Panasonic FZ82 vs Canon 1D

The Panasonic Lumix DC-FZ82 (called Panasonic FZ80 in some regions) and the Canon EOS-1D are two digital cameras that were revealed to the public, respectively, in January 2017 and September 2001. The FZ82 is a fixed lens compact, while the 1D is a DSLR. The cameras are based on a 1/2.3-inch (FZ82) and an APS-H (1D) sensor. The Panasonic has a resolution of 18 megapixels, whereas the Canon provides 4.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FZ82		Canon 1D
Fixed lens compact camera		Digital single lens reflex
20-1200mm f/2.8-5.9		Canon EF mount lenses
18 MP – 1/2.3" sensor		4.1 MP – APS-H sensor
4K/30p Video		no Video
ISO 80-3,200 (80 - 6,400)		ISO 200-1,600 (100 - 3,200)
Electronic viewfinder (1166k dots)		Optical viewfinder
3.0" LCD – 1040k dots		2.0" LCD – 120k dots
Fixed touchscreen		Fixed screen (not touch-sensitive)
10 shutter flaps per second		8 shutter flaps per second
not weather sealed		Weathersealed body
330 shots per battery charge		500 shots per battery charge
130 x 94 x 119 mm, 616 g		156 x 158 x 80 mm, 1585 g

Check FZ82 price at
amazon.com
Check 1D offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FZ82 and the Canon EOS-1D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic FZ82 and the Canon 1D. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1D is considerably larger (102 percent) than the Panasonic FZ82. It is noteworthy in this context that the 1D is splash and dust-proof, while the FZ82 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ82 has a lens built in, whereas the 1D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D and their specifications in the Canon EF Lens Catalog.

Concerning battery life, the FZ82 gets 330 shots out of its Panasonic DMW-BMB9 battery, while the 1D can take 500 images on a single charge of its Canon NP-E3 power pack. As can be seen in the images above, the 1D has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the FZ82 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ82	130 mm	94 mm	119 mm	616 g	330	n	Jan 2017	399	amazon.com
2.		Canon 1D	156 mm	158 mm	80 mm	1585 g	500	Y	Sep 2001	6,499	ebay.com
3.		Canon 1D Mark II	156 mm	158 mm	80 mm	1535 g	1200	Y	Jan 2004	4,499	ebay.com
4.		Canon 1D C	158 mm	164 mm	83 mm	1545 g	1120	Y	Apr 2012	14,999	ebay.com
5.		Canon 1D X	158 mm	168 mm	83 mm	1551 g	1120	Y	Oct 2011	6,799	ebay.com
6.		Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999	ebay.com
7.		Canon 1D X Mark III	158 mm	168 mm	83 mm	1440 g	2850	Y	Jan 2020	6,499	amazon.com
8.		Canon SX70	127 mm	91 mm	117 mm	608 g	325	n	Sep 2018	549	amazon.com
9.		Canon SX730	110 mm	64 mm	40 mm	300 g	250	n	Apr 2017	399	ebay.com
10.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	399	amazon.com
11.		Panasonic FT7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	449	ebay.com
12.		Panasonic LX100 II	115 mm	66 mm	65 mm	392 g	300	n	Aug 2018	999	ebay.com
13.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
14.		Sony HX95	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	429	ebay.com
15.		Sony HX99	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	449	ebay.com
16.		Sony HX350	130 mm	93 mm	103 mm	652 g	300	n	Dec 2016	449	ebay.com
17.		Sony WX800	102 mm	58 mm	36 mm	233 g	370	n	Oct 2018	399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ82 was launched at a lower price than the 1D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic FZ82 features a 1/2.3-inch sensor and the Canon 1D an APS-H sensor. The sensor area in the 1D is 1857 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.3. The sensor in the FZ82 has a native 4:3 aspect ratio, while the one in the 1D offers a 3:2 aspect.

Despite having a smaller sensor, the Panasonic FZ82 offers a higher resolution of 18 megapixels, compared with 4.1 MP of the Canon 1D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 11.56μm for the 1D). However, it should be noted that the FZ82 is much more recent (by 15 years and 3 months) than the 1D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ82 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic FZ82 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ82 for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inches or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inches or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inches or 41.5 x 31.1 cm. The corresponding values for the Canon 1D are 12.5 x 8.3 inches or 31.7 x 21.1 cm for good quality, 10 x 6.6 inches or 25.4 x 16.9 cm for very good quality, and 8.3 x 5.5 inches or 21.1 x 14.1 cm for excellent quality prints.

The Panasonic Lumix DC-FZ82 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Canon EOS-1D are ISO 200 to ISO 1600, with the possibility to increase the ISO range to 100-3200.

In terms of underlying technology, the FZ82 is build around a BSI-CMOS sensor, while the 1D uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FZ82	1/2.3	18.0	4896	3672	4K/30p	20.5	11.9	900	49
2.		Canon 1D	APS-H	4.1	2496	1662	none	..	..	..	..
3.		Canon 1D Mark II	APS-H	8.2	3504	2336	none	22.3	11.1	1003	66
4.		Canon 1D C	Full Frame	17.9	5184	3456	4K/24p	24.3	13.0	2155	85
5.		Canon 1D X	Full Frame	17.9	5184	3456	1080/30p	23.8	11.8	2786	82
6.		Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
7.		Canon 1D X Mark III	Full Frame	20.0	5472	3648	4K/60p	24.2	14.5	3248	91
8.		Canon SX70	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1063	51
9.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
10.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
11.		Panasonic FT7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
12.		Panasonic LX100 II	Four Thirds	16.8	4736	3552	4K/30p	22.8	12.7	979	72
13.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
14.		Sony HX95	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1057	51
15.		Sony HX99	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1058	51
16.		Sony HX350	1/2.3	19.9	5152	3864	1080/60p	20.5	11.9	896	49
17.		Sony WX800	1/2.3	18.0	4896	3672	4K/30p	20.6	12.2	1070	51
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The FZ82 indeed provides movie recording capabilities, while the 1D does not. The highest resolution format that the FZ82 can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ82 has an electronic viewfinder (1166k dots), while the 1D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1D has a higher magnification than the one of the FZ82 (0.55x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic FZ82 and Canon 1D along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FZ82	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
2.		Canon 1D	optical	Y	2.0 / 120	fixed	n	1/16000s	8.0/s	n	n
3.		Canon 1D Mark II	optical	Y	2.0 / 230	fixed	n	1/8000s	8.3/s	n	n
4.		Canon 1D C	optical	Y	3.2 / 1040	fixed	n	1/8000s	14.0/s	n	n
5.		Canon 1D X	optical	Y	3.2 / 1040	fixed	n	1/8000s	14.0/s	n	n
6.		Canon 1D X Mark II	optical	Y	3.2 / 1620	fixed	Y	1/8000s	16.0/s	n	n
7.		Canon 1D X Mark III	optical	Y	3.2 / 2100	fixed	Y	1/8000s	20.0/s	n	n
8.		Canon SX70	2360	n	3.0 / 922	swivel	n	1/2000s	10.0/s	Y	Y
9.		Canon SX730	none	n	3.0 / 922	tilting	n	1/3200s	5.9/s	Y	Y
10.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
11.		Panasonic FT7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
12.		Panasonic LX100 II	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
13.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
14.		Sony HX95	638	n	3.0 / 922	tilting	n	1/2000s	10.0/s	Y	Y
15.		Sony HX99	638	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
16.		Sony HX350	202	n	3.0 / 922	tilting	n	1/4000s	10.0/s	Y	Y
17.		Sony WX800	none	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The FZ82 has one, while the 1D does not. While the built-in flash of the FZ82 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ82 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The FZ82 writes its imaging data to SDXC cards, while the 1D uses Compact Flash cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FZ82 and Canon EOS-1D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FZ82	Y	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Canon 1D	Y	- / -	-	-	-	FW	-	-	-
3.		Canon 1D Mark II	Y	- / -	-	-	-	1.1	-	-	-
4.		Canon 1D C	Y	mono / mono	Y	Y	mini	2.0	-	-	-
5.		Canon 1D X	Y	mono / -	Y	-	mini	2.0	-	-	-
6.		Canon 1D X Mark II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
7.		Canon 1D X Mark III	Y	mono / mono	Y	Y	mini	3.1	Y	-	Y
8.		Canon SX70	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
9.		Canon SX730	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
10.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
11.		Panasonic FT7	-	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Panasonic LX100 II	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
13.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Sony HX95	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
15.		Sony HX99	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
16.		Sony HX350	-	stereo / mono	-	-	micro	2.0	-	-	-
17.		Sony WX800	-	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the FZ82 offers wifi support, while the 1D does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Canon 1D (unlike the FZ82) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The FZ82 is a recent model that features in the current product line-up of Panasonic. In contrast, the 1D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 1D was succeeded by the Canon 1D Mark II. Further information on the features and operation of the FZ82 and 1D can be found, respectively, in the Panasonic FZ82 Manual (free pdf) or the online Canon 1D Manual.

Review summary

So what is the bottom line? Is the Panasonic FZ82 better than the Canon 1D or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Panasonic Lumix DC-FZ82:

• More detail: Offers more megapixels (18 vs 4.1MP) with a 104% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Broader imaging potential: Can record not only still images but also 4K/30p movies.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 120k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Ready to shoot: Comes with a built-in lens, while the 1D requires a separate lens.
• More compact: Is smaller (130x94mm vs 156x158mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the 1D).
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 15 years and 3 months of technical progress since the 1D launch.

Arguments in favor of the Canon EOS-1D:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.55x vs 0.46x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/2000s) to freeze action.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Gets more shots (500 versus 330) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been around for much longer (launched in September 2001).

If the count of relative strengths (bullet points above) is taken as a measure, the FZ82 emerges as the winner of the contest (18 : 15 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FZ82 and the Canon 1D place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the FZ82 and the 1D in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ82	..	+ +	..	..	4.5/5	4.5/5	Jan 2017	399	amazon.com
2.		Canon 1D	..	..	..	+ +	..	..	Sep 2001	6,499	ebay.com
3.		Canon 1D Mark II	..	..	..	+ +	..	..	Jan 2004	4,499	ebay.com
4.		Canon 1D C	..	..	..	..	..	..	Apr 2012	14,999	ebay.com
5.		Canon 1D X	5/5	..	..	..	4.5/5	4.5/5	Oct 2011	6,799	ebay.com
6.		Canon 1D X Mark II	..	..	4.5/5	89/100	4.5/5	4.5/5	Feb 2016	5,999	ebay.com
7.		Canon 1D X Mark III	..	+ +	5/5	..	4.5/5	4/5	Jan 2020	6,499	amazon.com
8.		Canon SX70	..	+ +	3.5/5	..	3.5/5	3.5/5	Sep 2018	549	amazon.com
9.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	399	ebay.com
10.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	399	amazon.com
11.		Panasonic FT7	..	+	..	..	3.5/5	3.5/5	May 2018	449	ebay.com
12.		Panasonic LX100 II	4.5/5	+	4.2/5	82/100	4.5/5	4.5/5	Aug 2018	999	ebay.com
13.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	449	ebay.com
14.		Sony HX95	..	..	..	..	..	..	Aug 2018	429	ebay.com
15.		Sony HX99	..	..	..	..	4/5	4.5/5	Aug 2018	449	ebay.com
16.		Sony HX350	..	..	..	..	..	4/5	Dec 2016	449	ebay.com
17.		Sony WX800	..	..	..	..	..	..	Oct 2018	399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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