Panasonic G1 vs FZ300
The Panasonic Lumix DMC-G1 and the Panasonic Lumix DMC-FZ300 (labelled Panasonic FZ330 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2008 and July 2015. The G1 is a mirrorless interchangeable lens camera, while the FZ300 is a fixed lens compact. The cameras are based on a Four Thirds (G1) and a 1/2.3-inch (FZ300) sensor. Both cameras offer a resolution of 12 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G1 and the Panasonic Lumix DMC-FZ300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic G1 and the Panasonic FZ300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ300 is notably larger (17 percent) than the Panasonic G1. It is noteworthy in this context that the FZ300 is splash and dust-proof, while the G1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ300 has a lens built in, whereas the G1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G1 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G1 gets 410 shots out of its Panasonic DMW-BLB13 battery, while the FZ300 can take 380 images on a single charge of its Panasonic DMW-BLC12 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G1 | 124 mm | 84 mm | 45 mm | 360 g | 410 | n | Sep 2008 | 599 | ebay.com | |
2. | Panasonic FZ300 | 132 mm | 92 mm | 117 mm | 691 g | 380 | Y | Jul 2015 | 599 | amazon.com | |
3. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | 549 | ebay.com | |
4. | Olympus E-410 | 130 mm | 91 mm | 53 mm | 435 g | 500 | n | Mar 2007 | 699 | ebay.com | |
5. | Panasonic FZ100 | 124 mm | 82 mm | 92 mm | 540 g | 410 | n | Jul 2010 | 499 | ebay.com | |
6. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
7. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
8. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
9. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
10. | Panasonic GF1 | 119 mm | 71 mm | 36 mm | 385 g | 380 | n | Sep 2009 | 749 | ebay.com | |
11. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | 549 | ebay.com | |
12. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
13. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
14. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | 499 | ebay.com | |
15. | Panasonic GH1 | 124 mm | 90 mm | 45 mm | 385 g | 300 | n | Mar 2009 | 899 | ebay.com | |
16. | Panasonic L10 | 135 mm | 96 mm | 78 mm | 556 g | 450 | n | Aug 2007 | 599 | ebay.com | |
17. | Sony HX400V | 130 mm | 93 mm | 103 mm | 660 g | 300 | n | Feb 2014 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G1 features a Four Thirds sensor and the Panasonic FZ300 a 1/2.3-inch sensor. The sensor area in the FZ300 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Even though the G1 has a larger sensor, both cameras offer the same resolution of 12 megapixels. This implies that the G1 has a lower pixel density and larger individual pixels (with a pixel pitch of 4.33μm versus 1.53μm for the FZ300), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the FZ300 is much more recent (by 6 years and 10 months) than the G1, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-G1 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC-FZ300 are ISO 100 to ISO 6400 (no boost).
In terms of underlying technology, the G1 is build around a CMOS sensor, while the FZ300 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the G1 provides substantially higher image quality than the FZ300, with an overall score that is 15 points higher. This advantage is based on 1.8 bits higher color depth, 0.7 EV of lower dynamic range, and 2.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G1 | Four Thirds | 12.0 | 4000 | 3000 | none | 21.1 | 10.3 | 463 | 53 | |
2. | Panasonic FZ300 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 19.3 | 11.0 | 97 | 38 | |
3. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
4. | Olympus E-410 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.1 | 10.0 | 494 | 51 | |
5. | Panasonic FZ100 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 306 | 39 | |
6. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
7. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
8. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
9. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
10. | Panasonic GF1 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 513 | 54 | |
11. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 | |
12. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
13. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
14. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
15. | Panasonic GH1 | Four Thirds | 12.0 | 4000 | 3000 | 1080/24p | 21.6 | 11.6 | 772 | 64 | |
16. | Panasonic L10 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.3 | 10.8 | 429 | 55 | |
17. | Sony HX400V | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.1 | 11.4 | 629 | 45 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FZ300 indeed provides for movie recording, while the G1 does not. The highest resolution format that the FZ300 can use is 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The G1 and the FZ300 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The table below summarizes some of the other core capabilities of the Panasonic G1 and Panasonic FZ300 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
2. | Panasonic FZ300 | 1440 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
3. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
4. | Olympus E-410 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Panasonic FZ100 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
6. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
7. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
8. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
9. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
10. | Panasonic GF1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
11. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
12. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
13. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
14. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
15. | Panasonic GH1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
16. | Panasonic L10 | optical | n | 2.5 / 207 | swivel | n | 1/4000s | 3.0/s | Y | n | |
17. | Sony HX400V | 210 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ300 has a touchscreen, while the G1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G1 writes its imaging data to SDHC cards, while the FZ300 uses SDXC cards. The FZ300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G1 and Panasonic Lumix DMC-FZ300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G1 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
2. | Panasonic FZ300 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
3. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
4. | Olympus E-410 | Y | - / - | - | - | - | 2.0 | - | - | - | |
5. | Panasonic FZ100 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
7. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic GF1 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
11. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
15. | Panasonic GH1 | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
16. | Panasonic L10 | Y | - / - | - | - | - | 2.0 | - | - | - | |
17. | Sony HX400V | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the FZ300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G1 does not provide wifi capability.
The FZ300 is a recent model that features in the current product line-up of Panasonic. In contrast, the G1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G1 was succeeded by the Panasonic G2. Further information on the features and operation of the G1 and FZ300 can be found, respectively, in the Panasonic G1 Manual (free pdf) or the online Panasonic FZ300 Manual.
Review summary
So how do things add up? Is the Panasonic G1 better than the Panasonic FZ300 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-G1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (15 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.8 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (2.3 stops ISO advantage).
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (124x84mm vs 132x92mm) and thus needs less room in the bag.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Reasons to prefer the Panasonic Lumix DMC-FZ300:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the G1 necessitates an extra lens.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 10 months of technical progress since the G1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ300 is the clear winner of the contest (14 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G1 and the Panasonic FZ300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G1 or the FZ300. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G1 | .. | + + | .. | 70/100 | 4/5 | 4.5/5 | Sep 2008 | 599 | ebay.com | |
2. | Panasonic FZ300 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2015 | 599 | amazon.com | |
3. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | 549 | ebay.com | |
4. | Olympus E-410 | .. | 86/100 | .. | + + | 4/5 | 4.5/5 | Mar 2007 | 699 | ebay.com | |
5. | Panasonic FZ100 | .. | + | .. | .. | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
6. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
7. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
8. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
9. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
10. | Panasonic GF1 | .. | 85/100 | .. | 69/100 | 4.5/5 | 4.5/5 | Sep 2009 | 749 | ebay.com | |
11. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | 549 | ebay.com | |
12. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
13. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
14. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
15. | Panasonic GH1 | .. | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Mar 2009 | 899 | ebay.com | |
16. | Panasonic L10 | .. | 85/100 | .. | + | 3.5/5 | 4/5 | Aug 2007 | 599 | ebay.com | |
17. | Sony HX400V | 4/5 | + + | .. | .. | 4/5 | 4/5 | Feb 2014 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark III vs Panasonic G1
- Canon G9 X Mark II vs Panasonic G1
- Leica M10-P vs Panasonic FZ300
- Olympus E-P7 vs Panasonic G1
- Olympus E-PL9 vs Panasonic G1
- Panasonic FZ300 vs Panasonic G10
- Panasonic FZ300 vs Ricoh GR II
- Panasonic FZ300 vs Sony A68
- Panasonic FZ300 vs Sony A900
- Panasonic FZ300 vs Sony NEX-3N
- Panasonic G1 vs Panasonic GX85
- Panasonic G1 vs Sony ZV-1
Specifications: Panasonic G1 vs Panasonic FZ300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic G1 | Panasonic FZ300 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Micro Four Thirds lenses | 25-600mm f/2.8 |
Launch Date | September 2008 | July 2015 |
Launch Price | USD 599 | USD 599 |
Sensor Specs | Panasonic G1 | Panasonic FZ300 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Four Thirds Sensor | 1/2.3" Sensor |
Sensor Size | 17.3 x 13.0 mm | 6.17 x 4.55 mm |
Sensor Area | 224.9 mm2 | 28.0735 mm2 |
Sensor Diagonal | 21.6 mm | 7.7 mm |
Crop Factor | 2.0x | 5.6x |
Sensor Resolution | 12 Megapixels | 12 Megapixels |
Image Resolution | 4000 x 3000 pixels | 4000 x 3000 pixels |
Pixel Pitch | 4.33 μm | 1.53 μm |
Pixel Density | 5.34 MP/cm2 | 42.74 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | no Video | 4K/30p Video |
ISO Setting | 100 - 1,600 ISO | 100 - 6,400 ISO |
ISO Boost | 100 - 3,200 ISO | no Enhancement |
Image Processor | Venus HD | Venus |
DXO Sensor Quality (score) | 53 | 38 |
DXO Color Depth (bits) | 21.1 | 19.3 |
DXO Dynamic Range (EV) | 10.3 | 11.0 |
DXO Low Light (ISO) | 463 | 97 |
Screen Specs | Panasonic G1 | Panasonic FZ300 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.70x |
Viewfinder Resolution | 1440k dots | 1440k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 460k dots | 1040k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Panasonic G1 | Panasonic FZ300 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 3 shutter flaps/s | 12 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Panasonic G1 | Panasonic FZ300 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Panasonic G1 | Panasonic FZ300 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Panasonic DMW-BLB13 | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 410 shots per charge | 380 shots per charge |
Body Dimensions |
124 x 84 x 45 mm (4.9 x 3.3 x 1.8 in) |
132 x 92 x 117 mm (5.2 x 3.6 x 4.6 in) |
Camera Weight | 360 g (12.7 oz) | 691 g (24.4 oz) |
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