Panasonic FZ80 vs Samsung NX500
The Panasonic Lumix DC-FZ80 (called Panasonic FZ82 in some regions) and the Samsung NX500 are two digital cameras that were announced, respectively, in January 2017 and February 2015. The FZ80 is a fixed lens compact, while the NX500 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ80) and an APS-C (NX500) sensor. The Panasonic has a resolution of 18 megapixels, whereas the Samsung provides 28 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FZ80 and the Samsung NX500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Panasonic FZ80 and the Samsung NX500. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Samsung NX500 is considerably smaller (37 percent) than the Panasonic FZ80. In this context, it is worth noting that neither the FZ80 nor the NX500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ80 has a lens built in, whereas the NX500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ80 | 130 mm | 94 mm | 119 mm | 616 g | 330 | n | Jan 2017 | 399 | ebay.com | |
2. | Samsung NX500 | 120 mm | 64 mm | 43 mm | 287 g | 370 | n | Feb 2015 | 799 | ebay.com | |
3. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
4. | Canon SX70 | 127 mm | 91 mm | 117 mm | 608 g | 325 | n | Sep 2018 | 549 | amazon.com | |
5. | Canon SX730 | 110 mm | 64 mm | 40 mm | 300 g | 250 | n | Apr 2017 | 399 | ebay.com | |
6. | Nikon D5600 | 124 mm | 97 mm | 70 mm | 465 g | 970 | n | Nov 2016 | 699 | ebay.com | |
7. | Nikon D5500 | 124 mm | 97 mm | 70 mm | 470 g | 820 | n | Jan 2015 | 899 | ebay.com | |
8. | Panasonic ZS80 | 112 mm | 69 mm | 42 mm | 327 g | 380 | n | Feb 2019 | 449 | ebay.com | |
9. | Panasonic TS7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | 449 | ebay.com | |
10. | Panasonic ZS70 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
11. | Ricoh GR II | 117 mm | 63 mm | 35 mm | 251 g | 320 | n | Jun 2015 | 699 | ebay.com | |
12. | Sony HX99 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 449 | ebay.com | |
13. | Sony HX95 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 429 | ebay.com | |
14. | Sony WX800 | 102 mm | 58 mm | 36 mm | 233 g | 370 | n | Oct 2018 | 399 | ebay.com | |
15. | Sony HX350 | 130 mm | 93 mm | 103 mm | 652 g | 300 | n | Dec 2016 | 449 | ebay.com | |
16. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | 549 | ebay.com | |
17. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ80 was launched at a lower price than the NX500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ80 features a 1/2.3-inch sensor and the Samsung NX500 an APS-C sensor. The sensor area in the NX500 is 1218 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the FZ80 has a native 4:3 aspect ratio, while the one in the NX500 offers a 3:2 aspect.
With 28MP, the NX500 offers a higher resolution than the FZ80 (18MP), but the NX500 nevertheless has larger individual pixels (pixel pitch of 3.63μm versus 1.25μm for the FZ80) due to its larger sensor. However, the FZ80 is a somewhat more recent model (by 1 year and 10 months) than the NX500, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Samsung NX500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NX500 for good quality output (200 dots per inch) amounts to 32.4 x 21.6 inches or 82.3 x 54.9 cm, for very good quality (250 dpi) 25.9 x 17.3 inches or 65.8 x 43.9 cm, and for excellent quality (300 dpi) 21.6 x 14.4 inches or 54.9 x 36.6 cm. The corresponding values for the Panasonic FZ80 are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.
The NX500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-FZ80 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Samsung NX500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ80 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.5 | 11.9 | 900 | 49 | |
2. | Samsung NX500 | APS-C | 28.0 | 6480 | 4320 | 4K/30p | 24.8 | 13.9 | 1379 | 87 | |
3. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
4. | Canon SX70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1063 | 51 | |
5. | Canon SX730 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.5 | 11.9 | 924 | 50 | |
6. | Nikon D5600 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1306 | 84 | |
7. | Nikon D5500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1438 | 84 | |
8. | Panasonic ZS80 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1103 | 52 | |
9. | Panasonic TS7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
10. | Panasonic ZS70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
11. | Ricoh GR II | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.6 | 13.7 | 1078 | 80 | |
12. | Sony HX99 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1058 | 51 | |
13. | Sony HX95 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1057 | 51 | |
14. | Sony WX800 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.2 | 1070 | 51 | |
15. | Sony HX350 | 1/2.3 | 19.9 | 5152 | 3864 | 1080/60p | 20.5 | 11.9 | 896 | 49 | |
16. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
17. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ80 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NX500 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic FZ80, the Samsung NX500, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ80 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
2. | Samsung NX500 | none | n | 3.0 / 1036 | tilting | Y | 1/6000s | 9.0/s | Y | n | |
3. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
4. | Canon SX70 | 2360 | n | 3.0 / 922 | swivel | n | 1/2000s | 10.0/s | Y | Y | |
5. | Canon SX730 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 5.9/s | Y | Y | |
6. | Nikon D5600 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
7. | Nikon D5500 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
8. | Panasonic ZS80 | 2330 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
9. | Panasonic TS7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
10. | Panasonic ZS70 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
11. | Ricoh GR II | optional | n | 3.0 / 1230 | fixed | n | 1/4000s | 4.0/s | Y | n | |
12. | Sony HX99 | 638 | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
13. | Sony HX95 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
14. | Sony WX800 | none | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
15. | Sony HX350 | 202 | n | 3.0 / 922 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
16. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
17. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Samsung NX500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the FZ80 and the NX500 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FZ80 and Samsung NX500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ80 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Samsung NX500 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
3. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Canon SX70 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
5. | Canon SX730 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
6. | Nikon D5600 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
7. | Nikon D5500 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
8. | Panasonic ZS80 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
9. | Panasonic TS7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Panasonic ZS70 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Ricoh GR II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
12. | Sony HX99 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
13. | Sony HX95 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
14. | Sony WX800 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony HX350 | - | stereo / mono | - | - | micro | 2.0 | - | - | - | |
16. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
Both the FZ80 and the NX500 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Panasonic and Samsung. Further information on the features and operation of the FZ80 and NX500 can be found, respectively, in the Panasonic FZ80 Manual (free pdf) or the online Samsung NX500 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Panasonic FZ80 and the Samsung NX500? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DC-FZ80:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has a lens built-in, whereas the NX500 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 10 months after the NX500).
Arguments in favor of the Samsung NX500:
- More detail: Has more megapixels (28 vs 18MP), which boosts linear resolution by 27%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (120x64mm vs 130x94mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (370 versus 330) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More heavily discounted: Has been on the market for longer (launched in February 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the NX500 is the clear winner of the contest (16 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ80 and the Samsung NX500 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the FZ80 or the NX500 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ80 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jan 2017 | 399 | ebay.com | |
2. | Samsung NX500 | 4.5/5 | .. | .. | 81/100 | 5/5 | 4.5/5 | Feb 2015 | 799 | ebay.com | |
3. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
4. | Canon SX70 | .. | + + | 3.5/5 | .. | 3.5/5 | 3.5/5 | Sep 2018 | 549 | amazon.com | |
5. | Canon SX730 | .. | + | .. | .. | 4/5 | 4/5 | Apr 2017 | 399 | ebay.com | |
6. | Nikon D5600 | 4/5 | .. | 4/5 | 79/100 | 4.5/5 | 4/5 | Nov 2016 | 699 | ebay.com | |
7. | Nikon D5500 | 5/5 | + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2015 | 899 | ebay.com | |
8. | Panasonic ZS80 | .. | + + | .. | .. | 4.5/5 | .. | Feb 2019 | 449 | ebay.com | |
9. | Panasonic TS7 | .. | + | .. | .. | .. | 3.5/5 | May 2018 | 449 | ebay.com | |
10. | Panasonic ZS70 | .. | + + | .. | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
11. | Ricoh GR II | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jun 2015 | 699 | ebay.com | |
12. | Sony HX99 | .. | .. | .. | .. | 4/5 | 4.5/5 | Aug 2018 | 449 | ebay.com | |
13. | Sony HX95 | .. | .. | .. | .. | .. | .. | Aug 2018 | 429 | ebay.com | |
14. | Sony WX800 | .. | .. | .. | .. | .. | .. | Oct 2018 | 399 | ebay.com | |
15. | Sony HX350 | .. | .. | .. | .. | .. | 4/5 | Dec 2016 | 449 | ebay.com | |
16. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | 549 | ebay.com | |
17. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G9 X Mark II vs Panasonic FZ80
- Canon SX620 vs Panasonic FZ80
- Canon T6 vs Samsung NX500
- Fujifilm X30 vs Samsung NX500
- Leica SL2 vs Panasonic FZ80
- Olympus E-M10 III vs Samsung NX500
- Olympus E-PL1 vs Samsung NX500
- Panasonic FZ80 vs Panasonic TZ90
- Panasonic FZ80 vs Pentax K-70
- Panasonic FZ80 vs Sony A1
- Panasonic GF6 vs Samsung NX500
- Samsung NX500 vs Sony NEX-5T
Specifications: Panasonic FZ80 vs Samsung NX500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic FZ80 | Samsung NX500 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 20-1200mm f/2.8-5.9 | Samsung NX mount lenses |
Launch Date | January 2017 | February 2015 |
Launch Price | USD 399 | USD 799 |
Sensor Specs | Panasonic FZ80 | Samsung NX500 |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | 1/2.3" Sensor | APS-C Sensor |
Sensor Size | 6.17 x 4.55 mm | 23.5 x 15.7 mm |
Sensor Area | 28.0735 mm2 | 368.95 mm2 |
Sensor Diagonal | 7.7 mm | 28.3 mm |
Crop Factor | 5.6x | 1.5x |
Sensor Resolution | 18 Megapixels | 28 Megapixels |
Image Resolution | 4896 x 3672 pixels | 6480 x 4320 pixels |
Pixel Pitch | 1.25 μm | 3.63 μm |
Pixel Density | 64.04 MP/cm2 | 7.59 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 80 - 3,200 ISO | 100 - 25,600 ISO |
ISO Boost | 80 - 6,400 ISO | 100 - 51,200 ISO |
Image Processor | Venus | DRIMe Vs |
DXO Sensor Quality (score) | .. | 87 |
DXO Color Depth (bits) | .. | 24.8 |
DXO Dynamic Range (EV) | .. | 13.9 |
DXO Low Light (ISO) | .. | 1379 |
Screen Specs | Panasonic FZ80 | Samsung NX500 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.46x | |
Viewfinder Resolution | 1166k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1036k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic FZ80 | Samsung NX500 |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/6000s |
Continuous Shooting | 10 shutter flaps/s | 9 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic FZ80 | Samsung NX500 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Panasonic FZ80 | Samsung NX500 |
Battery Type | Panasonic DMW-BMB9 | Samsung BP1130 |
Battery Life (CIPA) | 330 shots per charge | 370 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
130 x 94 x 119 mm (5.1 x 3.7 x 4.7 in) |
120 x 64 x 43 mm (4.7 x 2.5 x 1.7 in) |
Camera Weight | 616 g (21.7 oz) | 287 g (10.1 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.