Panasonic G2 versus Panasonic G6
The Panasonic Lumix DMC-G2 and the Panasonic Lumix DMC-G6 are two digital cameras that were officially introduced, respectively, in March 2010 and April 2013. Both the G2 and the G6 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The G2 has a resolution of 12 megapixel, whereas the G6 provides 15.9 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic G2 vs Panasonic G6
An illustration of the physical size and weight of the Panasonic G2 and the Panasonic G6 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the G2 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G2 and the Panasonic G6are of equal size. However, the G6 is markedly lighter (9 percent) than the G2. In this context, it is worth noting that neither the G2 nor the G6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Panasonic G2»||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-|
|Panasonic G6«||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-|
|Olympus E-450« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2009||499||-|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-|
|Panasonic GM5« »||3.9 in||2.4 in||1.4 in||7.4 oz||220||n||Sep 2014||749||-|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||-|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-|
|Panasonic G5« »||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||-|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-|
|Panasonic GF2« »||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549||-|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||1,499||-|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-|
|Panasonic GF1« »||4.7 in||2.8 in||1.4 in||13.6 oz||380||n||Sep 2009||749||-|
|Panasonic GH1« »||4.9 in||3.5 in||1.8 in||13.6 oz||300||n||Mar 2009||1,499||-|
|Panasonic G1« »||4.9 in||3.3 in||1.8 in||12.7 oz||410||n||Sep 2008||599||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic G2 vs Panasonic G6
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G6 offers a higher resolution of 15.9 megapixel, compared with 12 MP of the G2. This megapixel advantage translates into a 15 percent gain in linear resolution. On the other hand, these sensor specs imply that the G6 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.33μm for the G2). However, it should be noted that the G6 is much more recent (by 3 years and 1 month) than the G2, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the G6 has a markedly higher DXO score than the G2 (overall score 8 points higher), which will translate into better image quality. The advantage is based on 0.1 bits higher color depth, 1.2 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic G2»||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Panasonic G6«||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Olympus E-450« »||Four Thirds||10.0||3648||2736||-||21.5||10.5||512||56|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Panasonic GM5« »||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic GM1« »||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic GF5« »||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|Panasonic G5« »||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Panasonic GF2« »||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|Panasonic GH2« »||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic GF1« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|Panasonic GH1« »||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|Panasonic G1« »||Four Thirds||12.0||4000||3000||-||21.1||10.3||463||53|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G6 provides a better video resolution than the G2. It can shoot movie footage at 1080/60p, while the G2 is limited to 720/30p.
Feature comparison: Panasonic G2 vs Panasonic G6
Apart from body and sensor, cameras can and do differ across a range of features. The G2 and the G6 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The table below summarizes some of the other core capabilities of the Panasonic G2 and Panasonic G6 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Olympus E-450« »||optical||n||2.7||215||fixed||n||4000||3.5||Y||n|
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||4000||7.0||Y||n|
|Panasonic GM5« »||1166||n||3.0||921||fixed||Y||500||5.8||n||n|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||4000||4.2||Y||n|
|Panasonic GM1« »||-||n||3.0||1036||fixed||Y||500||5.0||Y||n|
|Panasonic GF5« »||-||n||3.0||920||fixed||Y||4000||4.0||Y||n|
|Panasonic G5« »||1440||n||3.0||920||swivel||Y||4000||6.0||Y||n|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||4000||3.2||Y||n|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||4000||4.0||Y||n|
|Panasonic GF2« »||-||n||3.0||460||fixed||Y||4000||2.6||Y||n|
|Panasonic GH2« »||1534||n||3.0||460||swivel||n||4000||3.0||Y||n|
|Panasonic G10« »||202||n||3.0||460||fixed||n||4000||2.6||Y||n|
|Panasonic GF1« »||-||n||3.0||460||fixed||n||4000||3.0||Y||n|
|Panasonic GH1« »||1440||n||3.0||460||swivel||n||4000||3.0||Y||n|
|Panasonic G1« »||1440||n||3.0||460||swivel||n||4001||3.0||Y||n|
Both the G2 and the G6 have been discontinued, but can regularly be found used on eBay. The G2 was replaced by the Panasonic G3, while the G6 was followed by the Panasonic G7.
Review summary: Panasonic G2 vs Panasonic G6
So what conclusions can be drawn? Which of the two cameras – the Panasonic G2 or the Panasonic G6 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-G2:
- More heavily discounted: Has been available for much longer (launched in March 2010).
Arguments in favor of the Panasonic Lumix DMC-G6:
- More detail: Has more megapixels (15.9 vs 12MP), which boosts linear resolution by 15%.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- More detailed LCD: Has a higher resolution rear screen (1036k vs 460k dots).
- Faster burst: Shoots at higher frequency (7 vs 2.6 flaps/sec) to capture the decisive moment.
- More modern: Reflects 3 years and 1 month of technical progress since the G2 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G6 is the clear winner of the contest (8 : 1 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the G2 or the G6. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Panasonic G2»||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-|
|Panasonic G6«||HiRec||-||5/5||-||4.5/5||Apr 2013||599||-|
|Olympus E-450« »||-||-||4/5||-||4/5||Mar 2009||499||-|
|Panasonic G7« »||HiRec||80/100||5/5||4.5/5||4.5/5||May 2015||649||-|
|Panasonic GM5« »||Rec||77/100||5/5||5/5||4.5/5||Sep 2014||749||-|
|Panasonic GF6« »||HiRec||-||4.5/5||-||4.5/5||Apr 2013||499||-|
|Panasonic GM1« »||Rec||78/100||5/5||4.5/5||4.5/5||Oct 2013||749||-|
|Panasonic GF5« »||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-|
|Panasonic G5« »||HiRec||-||4.5/5||4.5/5||4.5/5||Jul 2012||599||-|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-|
|Panasonic G3« »||HiRec||75/100||4.5/5||4.5/5||5/5||May 2011||599||-|
|Panasonic GF2« »||82/100||70/100||4.5/5||4.5/5||4.5/5||Nov 2010||549||-|
|Panasonic GH2« »||HiRec||79/100||4.5/5||4.5/5||5/5||Sep 2010||1,499||-|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-|
|Panasonic GF1« »||85/100||69/100||4.5/5||4.5/5||4.5/5||Sep 2009||749||-|
|Panasonic GH1« »||HiRec||72/100||4.5/5||5/5||4.5/5||Mar 2009||1,499||-|
|Panasonic G1« »||HiRec||70/100||4/5||4.5/5||4.5/5||Sep 2008||599||-|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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