 / 460	tilting	n	1/4000s	4.0/s	Y	n
16.		Sony NEX-5	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
17.		Sony NEX-5N	optional	n	3.0 / 920	tilting	Y	1/4000s	10.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G5 has a touchscreen, while the NEX-F3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The G5 writes its imaging data to SDXC cards, while the NEX-F3 uses SDXC or Memory Stick PRO Duo cards. The G5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-F3 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G5 and Sony Alpha NEX-F3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Sony NEX-F3	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
5.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
6.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
8.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
9.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
12.		Panasonic GX850	-	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Sony NEX-3N	-	stereo / mono	-	-	micro	2.0	-	-	-
16.		Sony NEX-5	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Sony NEX-5N	Y	stereo / mono	-	-	mini	2.0	-	-	-

Both the G5 and the NEX-F3 have been discontinued, but can regularly be found used on ebay. The G5 was replaced by the Panasonic G6, while the NEX-F3 does not have a direct successor. Further information on the features and operation of the G5 and NEX-F3 can be found, respectively, in the Panasonic G5 Manual (free pdf) or the online Sony NEX-F3 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Panasonic G5 or the Sony NEX-F3 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Panasonic Lumix DMC-G5:

• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.

Reasons to prefer the Sony Alpha NEX-F3:

• Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.3 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
• More compact: Is smaller (117x67mm vs 120x83mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 82g or 21 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (470 versus 320) out of a single battery charge.

If the count of individual advantages (bullet points above) is taken as a guide, the NEX-F3 emerges as the winner of the match-up (7 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G5 and the Sony NEX-F3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G5 or the NEX-F3. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
2.		Sony NEX-F3	4/5	..	..	74/100	4.5/5	4.5/5	May 2012	599	ebay.com
3.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
4.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
5.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
6.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
7.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
8.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
9.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	749	ebay.com
10.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
11.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
12.		Panasonic GX850	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	549	ebay.com
13.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
14.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	599	ebay.com
15.		Sony NEX-3N	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	499	ebay.com
16.		Sony NEX-5	3/5	+ +	..	71/100	4.5/5	4/5	May 2010	699	ebay.com
17.		Sony NEX-5N	3/5	+ +	..	79/100	4.5/5	4.5/5	Aug 2011	699	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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