Panasonic G10 vs Sony NEX-5T
The Panasonic Lumix DMC-G10 and the Sony Alpha NEX-5T are two digital cameras that were revealed to the public, respectively, in March 2010 and August 2013. Both the G10 and the NEX-5T are mirrorless interchangeable lens cameras that are based on a Four Thirds (G10) and an APS-C (NEX-5T) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G10 and the Sony Alpha NEX-5T? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic G10 and the Sony NEX-5T are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The NEX-5T can be obtained in two different colors (black, silver), while the G10 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5T is considerably smaller (37 percent) than the Panasonic G10. Moreover, the NEX-5T is markedly lighter (29 percent) than the G10. In this context, it is worth noting that neither the G10 nor the NEX-5T are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G10) and the Sony E-Mount Lens Catalog (NEX-5T). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|2.||Sony NEX-5T||111 mm||59 mm||39 mm||276 g||330||n||Aug 2013||699|
|3.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|4.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|5.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|6.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|7.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|8.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|9.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|10.||Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549|
|11.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749|
|12.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|13.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|14.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|15.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749|
|16.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|17.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G10 was launched at a markedly lower price (by 29 percent) than the NEX-5T, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G10 features a Four Thirds sensor and the Sony NEX-5T an APS-C sensor. The sensor area in the NEX-5T is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G10 has a native 4:3 aspect ratio, while the one in the NEX-5T offers a 3:2 aspect.
With 16MP, the NEX-5T offers a higher resolution than the G10 (12MP), but the NEX-5T nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 4.33μm for the G10) due to its larger sensor. Moreover, the NEX-5T is a much more recent model (by 3 years and 5 months) than the G10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-5T implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-5T for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Panasonic G10 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-G10 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Alpha NEX-5T are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the NEX-5T offers substantially better image quality than the G10 (overall score 26 points higher). The advantage is based on 2.4 bits higher color depth, 2.9 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|4.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|5.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|6.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|7.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|8.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|9.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|10.||Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|11.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|12.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the NEX-5T provides a better video resolution than the G10. It can shoot movie footage at 1080/60p, while the Panasonic is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G10 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5T relies on live view and the rear LCD for framing. That said, the NEX-5T can be equipped with an optional viewfinder – the FDA-EV1S. The table below summarizes some of the other core capabilities of the Panasonic G10 and Sony NEX-5T in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|2.||Sony NEX-5T||optional||n||3.0 / 922||tilting||Y||1/4000s||10.0||n||n|
|3.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0||Y||Y|
|4.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|5.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|6.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|7.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2||Y||n|
|8.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|9.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
|10.||Panasonic GF2||optional||n||3.0 / 460||fixed||Y||1/4000s||2.6||Y||n|
|11.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|12.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|13.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0||Y||n|
|14.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|15.||Sony NEX-5R||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
|16.||Sony NEX-F3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5||Y||n|
|17.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The G10 has one, while the NEX-5T does not. While the built-in flash of the G10 is not very powerful, it can at times be useful as a fill-in light.The NEX-5T has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the G10 does not have a selfie-screen.
The G10 writes its imaging data to SDXC cards, while the NEX-5T uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G10 and Sony Alpha NEX-5T and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|2.||Sony NEX-5T||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|4.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|6.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic GF2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony NEX-5R||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|16.||Sony NEX-F3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the NEX-5T offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G10 does not provide wifi capability.
Both the G10 and the NEX-5T have been discontinued, but can regularly be found used on eBay. The G10 was replaced by the Panasonic G3, while the NEX-5T was followed by the Sony A5100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Is the Panasonic G10 better than the Sony NEX-5T or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-G10:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Longer lasting: Can take more shots (380 versus 330) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2010).
Advantages of the Sony Alpha NEX-5T:
- More detail: Has more megapixels (16 vs 12MP), which boosts linear resolution by 18%.
- Better image quality: Scores substantially higher (26 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 2.6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x59mm vs 124x84mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 112g or 29 percent) and is thus easier to take along.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 3 years and 5 months of technical progress since the G10 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the NEX-5T is the clear winner of the contest (16 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G10 and the Sony NEX-5T place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G10 and the NEX-5T in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|2.||Sony NEX-5T||..||..||..||..||4.5/5||4.5/5||Aug 2013||699|
|3.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|4.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|5.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|6.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|7.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|8.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|9.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|10.||Panasonic GF2||3/5||82/100||..||70/100||4.5/5||4.5/5||Nov 2010||549|
|11.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749|
|12.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|13.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549|
|14.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|15.||Sony NEX-5R||..||..||..||..||4.5/5||4.5/5||Aug 2012||749|
|16.||Sony NEX-F3||4/5||..||..||74/100||4.5/5||4.5/5||May 2012||599|
|17.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G16 vs Panasonic G10
- Canon M5 vs Panasonic G10
- Canon SX410 vs Panasonic G10
- Fujifilm X-Pro2 vs Panasonic G10
- Leica TL2 vs Sony NEX-5T
- Olympus E-400 vs Sony NEX-5T
- Olympus E-M10 II vs Sony NEX-5T
- Panasonic G10 vs Sony A6000
- Panasonic G10 vs Sony A6500
- Sony HX350 vs Sony NEX-5T
- Sony NEX-3N vs Sony NEX-5T
- Sony NEX-5T vs Sony NEX-C3
Specifications: Panasonic G10 vs Sony NEX-5T
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G10||Sony NEX-5T|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||March 2010||August 2013|
|Launch Price||USD 499||USD 699|
|Sensor Specs||Panasonic G10||Sony NEX-5T|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.4 x 15.6 mm|
|Sensor Area||224.9 mm2||365.04 mm2|
|Sensor Diagonal||21.6 mm||28.1 mm|
|Sensor Resolution||12 Megapixels||16 Megapixels|
|Image Resolution||4000 x 3000 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.33 μm||4.78 μm|
|Pixel Density||5.34 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||100 - 25,600 ISO|
|Image Processor||Venus HD II||BIONZ|
|DXO Sensor Quality (score)||52||78|
|DXO Color Depth (bits)||21.2||23.6|
|DXO Dynamic Range (EV)||10.1||13.0|
|DXO Low Light (ISO)||411||1015|
|Screen Specs||Panasonic G10||Sony NEX-5T|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic G10||Sony NEX-5T|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||2.6 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic G10||Sony NEX-5T|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic G10||Sony NEX-5T|
|Battery Life (CIPA)||380 shots per charge||330 shots per charge|
124 x 84 x 74 mm
(4.9 x 3.3 x 2.9 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||388 g (13.7 oz)||276 g (9.7 oz)|
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