Panasonic FZ330 vs Sony NEX-6
The Panasonic Lumix DMC-FZ330 (called Panasonic FZ300 in some regions) and the Sony Alpha NEX-6 are two digital cameras that were officially introduced, respectively, in July 2015 and September 2012. The FZ330 is a fixed lens compact, while the NEX-6 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ330) and an APS-C (NEX-6) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ330 and the Sony Alpha NEX-6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic FZ330 and the Sony NEX-6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-6 is considerably smaller (34 percent) than the Panasonic FZ330. It is worth mentioning in this context that the FZ330 is splash and dust resistant, while the NEX-6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the NEX-6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-6 and their specifications in the Sony E-Mount Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic FZ330||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|2.||Sony NEX-6||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999|
|3.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|4.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|5.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|6.||Leica X-U Typ 113||140 mm||79 mm||88 mm||635 g||450||Y||Jan 2016||2,950|
|7.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|8.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|9.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|10.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|11.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|12.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|13.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|14.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|15.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ330 was launched at a lower price than the NEX-6, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ330 features a 1/2.3-inch sensor and the Sony NEX-6 an APS-C sensor. The sensor area in the NEX-6 is 1204 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the FZ330 has a native 4:3 aspect ratio, while the one in the NEX-6 offers a 3:2 aspect.
With 16MP, the NEX-6 offers a higher resolution than the FZ330 (12MP), but the NEX-6 nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 1.53μm for the FZ330) due to its larger sensor. However, the FZ330 is a much more recent model (by 2 years and 10 months) than the NEX-6, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ330 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony NEX-6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-6 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Panasonic FZ330 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ330 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Alpha NEX-6 are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the NEX-6 offers substantially better image quality than the FZ330 (overall score 40 points higher). The advantage is based on 4.4 bits higher color depth, 2.1 EV in additional dynamic range, and 3.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|3.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|6.||Leica X-U Typ 113||APS-C||16.1||4928||3264||1080/30p||23.8||13.0||1614||80|
|8.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|12.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ330 provides a higher video resolution than the NEX-6. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the NEX-6 offers a substantially higher resolution than the one in the FZ330 (2359k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ330, the Sony NEX-6, and comparable cameras.
|1.||Panasonic FZ330||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|2.||Sony NEX-6||2359||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||n|
|3.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|4.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|5.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0||Y||Y|
|6.||Leica X-U Typ 113||optional||n||3.0 / 920||fixed||n||1/2000s||5.0||Y||n|
|7.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|8.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0||n||Y|
|9.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|10.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|11.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
|12.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0||Y||Y|
|13.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|14.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0||Y||n|
|15.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
|16.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ330 has a touchscreen, while the NEX-6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ330 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the NEX-6 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ330 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ330 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The FZ330 writes its imaging data to SDXC cards, while the NEX-6 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ330 and Sony Alpha NEX-6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ330||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|2.||Sony NEX-6||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|3.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Leica X-U Typ 113||Y||stereo / mono||-||-||-||2.0||-||-||-|
|7.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|8.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|9.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|11.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|12.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|13.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|15.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the FZ330 has a microphone port, which is missing on the NEX-6. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The FZ330 is a recent model that features in the current product line-up of Panasonic. In contrast, the NEX-6 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the NEX-6 was succeeded by the Sony A6000. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Is there a clear favorite between the Panasonic FZ330 and the Sony NEX-6? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DMC-FZ330:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the NEX-6 requires a separate lens.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 10 months of technical progress since the NEX-6 launch.
Reasons to prefer the Sony Alpha NEX-6:
- More detail: Has more megapixels (16 vs 12MP), which boosts linear resolution by 18%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (40 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (3.4 stops ISO advantage).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (120x67mm vs 132x92mm) and will fit more readily into a bag.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the FZ330 is the clear winner of the match-up (15 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ330 and the Sony NEX-6 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ330 or the NEX-6. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ330||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|2.||Sony NEX-6||5/5||+ +||..||78/100||4.5/5||4.5/5||Sep 2012||999|
|3.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|4.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|5.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|6.||Leica X-U Typ 113||3.5/5||..||..||..||..||3.5/5||Jan 2016||2,950|
|7.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|8.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899|
|9.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|10.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|11.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|12.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|13.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|14.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|15.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699|
|16.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds Mark III vs Panasonic FZ330
- Canon 650D vs Sony NEX-6
- Canon 700D vs Sony NEX-6
- Canon T2i vs Sony NEX-6
- Leica M10 vs Panasonic FZ330
- Nikon D7200 vs Sony NEX-6
- Nikon Z7 vs Panasonic FZ330
- Panasonic FT7 vs Panasonic FZ330
- Panasonic FZ330 vs Panasonic ZS80
- Panasonic FZ330 vs Sony RX10 II
- Sony A6300 vs Sony NEX-6
- Sony NEX-6 vs Sony RX100 II
Specifications: Panasonic FZ330 vs Sony NEX-6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ330||Sony NEX-6|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-600mm f/2.8||Sony E mount lenses|
|Launch Date||July 2015||September 2012|
|Launch Price||USD 599||USD 999|
|Sensor Specs||Panasonic FZ330||Sony NEX-6|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.4 x 15.6 mm|
|Sensor Area||28.0735 mm2||365.04 mm2|
|Sensor Diagonal||7.7 mm||28.1 mm|
|Sensor Resolution||12 Megapixels||16 Megapixels|
|Image Resolution||4000 x 3000 pixels||4912 x 3264 pixels|
|Pixel Pitch||1.53 μm||4.78 μm|
|Pixel Density||42.74 MP/cm2||4.39 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||100 - 6,400 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||38||78|
|DXO Color Depth (bits)||19.3||23.7|
|DXO Dynamic Range (EV)||11.0||13.1|
|DXO Low Light (ISO)||97||1018|
|Screen Specs||Panasonic FZ330||Sony NEX-6|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic FZ330||Sony NEX-6|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ330||Sony NEX-6|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Panasonic FZ330||Sony NEX-6|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||380 shots per charge||360 shots per charge|
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||691 g (24.4 oz)||345 g (12.2 oz)|
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