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Panasonic G3 vs Sony A6500

The Panasonic Lumix DMC-G3 and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in May 2011 and October 2016. Both the G3 and the A6500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G3) and an APS-C (A6500) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic G3 versus Sony A6500
Panasonic G3 Sony A6500
Mirrorless system camera Mirrorless system camera
Micro Four Thirds lenses Sony E mount lenses
15.8 MP, Four Thirds Sensor 24 MP, APS-C Sensor
1080/60i Video 4K/30p Video
ISO 160-6,400 ISO 100-25,600 (100 - 51,200)
Electronic viewfinder (1440k dots) Electronic viewfinder (2359k dots)
3.0 LCD, 460k dots 3.0 LCD, 922k dots
Swivel touchscreen Tilting touchscreen
4 shutter flaps per second 11 shutter flaps per second
Lens stabilization onlyIn-body stabilization
not weather sealedWeathersealed body
270 shots per battery charge350 shots per battery charge
115 x 84 x 47 mm, 336 g 120 x 67 x 53 mm, 453 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G3 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic G3 and the Sony A6500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The G3 can be obtained in four different colors (black, brown, red, white), while the A6500 is only available in black.

Size Panasonic G3 vs Sony A6500
Compare G3 versus A6500 top
Comparison G3 or A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (17 percent) than the Panasonic G3. However, the A6500 is substantially heavier (35 percent) than the G3. It is noteworthy in this context that the A6500 is splash and dust-proof, while the G3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G3) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G3 gets 270 shots out of its DMW-BLD10 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

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Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life 1
Weather
Sealing
Camera
Launch 2
Launch
Price (USD)
Street
Price
 
Panasonic G3 115 mm 84 mm 47 mm 336 g 270 n May 2011 599i
 
Sony A6500 120 mm 67 mm 53 mm 453 g 350 Y Oct 2016 1,399i
 
Canon M 109 mm 66 mm 32 mm 298 g 230 n Jul 2012 599i
 
Olympus PEN-F 125 mm 72 mm 37 mm 427 g 330 n Jan 2016 1,199i
 
Panasonic G7 125 mm 86 mm 77 mm 410 g 350 n May 2015 649i
 
Panasonic GX8 133 mm 78 mm 63 mm 487 g 330 Y Jul 2015 1,199i
 
Panasonic G6 122 mm 85 mm 71 mm 390 g 340 n Apr 2013 599i
 
Panasonic GF6 111 mm 65 mm 38 mm 323 g 340 n Apr 2013 499i
 
Panasonic G5 120 mm 83 mm 71 mm 396 g 320 n Jul 2012 599i
 
Panasonic GF5 108 mm 67 mm 37 mm 267 g 360 n Apr 2012 499i
 
Panasonic GX1 116 mm 68 mm 39 mm 318 g 320 n Nov 2011 699i
 
Panasonic G10 124 mm 84 mm 74 mm 388 g 380 n Mar 2010 499i
 
Panasonic G2 124 mm 84 mm 74 mm 428 g 360 n Mar 2010 599i
 
Panasonic GF2 113 mm 68 mm 33 mm 310 g 300 n Nov 2010 549i
 
Sony A6600 120 mm 67 mm 69 mm 503 g 810 Y Aug 2019 1,399 i
 
Sony A6300 120 mm 67 mm 49 mm 404 g 400 Y Feb 2016 999i
 
Sony A7 127 mm 94 mm 48 mm 474 g 340 Y Oct 2013 1,699i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G3 was launched at a markedly lower price (by 57 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic G3 features a Four Thirds sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G3 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

Panasonic G3 and Sony A6500 sensor measures

With 24MP, the A6500 offers a higher resolution than the G3 (15.8MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the G3) due to its larger sensor. Moreover, the A6500 is a much more recent model (by 5 years and 4 months) than the G3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G3 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-G3 has a native sensitivity range from ISO 160 to ISO 6400. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

G3 versus A6500 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A6500 offers substantially better image quality than the G3 (overall score 29 points higher). The advantage is based on 3.5 bits higher color depth, 3.1 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

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Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
 
Panasonic G3 Four Thirds 15.8 4592 34481080/60i21.010.666756
 
Sony A6500 APS-C 24.0 6000 40004K/30p24.513.7140585
 
Canon M APS-C 17.9 5184 34561080/30p22.111.282765
 
Olympus PEN-F Four Thirds 20.2 5184 38881080/60p23.112.489474
 
Panasonic G7 Four Thirds 15.8 4592 34484K/30p........
 
Panasonic GX8 Four Thirds 20.2 5184 38884K/30p23.512.680675
 
Panasonic G6 Four Thirds 15.9 4608 34561080/60p21.311.563961
 
Panasonic GF6 Four Thirds 15.8 4592 34481080/60i20.710.662254
 
Panasonic G5 Four Thirds 15.9 4608 34561080/60p........
 
Panasonic GF5 Four Thirds 12.0 4000 30001080/60i21.411.661861
 
Panasonic GX1 Four Thirds 15.8 4592 34481080/60p20.810.670355
 
Panasonic G10 Four Thirds 12.0 4000 3000720/30p21.210.141152
 
Panasonic G2 Four Thirds 12.0 4000 3000720/30p21.210.349353
 
Panasonic GF2 Four Thirds 12.0 4000 30001080/60i21.210.350654
 
Sony A6600 APS-C 24.0 6000 40004K/30p23.813.4149782
 
Sony A6300 APS-C 24.0 6000 40004K/30p24.413.7143785
 
Sony A7 Full Frame 24.0 6000 40001080/60p24.814.2224890

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a better video resolution than the G3. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A6500 offers a substantially higher resolution than the one in the G3 (2359k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Panasonic G3, the Sony A6500, and comparable cameras.

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Core Features
  Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
 
Panasonic G31440 n 3.0 460 swivel Y 1/4000s 4.0 Y n
 
Sony A65002359 n 3.0 922 tilting Y 1/4000s 11.0 Y Y
 
Canon Mnone n 3.0 1040 fixed Y 1/4000s 4.3 n n
 
Olympus PEN-F2360 n 3.0 1037 swivel Y 1/8000s 10.0 n Y
 
Panasonic G72360 n 3.0 1040 swivel Y 1/4000s 7.0 Y n
 
Panasonic GX82360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y
 
Panasonic G61440 n 3.0 1036 swivel Y 1/4000s 7.0 Y n
 
Panasonic GF6none n 3.0 1040 tilting Y 1/4000s 4.2 Y n
 
Panasonic G51440 n 3.0 920 swivel Y 1/4000s 6.0 Y n
 
Panasonic GF5none n 3.0 920 fixed Y 1/4000s 4.0 Y n
 
Panasonic GX1optional n 3.0 460 fixed Y 1/4000s 4.2 Y n
 
Panasonic G10202 n 3.0 460 fixed n 1/4000s 2.6 Y n
 
Panasonic G21440 n 3.0 460 swivel Y 1/4000s 2.6 Y n
 
Panasonic GF2optional n 3.0 460 fixed Y 1/4000s 2.6 Y n
 
Sony A66002359 n 3.0 922 tilting Y 1/4000s 11.0 n Y
 
Sony A63002359 n 3.0 922 tilting n 1/4000s 11.0 Y n
 
Sony A72400 n 3.0 1230 tilting n 1/8000s 5.0 n n

One feature that differentiates the A6500 and the G3 is in-body image stabilization (IBIS). The A6500 reduces the risk of handshake-induced blur with all attached lenses, while the G3 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The G3 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A6500 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The G3 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G3 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G3 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
 
Panasonic G3Ystereomono--mini2.0---
 
Sony A6500YstereomonoY-micro2.0YY-
 
Canon MYstereomonoY-mini2.0---
 
Olympus PEN-FYstereomono--micro2.0Y--
 
Panasonic G7YstereomonoY-micro2.0Y--
 
Panasonic GX8YstereomonoY-micro2.0YY-
 
Panasonic G6YstereomonoY-mini2.0YY-
 
Panasonic GF6-stereomono--mini2.0YY-
 
Panasonic G5Ystereomono--mini2.0---
 
Panasonic GF5-stereomono--mini2.0---
 
Panasonic GX1Ystereomono--mini2.0---
 
Panasonic G10Ymono---mini2.0---
 
Panasonic G2Ystereomono--mini2.0---
 
Panasonic GF2Ystereomono--mini2.0---
 
Sony A6600YstereomonoYYYES2.0YYY
 
Sony A6300YstereomonoY-micro2.0YY-
 
Sony A7YstereomonoYYmicro2.0YY-

It is notable that the A6500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G3 does not provide wifi capability.

Both the G3 and the A6500 have been discontinued, but can regularly be found used on eBay. The G3 was replaced by the Panasonic G5, while the A6500 was followed by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic G3 or the Sony A6500 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

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Arguments in favor of the Panasonic Lumix DMC-G3:

  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Less heavy: Is lighter (by 117g or 26 percent) and hence easier to carry around.
  • More affordable: Was introduced into a lower priced category (57 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in May 2011).

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Reasons to prefer the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
  • Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (3.5 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (3.1 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1440k dots).
  • More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
  • Faster burst: Shoots at higher frequency (11 vs 4 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More compact: Is smaller (120x67mm vs 115x84mm) and will fit more readily into a bag.
  • Longer lasting: Gets more shots (350 versus 270) out of a single battery charge.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
  • More modern: Reflects 5 years and 4 months of technical progress since the G3 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (20 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

G3 05:20 A6500

How about other alternatives? Do the specifications of the Panasonic G3 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the G3 and the A6500 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Review Scores
  Camera
Model
camera
  labs  
dp
review  
ephoto
  zine  
imaging
resource
photography
  blog  
Camera
Launch
Launch
Price (USD)
Street
Price
 
Panasonic G3+ +75/1004.5/54.5/55/5 May 2011 599i
 
Sony A6500+ +85/1004.5/55/54.5/5 Oct 2016 1,399i
 
Canon M+..4/53.5/54/5 Jul 2012 599i
 
Olympus PEN-F..82/1004.5/54.5/55/5 Jan 2016 1,199i
 
Panasonic G7+ +80/1005/54.5/54.5/5 May 2015 649i
 
Panasonic GX8+82/1004.5/55/54.5/5 Jul 2015 1,199i
 
Panasonic G6+ +..5/5..4.5/5 Apr 2013 599i
 
Panasonic GF6+ +..4.5/5..4.5/5 Apr 2013 499i
 
Panasonic G5+ +..4.5/54.5/54.5/5 Jul 2012 599i
 
Panasonic GF5....4.5/54/54.5/5 Apr 2012 499i
 
Panasonic GX1+77/1004.5/54.5/54.5/5 Nov 2011 699i
 
Panasonic G10..70/1004/5..4/5 Mar 2010 499i
 
Panasonic G2..72/1004/54/54.5/5 Mar 2010 599i
 
Panasonic GF282/10070/1004.5/54.5/54.5/5 Nov 2010 549i
 
Sony A6600+83/1004.5/5..4/5 Aug 2019 1,399 i
 
Sony A6300+85/1005/55/55/5 Feb 2016 999i
 
Sony A7+ +80/1005/54.5/55/5 Oct 2013 1,699i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Panasonic G3:
Check Ebay offers
Sony A6500:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

~

    Specifications: Panasonic G3 vs Sony A6500

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic G3 Sony A6500
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Micro Four Thirds lenses Sony E mount lenses
    Launch Date May 2011 October 2016
    Launch Price USD 599 USD 1,399
    Sensor Specs Panasonic G3 Sony A6500
    Sensor Technology CMOS CMOS
    Sensor Format Four Thirds Sensor APS-C Sensor
    Sensor Size 17.3 x 13.0 mm 23.5 x 15.6 mm
    Sensor Area 224.9 mm2 366.6 mm2
    Sensor Diagonal 21.6 mm 28.2 mm
    Crop Factor 2.0x 1.5x
    Sensor Resolution 15.8 Megapixels 24 Megapixels
    Image Resolution 4592 x 3448 pixels 6000 x 4000 pixels
    Pixel Pitch 3.77 μm 3.91 μm
    Pixel Density 7.04 MP/cm2 6.55 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 1080/60i Video 4K/30p Video
    ISO Setting 160 - 6,400 ISO 100 - 25,600 ISO
    ISO Boost no Enhancement 100 - 51,200 ISO
    Image Processor Venus FHD BIONZ X
    DXO Sensor Quality (score) 56 85
    DXO Color Depth (bits) 21.0 24.5
    DXO Dynamic Range (EV) 10.6 13.7
    DXO Low Light (ISO) 667 1405
    Screen Specs Panasonic G3 Sony A6500
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.70x 0.70x
    Viewfinder Resolution 1440k dots 2359k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0inch 3.0inch
    LCD Resolution 460k dots 922k dots
    LCD Attachment Swivel screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Panasonic G3 Sony A6500
    Focus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing Aidno Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/4000s
    Continuous Shooting 4 shutter flaps/s 11 shutter flaps/s
    Electronic Shutterno E-ShutterYES
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash Build-in Flash Build-in Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support no UHS-I
    Connectivity Specs Panasonic G3 Sony A6500
    External Flash Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Wifi Support no Wifi Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Panasonic G3 Sony A6500
    Environmental Sealingnot weather sealedWeathersealed body
    Battery Type DMW-BLD10 NP-FW50
    Battery Life (CIPA)270 shots per charge350 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 115 x 84 x 47 mm
    (4.5 x 3.3 x 1.9 in)
    120 x 67 x 53 mm
    (4.7 x 2.6 x 2.1 in)
    Camera Weight 336 g (11.9 oz) 453 g (16.0 oz)

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