Panasonic G1 vs Canon 5DS

The Panasonic Lumix DMC-G1 and the Canon EOS 5DS are two digital cameras that were revealed to the public, respectively, in September 2008 and February 2015. The G1 is a mirrorless interchangeable lens camera, while the 5DS is a DSLR. The cameras are based on a Four Thirds (G1) and a full frame (5DS) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Canon provides 50.3 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G1		Canon 5DS
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Canon EF mount lenses
12 MP – Four Thirds sensor		50.3 MP – Full Frame sensor
no Video		1080/30p Video
ISO 100-1,600 (100 - 3,200)		ISO 100-6,400 (50 - 12,800)
Electronic viewfinder (1440k dots)		Optical viewfinder
3.0" LCD – 460k dots		3.2" LCD – 1040k dots
Swivel screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
3 shutter flaps per second		5 shutter flaps per second
not weather sealed		Weathersealed body
410 shots per battery charge		700 shots per battery charge
124 x 84 x 45 mm, 360 g		152 x 116 x 76 mm, 930 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G1 and the Canon EOS 5DS? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic G1 and the Canon 5DS is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5DS is considerably larger (69 percent) than the Panasonic G1. Moreover, the 5DS is substantially heavier (158 percent) than the G1. It is noteworthy in this context that the 5DS is splash and dust-proof, while the G1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G1) and the Canon EF Lens Catalog (5DS). Mirrorless cameras, such as the Panasonic G1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the G1 gets 410 shots out of its Panasonic DMW-BLB13 battery, while the 5DS can take 700 images on a single charge of its Canon LP-E6 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
2.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
3.		Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999	ebay.com
4.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	3,499	amazon.com
5.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
6.		Nikon D850	146 mm	124 mm	79 mm	1005 g	1840	Y	Jul 2017	3,299	amazon.com
7.		Nikon D810	146 mm	123 mm	82 mm	980 g	1200	Y	Jun 2014	3,299	ebay.com
8.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
9.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
10.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
11.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
12.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
13.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
14.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
15.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	749	ebay.com
16.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	899	ebay.com
17.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G1 was launched at a markedly lower price (by 84 percent) than the 5DS, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G1 features a Four Thirds sensor and the Canon 5DS a full frame sensor. The sensor area in the 5DS is 284 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G1 has a native 4:3 aspect ratio, while the one in the 5DS offers a 3:2 aspect.

With 50.3MP, the 5DS offers a higher resolution than the G1 (12MP), but the 5DS has smaller individual pixels (pixel pitch of 4.14μm versus 4.33μm for the G1). Yet, the 5DS is a much more recent model (by 6 years and 4 months) than the G1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Canon 5DS implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5DS for good quality output (200 dots per inch) amounts to 43.4 x 29 inches or 110.3 x 73.6 cm, for very good quality (250 dpi) 34.8 x 23.2 inches or 88.3 x 58.8 cm, and for excellent quality (300 dpi) 29 x 19.3 inches or 73.6 x 49 cm. The corresponding values for the Panasonic G1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Panasonic Lumix DMC-G1 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Canon EOS 5DS are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 50-12800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the 5DS offers substantially better image quality than the G1 (overall score 34 points higher). The advantage is based on 3.6 bits higher color depth, 2.1 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
2.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
3.		Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
4.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
5.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
6.		Nikon D850	Full Frame	45.4	8256	5504	4K/30p	26.4	14.8	2660	100
7.		Nikon D810	Full Frame	36.2	7360	4912	1080/60p	25.7	14.8	2853	97
8.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
9.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
10.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
11.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
12.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
13.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
14.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
15.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
16.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
17.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55

Many modern cameras cannot only take still pictures, but also record videos. The 5DS indeed provides for movie recording, while the G1 does not. The highest resolution format that the 5DS can use is 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the G1 has an electronic viewfinder (1440k dots), while the 5DS has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5DS has a higher magnification than the one of the G1 (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic G1, the Canon 5DS, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
2.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
3.		Canon 1D X Mark II	optical	Y	3.2 / 1620	fixed	Y	1/8000s	16.0/s	n	n
4.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
5.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
6.		Nikon D850	optical	Y	3.2 / 2359	tilting	Y	1/8000s	9.0/s	n	n
7.		Nikon D810	optical	Y	3.2 / 1229	fixed	n	1/8000s	5.0/s	Y	n
8.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
9.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
10.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
11.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
12.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
13.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
14.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
15.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
16.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
17.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G1 has one, while the 5DS does not. While the built-in flash of the G1 is not very powerful, it can at times be useful as a fill-in light.

The Canon 5DS has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G1 writes its imaging data to SDHC cards, while the 5DS uses Compact Flash or SDXC cards. The 5DS features dual card slots, which can be very useful in case a memory card fails. In contrast, the G1 only has one slot. The 5DS supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G1 and Canon EOS 5DS and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
2.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
3.		Canon 1D X Mark II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
4.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
5.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
6.		Nikon D850	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
7.		Nikon D810	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
8.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
9.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
10.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
13.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
16.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
17.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-

Studio photographers will appreciate that the Canon 5DS (unlike the G1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the G1 and the 5DS have been discontinued, but can regularly be found used on ebay. The G1 was replaced by the Panasonic G2, while the 5DS does not have a direct successor. Further information on the features and operation of the G1 and 5DS can be found, respectively, in the Panasonic G1 Manual (free pdf) or the online Canon 5DS Manual.

Review summary

So how do things add up? Is the Panasonic G1 better than the Canon 5DS or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Panasonic Lumix DMC-G1:

• More framing info: Has an electronic viewfinder that displays shooting data.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (124x84mm vs 152x116mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 570g or 61 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (84 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in September 2008).

Arguments in favor of the Canon EOS 5DS:

• More detail: Has more megapixels (50.3 vs 12MP), which boosts linear resolution by 109%.
• Better image quality: Scores substantially higher (34 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (3.6 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.4 stops ISO advantage).
• Broader imaging potential: Can capture not only stills but also 1080/30p video.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (700 versus 410) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 6 years and 4 months of technical progress since the G1 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the 5DS is the clear winner of the contest (21 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G1 and the Canon 5DS place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G1 or the 5DS perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
2.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699	ebay.com
3.		Canon 1D X Mark II	..	..	4.5/5	89/100	4.5/5	4.5/5	Feb 2016	5,999	ebay.com
4.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	3,499	amazon.com
5.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	3,699	ebay.com
6.		Nikon D850	4.5/5	+ +	5/5	89/100	4.5/5	5/5	Jul 2017	3,299	amazon.com
7.		Nikon D810	5/5	..	5/5	86/100	5/5	4.5/5	Jun 2014	3,299	ebay.com
8.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
9.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
10.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
11.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
12.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
13.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
14.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
15.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	749	ebay.com
16.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	899	ebay.com
17.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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