Panasonic G2 vs G5
The Panasonic Lumix DMC-G2 and the Panasonic Lumix DMC-G5 are two digital cameras that were revealed to the public, respectively, in March 2010 and July 2012. Both the G2 and the G5 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The G2 has a resolution of 12 megapixels, whereas the G5 provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G2 and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic G2 and the Panasonic G5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The G2 can be obtained in three different colors (black, blue, red), while the G5 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is somewhat smaller (4 percent) than the Panasonic G2. Moreover, the G5 is markedly lighter (7 percent) than the G2. In this context, it is worth noting that neither the G2 nor the G5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the G2 gets 360 shots out of its Panasonic DMW-BLB13 battery, while the G5 can take 320 images on a single charge of its Panasonic DMW-BLC12 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
2. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
3. | Olympus E-PL2 | 114 mm | 72 mm | 42 mm | 362 g | 280 | n | Jan 2011 | 599 | ebay.com | |
4. | Panasonic GX850 | 107 mm | 65 mm | 33 mm | 269 g | 210 | n | Jan 2017 | 549 | ebay.com | |
5. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
6. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | 499 | ebay.com | |
7. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
8. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
9. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
10. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
11. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
12. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | 549 | ebay.com | |
13. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
14. | Panasonic GF1 | 119 mm | 71 mm | 36 mm | 385 g | 380 | n | Sep 2009 | 749 | ebay.com | |
15. | Panasonic GH1 | 124 mm | 90 mm | 45 mm | 385 g | 300 | n | Mar 2009 | 899 | ebay.com | |
16. | Panasonic G1 | 124 mm | 84 mm | 45 mm | 360 g | 410 | n | Sep 2008 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G5 offers a higher resolution of 15.9 megapixels, compared with 12 MP of the G2. This megapixels advantage translates into a 15 percent gain in linear resolution. On the other hand, these sensor specs imply that the G5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.33μm for the G2). However, it should be noted that the G5 is much more recent (by 2 years and 4 months) than the G2, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Panasonic G5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic G2 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-G2 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the G5 has a markedly higher DXO score than the G2 (overall score 8 points higher), which will translate into better image quality. The advantage is based on 0.2 bits higher color depth, 1.3 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
2. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
3. | Olympus E-PL2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.4 | 10.2 | 573 | 55 | |
4. | Panasonic GX850 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 23.2 | 13.3 | 586 | 73 | |
5. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
6. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
7. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
8. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
9. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
10. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
11. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
12. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 | |
13. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
14. | Panasonic GF1 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 513 | 54 | |
15. | Panasonic GH1 | Four Thirds | 12.0 | 4000 | 3000 | 1080/24p | 21.6 | 11.6 | 772 | 64 | |
16. | Panasonic G1 | Four Thirds | 12.0 | 4000 | 3000 | none | 21.1 | 10.3 | 463 | 53 |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G5 provides a better video resolution than the G2. It can shoot movie footage at 1080/60p, while the G2 is limited to 720/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The G2 and the G5 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The adjacent table lists some of the other core features of the Panasonic G2 and Panasonic G5 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
2. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
3. | Olympus E-PL2 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
4. | Panasonic GX850 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 10.0/s | Y | n | |
5. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
6. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
7. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
8. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
9. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
10. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
11. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
12. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
13. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
14. | Panasonic GF1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
15. | Panasonic GH1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
16. | Panasonic G1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
Concerning the storage of imaging data, both the G2 and the G5 write their files to SDXC cards. The G5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G2 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G2 and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Olympus E-PL2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
4. | Panasonic GX850 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
5. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
6. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
7. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
11. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
14. | Panasonic GF1 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic GH1 | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
16. | Panasonic G1 | Y | - / - | - | - | mini | 2.0 | - | - | - |
Both the G2 and the G5 have been discontinued, but can regularly be found used on ebay. The G2 was replaced by the Panasonic G3, while the G5 was followed by the Panasonic G6. Further information on the features and operation of the G2 and G5 can be found, respectively, in the Panasonic G2 Manual (free pdf) or the online Panasonic G5 Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Panasonic G2 or the Panasonic G5 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-G2:
- Longer lasting: Can take more shots (360 versus 320) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in March 2010).
Arguments in favor of the Panasonic Lumix DMC-G5:
- More detail: Has more megapixels (15.9 vs 12MP), which boosts linear resolution by 15%.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster burst: Shoots at higher frequency (6 vs 2.6 flaps/sec) to capture the decisive moment.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years and 4 months of technical progress since the G2 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the G5 is the clear winner of the contest (9 : 2 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G2 and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G2 or the G5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
2. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
3. | Olympus E-PL2 | 3/5 | 83/100 | .. | 71/100 | 4.5/5 | 4.5/5 | Jan 2011 | 599 | ebay.com | |
4. | Panasonic GX850 | .. | + | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2017 | 549 | ebay.com | |
5. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
6. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
7. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
8. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
9. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
10. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
11. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
12. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | 549 | ebay.com | |
13. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
14. | Panasonic GF1 | .. | 85/100 | .. | 69/100 | 4.5/5 | 4.5/5 | Sep 2009 | 749 | ebay.com | |
15. | Panasonic GH1 | .. | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Mar 2009 | 899 | ebay.com | |
16. | Panasonic G1 | .. | + + | .. | 70/100 | 4/5 | 4.5/5 | Sep 2008 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G1 X Mark II vs Panasonic G2
- Canon G7 X Mark III vs Panasonic G2
- Canon M10 vs Panasonic G2
- Canon SX60 vs Panasonic G2
- Canon T7 vs Panasonic G2
- Leica V-LUX 1 vs Panasonic G5
- Nikon D800E vs Panasonic G5
- Olympus E-M1 vs Panasonic G5
- Panasonic FZ330 vs Panasonic G5
- Panasonic G2 vs Panasonic G7
- Panasonic G5 vs Pentax K-3 II
- Panasonic G5 vs Sony RX100 VI
Specifications: Panasonic G2 vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic G2 | Panasonic G5 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Micro Four Thirds lenses |
Launch Date | March 2010 | July 2012 |
Launch Price | USD 599 | USD 599 |
Sensor Specs | Panasonic G2 | Panasonic G5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Four Thirds Sensor |
Sensor Size | 17.3 x 13.0 mm | 17.3 x 13.0 mm |
Sensor Area | 224.9 mm2 | 224.9 mm2 |
Sensor Diagonal | 21.6 mm | 21.6 mm |
Crop Factor | 2.0x | 2.0x |
Sensor Resolution | 12 Megapixels | 15.9 Megapixels |
Image Resolution | 4000 x 3000 pixels | 4608 x 3456 pixels |
Pixel Pitch | 4.33 μm | 3.76 μm |
Pixel Density | 5.34 MP/cm2 | 7.08 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 720/30p Video | 1080/60p Video |
ISO Setting | 100 - 6,400 ISO | 160 - 12,800 ISO |
Image Processor | Venus HD II | Venus VII FHD |
DXO Sensor Quality (score) | 53 | 61 |
DXO Color Depth (bits) | 21.2 | 21.4 |
DXO Dynamic Range (EV) | 10.3 | 11.6 |
DXO Low Light (ISO) | 493 | 618 |
Screen Specs | Panasonic G2 | Panasonic G5 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.70x |
Viewfinder Resolution | 1440k dots | 1440k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 460k dots | 920k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic G2 | Panasonic G5 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Continuous Shooting | 2.6 shutter flaps/s | 6 shutter flaps/s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Panasonic G2 | Panasonic G5 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Panasonic G2 | Panasonic G5 |
Battery Type | Panasonic DMW-BLB13 | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 360 shots per charge | 320 shots per charge |
Body Dimensions |
124 x 84 x 74 mm (4.9 x 3.3 x 2.9 in) |
120 x 83 x 71 mm (4.7 x 3.3 x 2.8 in) |
Camera Weight | 428 g (15.1 oz) | 396 g (14.0 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.