Panasonic G2 vs GF3
The Panasonic Lumix DMC-G2 and the Panasonic Lumix DMC-GF3 are two digital cameras that were revealed to the public, respectively, in March 2010 and June 2011. Both the G2 and the GF3 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 12 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic G2||Panasonic GF3|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Micro Four Thirds lenses|
|12 MP, Four Thirds Sensor||12 MP, Four Thirds Sensor|
|720/30p Video||1080/60i Video|
|ISO 100-6400||ISO 160-6400|
|Electronic viewfinder (1440k dots)||No viewfinder, LCD framing|
|3.0" LCD, 460k dots||3.0" LCD, 460k dots|
|Swivel touchscreen||Fixed touchscreen|
|2.6 shutter flaps per second||3.2 shutter flaps per second|
|360 shots per battery charge||300 shots per battery charge|
|124 x 84 x 74 mm, 428 g||108 x 67 x 32 mm, 264 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G2 and the Panasonic Lumix DMC-GF3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic G2 and the Panasonic GF3. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The G2 can be obtained in three different colors (black, blue, red), while the GF3 is available in five color-versions (black, brown, pink, red, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF3 is considerably smaller (31 percent) than the Panasonic G2. Moreover, the GF3 is substantially lighter (38 percent) than the G2. In this context, it is worth noting that neither the G2 nor the GF3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic G2»||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||Panasonic G2|
|Panasonic GF3«||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||Panasonic GF3|
|Olympus E-PL2« »||4.5 in||2.8 in||1.7 in||12.8 oz||280||n||Jan 2011||599||Olympus E-PL2|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||Panasonic GF5|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||Panasonic G3|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||Panasonic G10|
|Panasonic GF2« »||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549||Panasonic GF2|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899||Panasonic GH2|
|Panasonic GF1« »||4.7 in||2.8 in||1.4 in||13.6 oz||380||n||Sep 2009||749||Panasonic GF1|
|Panasonic GH1« »||4.9 in||3.5 in||1.8 in||13.6 oz||300||n||Mar 2009||899||Panasonic GH1|
|Panasonic G1« »||4.9 in||3.3 in||1.8 in||12.7 oz||410||n||Sep 2008||599||Panasonic G1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF3 was somewhat cheaper (by 8 percent) than the G2 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 12 megapixels. This similarity in sensor specs implies that both the G2 and the GF3 have the same pixel density, as well as the same pixel size. It should, however, be noted that the GF3 is a somewhat more recent model (by 1 year and 3 months) than the G2, and its sensor might have benefitted from technological advances during this time.
The Panasonic Lumix DMC-G2 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-GF3 are ISO 160 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the G2 has a notably higher overall DXO score than the GF3 (overall score 4 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.6 bits higher color depth, 0.3 EV in additional dynamic range, and 0.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55||Olympus E-PL2|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54||Panasonic GF1|
|Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64||Panasonic GH1|
|Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53||Panasonic G1|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GF3 provides a better video resolution than the G2. It can shoot movie footage at 1080/60i, while the G2 is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G2 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF3 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic G2, the Panasonic GF3, and comparable cameras.
|Panasonic G2||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GF3||none||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Olympus E-PL2||optional||n||3.0||460||fixed||n||1/4000s||3.0||Y||Y||Olympus E-PL2|
|Panasonic GF5||none||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic G3||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic G10||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic GF2||optional||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Panasonic GH2||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
|Panasonic GF1||optional||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Panasonic GF1|
|Panasonic GH1||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH1|
|Panasonic G1||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic G1|
Concerning the storage of imaging data, both the G2 and the GF3 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G2 and Panasonic Lumix DMC-GF3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GF3||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Olympus E-PL2||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL2|
|Panasonic GF5||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic G3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic G10||Y||mono||none||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic GF2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Panasonic GH2||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Panasonic GF1||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic GF1|
|Panasonic GH1||Y||stereo||none||Y||-||mini||2.0||-||-||-||Panasonic GH1|
|Panasonic G1||Y||none||none||-||-||mini||2.0||-||-||-||Panasonic G1|
It is notable that the G2 has a hotshoe, while the GF3 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the G2 and the GF3 have been discontinued, but can regularly be found used on eBay. The G2 was replaced by the Panasonic G3, while the GF3 was followed by the Panasonic GF5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic G2 and the Panasonic GF3? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DMC-G2:
- Better image quality: Scores markedly higher (4 points) in the DXO overall assessment.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Can take more shots (360 versus 300) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in March 2010).
Reasons to prefer the Panasonic Lumix DMC-GF3:
- Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
- Faster burst: Shoots at higher frequency (3.2 vs 2.6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (108x67mm vs 124x84mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 164g or 38 percent) and is thus easier to take along.
- More modern: Was introduced somewhat (1 year and 3 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the G2 emerges as the winner of the contest (7 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G2 and the Panasonic GF3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G2 or the GF3. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 100D vs Panasonic GF3
- Canon 4000D vs Panasonic G2
- Canon 5DS R vs Panasonic G2
- Canon 700D vs Panasonic GF3
- Canon 7D vs Panasonic G2
- Canon M6 Mark II vs Panasonic GF3
- Canon SL1 vs Panasonic G2
- Canon SX60 vs Panasonic GF3
- Leica X Typ 113 vs Panasonic G2
- Panasonic GF3 vs Panasonic GX85
- Panasonic GF3 vs Panasonic TS7
- Panasonic GF3 vs Sony A850
Specifications: Panasonic G2 vs Panasonic GF3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G2||Panasonic GF3|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||March 2010||June 2011|
|Launch Price||USD 599||USD 549|
|Sensor Specs||Panasonic G2||Panasonic GF3|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||12 Megapixels|
|Image Resolution||4000 x 3000 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.33 μm||4.33 μm|
|Pixel Density||5.34 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||1080/60i Video|
|ISO Setting||100-6400 ISO||160-6400 ISO|
|Image Processor||Venus HD II||Venus FHD|
|DXO Sensor Quality (score)||53||49|
|DXO Color Depth (bits)||21.2||20.6|
|DXO Dynamic Range (EV)||10.3||10.0|
|DXO Low Light (ISO)||493||458|
|Screen Specs||Panasonic G2||Panasonic GF3|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Panasonic G2||Panasonic GF3|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||2.6 shutter flaps/s||3.2 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic G2||Panasonic GF3|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Panasonic G2||Panasonic GF3|
|Battery Life (CIPA)||360 shots per charge||300 shots per charge|
124 x 84 x 74 mm
(4.9 x 3.3 x 2.9 in)
108 x 67 x 32 mm
(4.3 x 2.6 x 1.3 in)
|Camera Weight||428 g (15.1 oz)||264 g (9.3 oz)|
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