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Panasonic G5 vs Sony A7R III

The Panasonic Lumix DMC-G5 and the Sony Alpha A7R III are two digital cameras that were announced, respectively, in July 2012 and October 2017. Both the G5 and the A7R III are mirrorless interchangeable lens cameras that are based on a Four Thirds (G5) and a full frame (A7R III) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Sony provides 42.2 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.

Headline Specifications
Panasonic G5   Sony A7R III
Panasonic G5 Sony A7R III
Mirrorless system camera Mirrorless system camera
Micro Four Thirds lenses Sony E mount lenses
15.9 MP, Four Thirds Sensor 42.2 MP, Full Frame Sensor
1080/60p Video 4K/30p Video
ISO 160-12800 ISO 100-32000 (50-102400)
Electronic viewfinder (1440k dots) Electronic viewfinder (3686k dots)
3.0" LCD, 920k dots 3.0" LCD, 1440k dots
Swivel touchscreen Tilting touchscreen
6 shutter flaps per second 10 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Not weather sealedWeathersealed body
320 shots per battery charge650 shots per battery charge
120 x 83 x 71 mm, 396 g 127 x 96 x 74 mm, 650 g

Body comparison: Panasonic G5 vs Sony A7R III

An illustration of the physical size and weight of the Panasonic G5 and the Sony A7R III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The G5 can be obtained in two different colors (black, silver), while the A7R III is only available in black.

Compare Panasonic G5 and Sony A7R III
Compare G5 versus A7R III top
Compare G5 or A7R III rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is notably larger (22 percent) than the Panasonic G5. Moreover, the A7R III is substantially heavier (64 percent) than the G5. It is noteworthy in this context that the A7R III is splash and dust-proof, while the G5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G5) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G5 gets 320 shots out of its DMW-BLC12 battery, while the A7R III can take 650 images on a single charge of its NP-FZ100 power pack. The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic G5» 4.7 in 3.3 in 2.8 in 14.0 oz 320 n Jul 2012 599- i Panasonic G5
 
Sony A7R III« 5.0 in 3.8 in 2.9 in 22.9 oz 650 Y Oct 2017 3,199 i i Sony A7R III
 
Olympus E-PL6« » 4.4 in 2.5 in 1.5 in 11.5 oz 360 n May 2013 599- i Olympus E-PL6
 
Olympus E-PL5« » 4.4 in 2.5 in 1.5 in 11.5 oz 360 n Sep 2012 599- i Olympus E-PL5
 
Panasonic G7« » 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
 
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
 
Panasonic GF6« » 4.4 in 2.6 in 1.5 in 11.4 oz 340 n Apr 2013 499- i Panasonic GF6
 
Panasonic GF5« » 4.3 in 2.6 in 1.5 in 9.4 oz 360 n Apr 2012 499- i Panasonic GF5
 
Panasonic G3« » 4.5 in 3.3 in 1.9 in 11.9 oz 270 n May 2011 599- i Panasonic G3
 
Panasonic GF3« » 4.3 in 2.6 in 1.3 in 9.3 oz 300 n Jun 2011 549- i Panasonic GF3
 
Panasonic GX1« » 4.6 in 2.7 in 1.5 in 11.2 oz 320 n Nov 2011 699- i Panasonic GX1
 
Panasonic G10« » 4.9 in 3.3 in 2.9 in 13.7 oz 380 n Mar 2010 499- i Panasonic G10
 
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
 
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
 
Sony A99 II« » 5.6 in 4.1 in 3.0 in 29.9 oz 490 Y Sep 2016 3,199 i i Sony A99 II
 
Sony A7R II« » 5.0 in 3.8 in 2.4 in 22.0 oz 290 Y Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« » 5.0 in 3.8 in 2.4 in 22.1 oz 370 Y Sep 2015 2,999 i i Sony A7S II

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G5 was launched at a markedly lower price (by 81 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Panasonic G5 vs Sony A7R III

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G5 features a Four Thirds sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G5 has a native 4:3 aspect ratio, while the one in the A7R III offers a 3:2 aspect.

Panasonic G5 and Sony A7R III sensor measures

With 42.2MP, the A7R III offers a higher resolution than the G5 (15.9MP), but the A7R III nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.76μm for the G5) due to its larger sensor. Moreover, the A7R III is a much more recent model (by 5 years and 3 months) than the G5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.

Unlike the G5, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-G5 has a native sensitivity range from ISO 160 to ISO 12800 The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400..

G5 versus A7R III MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic G5» Four Thirds 15.9 4608 34561080/60p----Panasonic G5
 
Sony A7R III« Full Frame 42.2 7952 53044K/30p26.014.73523100Sony A7R III
 
Olympus E-PL6« » Four Thirds 15.9 4608 34561080/30p----Olympus E-PL6
 
Olympus E-PL5« » Four Thirds 15.9 4608 34561080/30p22.812.388972Olympus E-PL5
 
Panasonic G7« » Four Thirds 15.8 4592 34484K/30p----Panasonic G7
 
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
 
Panasonic GF6« » Four Thirds 15.8 4592 34481080/60i20.710.662254Panasonic GF6
 
Panasonic GF5« » Four Thirds 12.0 4000 30001080/60i21.411.661861Panasonic GF5
 
Panasonic G3« » Four Thirds 15.8 4592 34481080/60i21.010.666756Panasonic G3
 
Panasonic GF3« » Four Thirds 12.0 4000 30001080/60i20.610.045849Panasonic GF3
 
Panasonic GX1« » Four Thirds 15.8 4592 34481080/60p20.810.670355Panasonic GX1
 
Panasonic G10« » Four Thirds 12.0 4000 3000720/30p21.210.141152Panasonic G10
 
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
 
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
 
Sony A99 II« » Full Frame 42.2 7952 53044K/30p25.413.4231792Sony A99 II
 
Sony A7R II« » Full Frame 42.2 7952 53044K/30p26.013.9343498Sony A7R II
 
Sony A7S II« » Full Frame 12.0 4240 28324K/30p23.613.3299385Sony A7S II

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7R III provides a better video resolution than the G5. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60p.

 

Feature comparison: Panasonic G5 vs Sony A7R III

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R III offers a substantially higher resolution than the one in the G5 (3686k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic G5 and Sony A7R III in connection with corresponding information for a sample of similar cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic G5»1440 n 3.0 920 swivel Y 1/4000s 6.0 Y n Panasonic G5
 
Sony A7R III«3686 n 3.0 1440 tilting Y 1/8000s 10.0 n Y Sony A7R III
 
Olympus E-PL6« »- n 3.0 460 tilting Y 1/4000s 8.0 n Y Olympus E-PL6
 
Olympus E-PL5« »- n 3.0 460 tilting Y 1/4000s 8.0 n Y Olympus E-PL5
 
Panasonic G7« »2360 n 3.0 1040 swivel Y 1/4000s 7.0 Y n Panasonic G7
 
Panasonic G6« »1440 n 3.0 1036 swivel Y 1/4000s 7.0 Y n Panasonic G6
 
Panasonic GF6« »- n 3.0 1040 tilting Y 1/4000s 4.2 Y n Panasonic GF6
 
Panasonic GF5« »- n 3.0 920 fixed Y 1/4000s 4.0 Y n Panasonic GF5
 
Panasonic G3« »1440 n 3.0 460 swivel Y 1/4000s 4.0 Y n Panasonic G3
 
Panasonic GF3« »- n 3.0 460 fixed Y 1/4000s 3.2 Y n Panasonic GF3
 
Panasonic GX1« »- n 3.0 460 fixed Y 1/4000s 4.2 Y n Panasonic GX1
 
Panasonic G10« »202 n 3.0 460 fixed n 1/4000s 2.6 Y n Panasonic G10
 
Sony A7 III« »2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y Sony A7 III
 
Sony A9« »3686 n 3.0 1440 tilting Y 1/8000s 20.0 n Y Sony A9
 
Sony A99 II« »2400 Y 3.0 1229 full-flex n 1/8000s 12.0 n Y Sony A99 II
 
Sony A7R II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7R II
 
Sony A7S II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7S II

One difference between the cameras concerns the presence of an on-board flash. The G5 has one, while the A7R III does not. While the built-in flash of the G5 is not very powerful, it can at times be useful as a fill-in light.

The G5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R III does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Sony A7R III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G5 writes its imaging data to SDXC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the G5 only has one slot. The A7R III supports UHS-II cards (on its first slot), while the G5 can use UHS-I cards.

 

Connectivity comparison: Panasonic G5 vs Sony A7R III

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G5 and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic G5»Ystereomono--mini2.0---Panasonic G5
 
Sony A7R III«YstereomonoYYmicro3.1YYYSony A7R III
 
Olympus E-PL6« »Ystereomono--mini2.0---Olympus E-PL6
 
Olympus E-PL5« »Ystereomono--mini2.0---Olympus E-PL5
 
Panasonic G7« »YstereomonoY-micro2.0Y--Panasonic G7
 
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6
 
Panasonic GF6« »-stereomono--mini2.0YY-Panasonic GF6
 
Panasonic GF5« »-stereomono--mini2.0---Panasonic GF5
 
Panasonic G3« »Ystereomono--mini2.0---Panasonic G3
 
Panasonic GF3« »-stereomono--mini2.0---Panasonic GF3
 
Panasonic GX1« »Ystereomono--mini2.0---Panasonic GX1
 
Panasonic G10« »Ymono---mini2.0---Panasonic G10
 
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III
 
Sony A9« »YstereomonoYYmicro2.0YYYSony A9
 
Sony A99 II« »YstereomonoYYmicro2.0YYYSony A99 II
 
Sony A7R II« »YstereomonoYYmicro2.0YY-Sony A7R II
 
Sony A7S II« »YstereomonoYYmicro2.0YY-Sony A7S II

It is notable that the A7R III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G5 does not offer wifi capability.

Studio photographers will appreciate that the Sony A7R III (unlike the G5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A7R III is a recent model that features in the current product line-up of Sony. In contrast, the G5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the G5 was succeeded by the Panasonic G6. Further information on the two cameras, as well as related accessories, can be found on the official Panasonic and Sony websites.


Review summary: Panasonic G5 vs Sony A7R III

So what conclusions can be drawn? Which of the two cameras – the Panasonic G5 or the Sony A7R III – has the upper hand? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Panasonic Lumix DMC-G5:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • More compact: Is smaller (120x83mm vs 127x96mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 254g or 39 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced into a lower priced category (81 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in July 2012).

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Advantages of the Sony Alpha A7R III:

  • More detail: Has more megapixels (42.2 vs 15.9MP), which boosts linear resolution by 66%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Richer colors: Larger sensor generates images with better, more accurate colors.
  • More dynamic range: Capable of capturing a wider spectrum of light and dark details.
  • Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 1440k dots).
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
  • More detailed LCD: Has a higher resolution rear screen (1440k vs 920k dots).
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Longer lasting: Gets more shots (650 versus 320) out of a single battery charge.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Reflects 5 years and 3 months of technical progress since the G5 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A7R III is the clear winner of the contest (29 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

G5 08:29 A7R III

Do the specifications of the Panasonic G5 and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G5 and the A7R III in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews: Panasonic G5 vs Sony A7R III

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog).

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic G5»++-4.5/54.5/54.5/5 Jul 2012 599- i Panasonic G5
 
Sony A7R III«++90/1004.5/55/55/5 Oct 2017 3,199 i i Sony A7R III
 
Olympus E-PL6« »----- May 2013 599- i Olympus E-PL6
 
Olympus E-PL5« »++-4.5/54.5/54.5/5 Sep 2012 599- i Olympus E-PL5
 
Panasonic G7« »++80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
 
Panasonic G6« »++-5/5-4.5/5 Apr 2013 599- i Panasonic G6
 
Panasonic GF6« »++-4.5/5-4.5/5 Apr 2013 499- i Panasonic GF6
 
Panasonic GF5« »--4.5/54/54.5/5 Apr 2012 499- i Panasonic GF5
 
Panasonic G3« »++75/1004.5/54.5/55/5 May 2011 599- i Panasonic G3
 
Panasonic GF3« »82/10071/1004.5/54.5/54/5 Jun 2011 549- i Panasonic GF3
 
Panasonic GX1« »+77/1004.5/54.5/54.5/5 Nov 2011 699- i Panasonic GX1
 
Panasonic G10« »-70/1004/5-4/5 Mar 2010 499- i Panasonic G10
 
Sony A7 III« »++89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
 
Sony A9« »++89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
 
Sony A99 II« »-85/1004.5/54.5/54.5/5 Sep 2016 3,199 i i Sony A99 II
 
Sony A7R II« »++90/1005/54.5/55/5 Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« »+-4.5/55/55/5 Sep 2015 2,999 i i Sony A7S II
Notes: ++) highly recommended; +) recommended; o) reviewed; -) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Panasonic G5:
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Sony A7R III:
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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Panasonic G5 vs Sony A7R III

    Camera Specifications
    Camera Model Panasonic G5 Sony A7R III
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Micro Four Thirds lenses Sony E mount lenses
    Launch Date July 2012 October 2017
    Launch Price USD 599 USD 3199
    Sensor Specs Panasonic G5 Sony A7R III
    Sensor Technology CMOS BSI-CMOS
    Sensor Format Four Thirds Sensor Full Frame Sensor
    Sensor Size 17.3 x 13.0 mm 35.9 x 24.0 mm
    Sensor Area 224.9 mm2 861.6 mm2
    Sensor Diagonal 21.6 mm 43.2 mm
    Crop Factor 2.0x 1.0x
    Sensor Resolution 15.9 Megapixels 42.2 Megapixels
    Image Resolution 4608 x 3456 pixels 7952 x 5304 pixels
    Pixel Pitch 3.76 μm 4.52 μm
    Pixel Density 7.08 MP/cm2 4.90 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 1080/60p Video 4K/30p Video
    ISO Setting 160-12800 ISO 100-32000 ISO
    ISO Boost no Enhancement 50-102400 ISO
    Image Processor Venus VII FHD BIONZ X
    DXO Sensor Quality (score) .. 100
    DXO Color Depth (bits) .. 26.0
    DXO Dynamic Range (EV) .. 14.7
    DXO Low Light (ISO) .. 3523
    Screen Specs Panasonic G5 Sony A7R III
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.70x 0.78x
    Viewfinder Resolution 1440k dots 3686k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 920k dots 1440k dots
    LCD Attachment Swivel screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Panasonic G5 Sony A7R III
    Autofocus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/8000/s
    Continuous Shooting 6 shutter flaps/s 10 shutter flaps/s
    Electronic Shutterno E-ShutterYES
    Time-Lapse Photographyno IntervalometerIntervalometer built-in
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash Build-in Flash no On-Board Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Dual card slots
    UHS card support UHS-I Single UHS-II
    Connectivity Specs Panasonic G5 Sony A7R III
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 3.1
    HDMI Port mini HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support no Wifi Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Bluetooth Support no Bluetooth Bluetooth built-in
    Body Specs Panasonic G5 Sony A7R III
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type DMW-BLC12 power pack NP-FZ100 power pack
    Battery Life (CIPA)320 shots per charge650 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 120 x 83 x 71 mm
    (4.7 x 3.3 x 2.8 in)
    127 x 96 x 74 mm
    (5.0 x 3.8 x 2.9 in)
    Camera Weight 396 g (14.0 oz) 650 g (22.9 oz)

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