Panasonic G1 vs Canon T6

The Panasonic Lumix DMC-G1 and the Canon EOS Rebel T6 (labelled Canon 1300D in some countries) are two digital cameras that were officially introduced, respectively, in September 2008 and March 2016. The G1 is a mirrorless interchangeable lens camera, while the T6 is a DSLR. The cameras are based on a Four Thirds (G1) and an APS-C (T6) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Canon provides 17.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G1		Canon T6
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Canon EF mount lenses
12 MP – Four Thirds sensor		17.9 MP – APS-C sensor
no Video		1080/30p Video
ISO 100-1,600 (100 - 3,200)		ISO 100-6,400 (100 - 12,800)
Electronic viewfinder (1440k dots)		Optical viewfinder
3.0" LCD – 460k dots		3.0" LCD – 920k dots
Swivel screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
3 shutter flaps per second		3 shutter flaps per second
410 shots per battery charge		500 shots per battery charge
124 x 84 x 45 mm, 360 g		129 x 101 x 78 mm, 485 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G1 and the Canon EOS Rebel T6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic G1 and the Canon T6. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T6 is notably larger (25 percent) than the Panasonic G1. Moreover, the T6 is substantially heavier (35 percent) than the G1. In this context, it is worth noting that neither the G1 nor the T6 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G1) and the Canon EF Lens Catalog (T6). Mirrorless cameras, such as the Panasonic G1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the G1 gets 410 shots out of its Panasonic DMW-BLB13 battery, while the T6 can take 500 images on a single charge of its Canon LP-E10 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
2.		Canon T6	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	449	ebay.com
3.		Canon 77D	131 mm	100 mm	76 mm	540 g	600	n	Feb 2017	899	ebay.com
4.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	549	ebay.com
5.		Canon M10	108 mm	67 mm	35 mm	301 g	255	n	Oct 2015	499	ebay.com
6.		Canon T6i	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	749	ebay.com
7.		Canon T5	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	449	ebay.com
8.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
9.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
10.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
11.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
12.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
13.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
14.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
15.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	749	ebay.com
16.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	899	ebay.com
17.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The T6 was launched at a somewhat lower price (by 25 percent) than the G1, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G1 features a Four Thirds sensor and the Canon T6 an APS-C sensor. The sensor area in the T6 is 48 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.6. The sensor in the G1 has a native 4:3 aspect ratio, while the one in the T6 offers a 3:2 aspect.

With 17.9MP, the T6 offers a higher resolution than the G1 (12MP), but the T6 has marginally smaller individual pixels (pixel pitch of 4.31μm versus 4.33μm for the G1). Yet, the T6 is a much more recent model (by 7 years and 5 months) than the G1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Canon T6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic G1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Panasonic Lumix DMC-G1 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Canon EOS Rebel T6 are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 100-12800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the T6 offers substantially better image quality than the G1 (overall score 13 points higher). The advantage is based on 0.9 bits higher color depth, 1.4 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
2.		Canon T6	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
3.		Canon 77D	APS-C	24.0	6000	4000	1080/60p	23.6	13.3	971	78
4.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
5.		Canon M10	APS-C	17.9	5184	3456	1080/30p	22.2	11.4	753	65
6.		Canon T6i	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
7.		Canon T5	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
8.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
9.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
10.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
11.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
12.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
13.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
14.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
15.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
16.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
17.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55

Many modern cameras cannot only take still pictures, but also record videos. The T6 indeed provides for movie recording, while the G1 does not. The highest resolution format that the T6 can use is 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the G1 has an electronic viewfinder (1440k dots), while the T6 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G1 offers a wider field of view (100%) than the one in the T6 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G1 has a higher magnification (0.70x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Panasonic G1 and Canon T6 in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
2.		Canon T6	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
3.		Canon 77D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
4.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
5.		Canon M10	none	n	3.0 / 1040	tilting	Y	1/4000s	4.6/s	Y	n
6.		Canon T6i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
7.		Canon T5	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
8.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
9.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
10.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
11.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
12.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
13.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
14.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
15.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
16.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
17.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The G1 writes its imaging data to SDHC cards, while the T6 uses SDXC cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G1 and Canon EOS Rebel T6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
2.		Canon T6	Y	mono / mono	-	-	mini	2.0	Y	Y	-
3.		Canon 77D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
5.		Canon M10	-	stereo / mono	-	-	mini	2.0	Y	Y	-
6.		Canon T6i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
7.		Canon T5	Y	mono / mono	-	-	mini	2.0	-	-	-
8.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
9.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
10.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
13.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
16.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
17.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-

It is notable that the T6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G1 does not provide wifi capability.

Both the G1 and the T6 have been discontinued, but can regularly be found used on ebay. The G1 was replaced by the Panasonic G2, while the T6 was followed by the Canon T7. Further information on the features and operation of the G1 and T6 can be found, respectively, in the Panasonic G1 Manual (free pdf) or the online Canon T6 Manual.

Review summary

So what conclusions can be drawn? Is the Panasonic G1 better than the Canon T6 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Panasonic Lumix DMC-G1:

• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.50x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (124x84mm vs 129x101mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 125g or 26 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• More heavily discounted: Has been available for much longer (launched in September 2008).

Reasons to prefer the Canon EOS Rebel T6:

• More detail: Has more megapixels (17.9 vs 12MP), which boosts linear resolution by 25%.
• Better image quality: Scores substantially higher (13 points) in the DXO overall evaluation.
• More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
• Broader imaging potential: Can capture not only stills but also 1080/30p video.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
• Longer lasting: Gets more shots (500 versus 410) out of a single battery charge.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
• More modern: Reflects 7 years and 5 months of technical progress since the G1 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the T6 emerges as the winner of the match-up (12 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G1 and the Canon T6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G1 or the T6 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
2.		Canon T6	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	449	ebay.com
3.		Canon 77D	4.5/5	..	4/5	82/100	4.5/5	4/5	Feb 2017	899	ebay.com
4.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	549	ebay.com
5.		Canon M10	..	..	..	..	..	4/5	Oct 2015	499	ebay.com
6.		Canon T6i	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	749	ebay.com
7.		Canon T5	3/5	+	..	..	4/5	4.5/5	Feb 2014	449	ebay.com
8.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
9.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
10.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
11.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
12.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
13.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
14.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
15.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	749	ebay.com
16.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	899	ebay.com
17.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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