Panasonic G2 vs G6
The Panasonic Lumix DMC-G2 and the Panasonic Lumix DMC-G6 are two digital cameras that were announced, respectively, in March 2010 and April 2013. Both the G2 and the G6 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The G2 has a resolution of 12 megapixels, whereas the G6 provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G2 and the Panasonic Lumix DMC-G6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic G2 and the Panasonic G6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The G2 can be obtained in three different colors (black, blue, red), while the G6 is also available in three color-versions, but different ones (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G2 and the Panasonic G6 are of equal size. However, the G6 is markedly lighter (9 percent) than the G2. In this context, it is worth noting that neither the G2 nor the G6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|2.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|3.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599|
|4.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|5.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|6.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|7.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|8.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|9.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|10.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|11.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|12.||Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549|
|13.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|14.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749|
|15.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899|
|16.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G6 offers a higher resolution of 15.9 megapixels, compared with 12 MP of the G2. This megapixels advantage translates into a 15 percent gain in linear resolution. On the other hand, these sensor specs imply that the G6 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.33μm for the G2). However, it should be noted that the G6 is much more recent (by 3 years and 1 month) than the G2, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Panasonic G6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G6 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic G2 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-G2 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-G6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the G6 has a markedly higher DXO score than the G2 (overall score 8 points higher), which will translate into better image quality. The advantage is based on 0.1 bits higher color depth, 1.2 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|2.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|3.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|4.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|5.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|6.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|7.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|8.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|9.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|10.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|11.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|12.||Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|13.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|14.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|15.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|16.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G6 provides a better video resolution than the G2. It can shoot movie footage at 1080/60p, while the G2 is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The G2 and the G6 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The adjacent table lists some of the other core features of the Panasonic G2 and Panasonic G6 along with similar information for a selection of comparators.
|1.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
|2.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|3.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||Y|
|4.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|5.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|6.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|7.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|8.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|9.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|10.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2||Y||n|
|11.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|12.||Panasonic GF2||optional||n||3.0 / 460||fixed||Y||1/4000s||2.6||Y||n|
|13.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|14.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|15.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|16.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G2 and the G6 write their files to SDXC cards. The G6 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G2 and Panasonic Lumix DMC-G6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|3.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|4.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|6.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|7.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic GF2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|16.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
It is notable that the G6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G2 does not provide wifi capability.
Both the G2 and the G6 have been discontinued, but can regularly be found used on eBay. The G2 was replaced by the Panasonic G3, while the G6 was followed by the Panasonic G7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic G2 and the Panasonic G6? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-G2:
- More heavily discounted: Has been available for much longer (launched in March 2010).
Arguments in favor of the Panasonic Lumix DMC-G6:
- More detail: Has more megapixels (15.9 vs 12MP), which boosts linear resolution by 15%.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 460k dots).
- Faster burst: Shoots at higher frequency (7 vs 2.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 1 month of technical progress since the G2 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the G6 is the clear winner of the contest (14 : 1 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G2 and the Panasonic G6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G2 or the G6. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|2.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|3.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599|
|4.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|5.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|6.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|7.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|8.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|9.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|10.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|11.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|12.||Panasonic GF2||3/5||82/100||..||70/100||4.5/5||4.5/5||Nov 2010||549|
|13.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|14.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749|
|15.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899|
|16.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon RP vs Panasonic G2
- Kodak S-1 vs Panasonic G6
- Nikon 1 J5 vs Panasonic G2
- Nikon D3500 vs Panasonic G2
- Olympus E-M5 II vs Panasonic G6
- Panasonic FZ2000 vs Panasonic G2
- Panasonic G2 vs Panasonic TS7
- Panasonic G2 vs Sony A5100
- Panasonic G6 vs Sony A6000
- Panasonic G6 vs Sony A6300
- Panasonic G6 vs Sony A99
- Panasonic G6 vs Sony RX0 II
Specifications: Panasonic G2 vs Panasonic G6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G2||Panasonic G6|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||March 2010||April 2013|
|Launch Price||USD 599||USD 599|
|Sensor Specs||Panasonic G2||Panasonic G6|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||15.9 Megapixels|
|Image Resolution||4000 x 3000 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.33 μm||3.76 μm|
|Pixel Density||5.34 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||160 - 12,800 ISO|
|ISO Boost||no Enhancement||160 - 25,600 ISO|
|Image Processor||Venus HD II||Venus|
|DXO Sensor Quality (score)||53||61|
|DXO Color Depth (bits)||21.2||21.3|
|DXO Dynamic Range (EV)||10.3||11.5|
|DXO Low Light (ISO)||493||639|
|Screen Specs||Panasonic G2||Panasonic G6|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||1036k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Panasonic G2||Panasonic G6|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||2.6 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/4000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic G2||Panasonic G6|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic G2||Panasonic G6|
|Battery Life (CIPA)||360 shots per charge||340 shots per charge|
124 x 84 x 74 mm
(4.9 x 3.3 x 2.9 in)
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
|Camera Weight||428 g (15.1 oz)||390 g (13.8 oz)|
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