Panasonic G2 vs Pentax K-5

The Panasonic Lumix DMC-G2 and the Pentax K-5 are two digital cameras that were officially introduced, respectively, in March 2010 and September 2010. The G2 is a mirrorless interchangeable lens camera, while the K-5 is a DSLR. The cameras are based on a Four Thirds (G2) and an APS-C (K-5) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Pentax provides 16.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G2		Pentax K-5
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Pentax K mount lenses
12 MP – Four Thirds sensor		16.1 MP – APS-C sensor
720/30p Video		1080/25p Video
ISO 100-6,400		ISO 100-12,800 (80 - 51,200)
Electronic viewfinder (1440k dots)		Optical viewfinder
3.0" LCD – 460k dots		3.0" LCD – 921k dots
Swivel touchscreen		Fixed screen (not touch-sensitive)
2.6 shutter flaps per second		7 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
360 shots per battery charge		740 shots per battery charge
124 x 84 x 74 mm, 428 g		131 x 97 x 73 mm, 760 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G2 and the Pentax K-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic G2 and the Pentax K-5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The G2 can be obtained in three different colors (black, blue, red), while the K-5 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-5 is notably larger (22 percent) than the Panasonic G2. Moreover, the K-5 is substantially heavier (78 percent) than the G2. It is noteworthy in this context that the K-5 is splash and dust-proof, while the G2 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the G2 gets 360 shots out of its Panasonic DMW-BLB13 battery, while the K-5 can take 740 images on a single charge of its Pentax D-LI90 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
2.		Pentax K-5	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2010	1,099	ebay.com
3.		Olympus E-PL2	114 mm	72 mm	42 mm	362 g	280	n	Jan 2011	599	ebay.com
4.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
5.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
6.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
7.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	749	ebay.com
8.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
9.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
10.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
11.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	899	ebay.com
12.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
13.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	1,299	ebay.com
14.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
15.		Pentax K-5 II	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2012	1,099	ebay.com
16.		Pentax K-30	130 mm	97 mm	71 mm	650 g	410	Y	May 2012	849	ebay.com
17.		Pentax K-50	130 mm	97 mm	71 mm	650 g	410	Y	Jun 2013	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G2 was launched at a markedly lower price (by 45 percent) than the K-5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G2 features a Four Thirds sensor and the Pentax K-5 an APS-C sensor. The sensor area in the K-5 is 65 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G2 has a native 4:3 aspect ratio, while the one in the K-5 offers a 3:2 aspect.

With 16.1MP, the K-5 offers a higher resolution than the G2 (12MP), but the K-5 nevertheless has larger individual pixels (pixel pitch of 4.81μm versus 4.33μm for the G2) due to its larger sensor. Moreover, the K-5 is a somewhat more recent model (by 6 months) than the G2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Pentax K-5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-5 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.6 x 41.5 cm, for very good quality (250 dpi) 19.7 x 13.1 inches or 50.1 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.7 x 27.6 cm. The corresponding values for the Panasonic G2 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Panasonic Lumix DMC-G2 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Pentax K-5 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 80-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the K-5 offers substantially better image quality than the G2 (overall score 29 points higher). The advantage is based on 2.5 bits higher color depth, 3.8 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
2.		Pentax K-5	APS-C	16.1	4928	3264	1080/25p	23.7	14.1	1162	82
3.		Olympus E-PL2	Four Thirds	12.2	4032	3024	720/30p	21.4	10.2	573	55
4.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
5.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
6.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
7.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
8.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
9.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
10.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
11.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
12.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
13.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
14.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
15.		Pentax K-5 II	APS-C	16.1	4928	3264	1080/25p	23.8	14.1	1235	82
16.		Pentax K-30	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1129	79
17.		Pentax K-50	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1120	79

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the K-5 provides a better video resolution than the G2. It can shoot movie footage at 1080/25p, while the Panasonic is limited to 720/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G2 has an electronic viewfinder (1440k dots), while the K-5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the G2 has a higher magnification than the one of the K-5 (0.70x vs 0.61x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic G2 and Pentax K-5 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
2.		Pentax K-5	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
3.		Olympus E-PL2	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	Y
4.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
5.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
6.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
7.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
8.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
9.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
10.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
11.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
12.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
13.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
14.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
15.		Pentax K-5 II	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
16.		Pentax K-30	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
17.		Pentax K-50	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G2 has a touchscreen, while the K-5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The Pentax K-5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the G2 and the K-5 write their files to SDXC cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G2 and Pentax K-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Pentax K-5	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Olympus E-PL2	Y	stereo / -	-	-	mini	2.0	-	-	-
4.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
5.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
7.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
8.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
12.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
14.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
15.		Pentax K-5 II	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Pentax K-30	Y	mono / mono	-	-	-	2.0	-	-	-
17.		Pentax K-50	Y	mono / mono	-	-	micro	2.0	-	-	-

It is notable that the K-5 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G2 does not feature such a mic input.

Studio photographers will appreciate that the Pentax K-5 (unlike the G2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the G2 and the K-5 have been discontinued, but can regularly be found used on ebay. The G2 was replaced by the Panasonic G3, while the K-5 was followed by the Pentax K-5 II. Further information on the features and operation of the G2 and K-5 can be found, respectively, in the Panasonic G2 Manual (free pdf) or the online Pentax K-5 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Panasonic G2 or the Pentax K-5 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Panasonic Lumix DMC-G2:

• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.61x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (124x84mm vs 131x97mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 332g or 44 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• More affordable: Was introduced into a lower priced category (45 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in March 2010).

Advantages of the Pentax K-5:

• More detail: Has more megapixels (16.1 vs 12MP), which boosts linear resolution by 18%.
• Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (2.5 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (3.8 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
• Better video: Provides higher definition movie capture (1080/25p vs 720/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (7 vs 2.6 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (740 versus 360) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More modern: Was introduced somewhat (6 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the K-5 is the clear winner of the contest (18 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G2 and the Pentax K-5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G2 and the K-5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
2.		Pentax K-5	4/5	..	..	83/100	5/5	4.5/5	Sep 2010	1,099	ebay.com
3.		Olympus E-PL2	3/5	83/100	..	71/100	4.5/5	4.5/5	Jan 2011	599	ebay.com
4.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
5.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
6.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
7.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	749	ebay.com
8.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
9.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
10.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
11.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	899	ebay.com
12.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
13.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	1,299	ebay.com
14.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
15.		Pentax K-5 II	5/5	..	..	80/100	5/5	4.5/5	Sep 2012	1,099	ebay.com
16.		Pentax K-30	4/5	..	..	78/100	4.5/5	4.5/5	May 2012	849	ebay.com
17.		Pentax K-50	5/5	..	..	..	5/5	4.5/5	Jun 2013	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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