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Panasonic G5 versus Sony A7R III

The Panasonic Lumix DMC-G5 and the Sony Alpha A7R III are two digital cameras that were announced, respectively, in July 2012 and October 2017. Both the G5 and the A7R III are mirrorless interchangeable lens cameras that are based on a Four Thirds (G5) and a full frame (A7R III) sensor. The Panasonic has a resolution of 15.9 megapixel, whereas the Sony provides 42.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Panasonic G5 vs Sony A7R III

An illustration of the physical size and weight of the Panasonic G5 and the Sony A7R III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the G5 – represents the basis for the calculations across all the size and weight measures).

Compare Panasonic G5 vs Sony A7R III
Compare G5 versus A7R III top
Compare G5 and A7R III rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is notably larger (22 percent) than the Panasonic G5. Moreover, the A7R III is substantially heavier (64 percent) than the G5. It is noteworthy in this context that the A7R III is splash and dust-proof, while the G5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (G5) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G5 gets 320 shots out of its DMW-BLC12 battery, while the A7R III can take 650 images on a single charge of its NP-FZ100 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Panasonic G5» 4.7 in 3.3 in 2.8 in 14.0 oz 320 n Jul 2012 599- i Panasonic G5
Sony A7R III« 5.0 in 3.8 in 2.9 in 22.9 oz 650 Y Oct 2017 3,199 i i Sony A7R III
Olympus E-PL6« » 4.4 in 2.5 in 1.5 in 11.5 oz 360 n May 2013 599- i Olympus E-PL6
Olympus E-PL5« » 4.4 in 2.5 in 1.5 in 11.5 oz 360 n Sep 2012 599- i Olympus E-PL5
Panasonic G7« » 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
Panasonic GF6« » 4.4 in 2.6 in 1.5 in 11.4 oz 340 n Apr 2013 499- i Panasonic GF6
Panasonic GF5« » 4.3 in 2.6 in 1.5 in 9.4 oz 360 n Apr 2012 499- i Panasonic GF5
Panasonic G3« » 4.5 in 3.3 in 1.9 in 11.9 oz 270 n May 2011 599- i Panasonic G3
Panasonic GF3« » 4.3 in 2.6 in 1.3 in 9.3 oz 300 n Jun 2011 549- i Panasonic GF3
Panasonic GX1« » 4.6 in 2.7 in 1.5 in 11.2 oz 320 n Nov 2011 949- i Panasonic GX1
Panasonic G10« » 4.9 in 3.3 in 2.9 in 13.7 oz 380 n Mar 2010 499- i Panasonic G10
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Sony A99 II« » 5.6 in 4.1 in 3.0 in 29.9 oz 490 Y Sep 2016 3,199 i i Sony A99 II
Sony A7R II« » 5.0 in 3.8 in 2.4 in 22.0 oz 290 Y Jun 2015 3,199- i Sony A7R II
Sony A7S II« » 5.0 in 3.8 in 2.4 in 22.1 oz 370 Y Sep 2015 2,999 i i Sony A7S II

Any camera purchase will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G5 was launched at a markedly lower price (by 81 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Panasonic G5 vs Sony A7R III

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G5 features a Four Thirds sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G5 has a native 4:3 aspect ratio, while the one in the A7R III offers a 3:2 aspect.

Panasonic G5 and Sony A7R III sensor measures

With 42.2MP, the A7R III offers a higher resolution than the G5 (15.9MP), but the A7R III nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.76μm for the G5) due to its larger sensor. Moreover, the A7R III is a much more recent model (by 5 years and 3 months) than the G5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

Unlike the G5, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

G5 versus A7R III MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Panasonic G5» Four Thirds 15.9 4608 34561080/60p----Panasonic G5
Sony A7R III« Full Frame 42.2 7952 53044K/30p26.014.73523100Sony A7R III
Olympus E-PL6« » Four Thirds 15.9 4608 34561080/30p----Olympus E-PL6
Olympus E-PL5« » Four Thirds 15.9 4608 34561080/30p22.812.388972Olympus E-PL5
Panasonic G7« » Four Thirds 15.8 4592 34484K/30p----Panasonic G7
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
Panasonic GF6« » Four Thirds 15.8 4592 34481080/60i20.710.662254Panasonic GF6
Panasonic GF5« » Four Thirds 12.0 4000 30001080/60i21.411.661861Panasonic GF5
Panasonic G3« » Four Thirds 15.8 4592 34481080/60i21.010.666756Panasonic G3
Panasonic GF3« » Four Thirds 12.0 4000 30001080/60i20.610.045849Panasonic GF3
Panasonic GX1« » Four Thirds 15.8 4592 34481080/60p20.810.670355Panasonic GX1
Panasonic G10« » Four Thirds 12.0 4000 3000720/30p21.210.141152Panasonic G10
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony A99 II« » Full Frame 42.2 7952 53044K/30p25.413.4231792Sony A99 II
Sony A7R II« » Full Frame 42.2 7952 53044K/30p26.013.9343498Sony A7R II
Sony A7S II« » Full Frame 12.0 4240 28324K/30p23.613.3299385Sony A7S II

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7R III provides a better video resolution than the G5. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60p.

 

Feature comparison: Panasonic G5 vs Sony A7R III

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R III offers a substantially higher resolution than the one in the G5 (3686k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic G5 and Sony A7R III in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Panasonic G5»1440 n 3.0 920 swivel Y 4000 6.0 Y n Panasonic G5
Sony A7R III«3686 n 3.0 1440 tilting Y 8000 10.0 n Y Sony A7R III
Olympus E-PL6« »- n 3.0 460 tilting Y 4000 8.0 n Y Olympus E-PL6
Olympus E-PL5« »- n 3.0 460 tilting Y 4000 8.0 n Y Olympus E-PL5
Panasonic G7« »2360 n 3.0 1040 swivel Y 4000 7.0 Y n Panasonic G7
Panasonic G6« »1440 n 3.0 1036 swivel Y 4000 7.0 Y n Panasonic G6
Panasonic GF6« »- n 3.0 1040 tilting Y 4000 4.2 Y n Panasonic GF6
Panasonic GF5« »- n 3.0 920 fixed Y 4000 4.0 Y n Panasonic GF5
Panasonic G3« »1440 n 3.0 460 swivel Y 4000 4.0 Y n Panasonic G3
Panasonic GF3« »- n 3.0 460 fixed Y 4000 3.2 Y n Panasonic GF3
Panasonic GX1« »- n 3.0 460 fixed Y 4000 4.2 Y n Panasonic GX1
Panasonic G10« »202 n 3.0 460 fixed n 4000 2.6 Y n Panasonic G10
Sony A7 III« »2359 n 3.0 922 tilting Y 8000 10.0 n Y Sony A7 III
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony A99 II« »2400 Y 3.0 1229 full-flex n 8000 12.0 n Y Sony A99 II
Sony A7R II« »2400 n 3.0 1229 tilting n 8000 5.0 n Y Sony A7R II
Sony A7S II« »2400 n 3.0 1229 tilting n 8000 5.0 n Y Sony A7S II

One difference between the cameras concerns the presence of an on-board flash. The G5 has one, while the A7R III does not. While the build-in flash of the G5 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the A7R III features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

The G5 writes its imaging data to SDXC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the G5 only has one slot.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Panasonic G5»Ystereomono--mini2.0---Panasonic G5
Sony A7R III«YstereomonoYYmicro3.1YYYSony A7R III
Olympus E-PL6« »Ystereomono--mini2.0---Olympus E-PL6
Olympus E-PL5« »Ystereomono--mini2.0---Olympus E-PL5
Panasonic G7« »YstereomonoY-micro2.0Y--Panasonic G7
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6
Panasonic GF6« »-stereomono--mini2.0YY-Panasonic GF6
Panasonic GF5« »-stereomono--mini2.0---Panasonic GF5
Panasonic G3« »Ystereomono--mini2.0---Panasonic G3
Panasonic GF3« »-stereomono--mini2.0---Panasonic GF3
Panasonic GX1« »Ystereomono--mini2.0---Panasonic GX1
Panasonic G10« »Ymono---mini2.0---Panasonic G10
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III
Sony A9« »YstereomonoYYmicro2.0YYYSony A9
Sony A99 II« »YstereomonoYYmicro2.0YYYSony A99 II
Sony A7R II« »YstereomonoYYmicro2.0YY-Sony A7R II
Sony A7S II« »YstereomonoYYmicro2.0YY-Sony A7S II

The A7R III is a current model that online retailers, such as amazon, will have in stock. In contrast, the G5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the G5 was succeeded by the Panasonic G6.

Review summary: Panasonic G5 vs Sony A7R III

So what conclusions can be drawn? Which of the two cameras – the Panasonic G5 or the Sony A7R III – has the upper hand? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Panasonic Lumix DMC-G5:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • More compact: Is smaller (120x83mm vs 127x96mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 254g or 39 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced into a lower priced category (81 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in July 2012).

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Advantages of the Sony Alpha A7R III:

  • More detail: Has more megapixels (42.2 vs 15.9MP), which boosts linear resolution by 66%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 1440k dots).
  • More detailed LCD: Has a higher resolution rear screen (1440k vs 920k dots).
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Longer lasting: Gets more shots (650 versus 320) out of a single battery charge.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Easier file upload: Has wifi build in for automatic backup or image transfer to the web.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More modern: Reflects 5 years and 3 months of technical progress since the G5 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A7R III is the clear winner of the contest (21 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

G5 07:21 A7R III

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the G5 and the A7R III in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Panasonic G5»HiRec-4.5/54.5/54.5/5 Jul 2012 599- i Panasonic G5
Sony A7R III«HiRec90/1004.5/55/55/5 Oct 2017 3,199 i i Sony A7R III
Olympus E-PL6« »----- May 2013 599- i Olympus E-PL6
Olympus E-PL5« »HiRec-4.5/54.5/54.5/5 Sep 2012 599- i Olympus E-PL5
Panasonic G7« »HiRec80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
Panasonic G6« »HiRec-5/5-4.5/5 Apr 2013 599- i Panasonic G6
Panasonic GF6« »HiRec-4.5/5-4.5/5 Apr 2013 499- i Panasonic GF6
Panasonic GF5« »--4.5/54/54.5/5 Apr 2012 499- i Panasonic GF5
Panasonic G3« »HiRec75/1004.5/54.5/55/5 May 2011 599- i Panasonic G3
Panasonic GF3« »82/10071/1004.5/54.5/54/5 Jun 2011 549- i Panasonic GF3
Panasonic GX1« »Rec77/1004.5/54.5/54.5/5 Nov 2011 949- i Panasonic GX1
Panasonic G10« »-70/1004/5-4/5 Mar 2010 499- i Panasonic G10
Sony A7 III« »HiRec89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony A99 II« »-85/1004.5/54.5/54.5/5 Sep 2016 3,199 i i Sony A99 II
Sony A7R II« »HiRec90/1005/54.5/55/5 Jun 2015 3,199- i Sony A7R II
Sony A7S II« »Rec-4.5/55/55/5 Sep 2015 2,999 i i Sony A7S II

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, please send me an email, and I will try to locate and add the respective data to the application.

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