Panasonic FZ330 vs Sony A7R II
The Panasonic Lumix DMC-FZ330 (called Panasonic FZ300 in some regions) and the Sony Alpha A7R II are two digital cameras that were announced, respectively, in July 2015 and June 2015. The FZ330 is a fixed lens compact, while the A7R II is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ330) and a full frame (A7R II) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ330||Sony A7R II|
|Fixed lens compact camera||Mirrorless system camera|
|25-600mm f/2.8||Sony E mount lenses|
|12 MP, 1/2.3" Sensor||42.2 MP, Full Frame Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-6400||ISO 100-25600 (50-102400)|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (2400k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1229k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|12 shutter flaps per second||5 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Weathersealed body||Weathersealed body|
|380 shots per battery charge||290 shots per battery charge|
|132 x 92 x 117 mm, 691 g||127 x 96 x 60 mm, 625 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ330 and the Sony Alpha A7R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic FZ330 and the Sony A7R II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ330 and the Sony A7R II are of equal size. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the A7R II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R II and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the FZ330 gets 380 shots out of its DMW-BLC12 battery, while the A7R II can take 290 images on a single charge of its NP-FW50 power pack. The power pack in the A7R II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic FZ330»||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ330|
|Sony A7R II«||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Fujifilm X30« »||4.7 in||2.8 in||2.4 in||14.9 oz||470||n||Aug 2014||599||Fujifilm X30|
|Leica X-U Typ 113« »||5.5 in||3.1 in||3.5 in||22.4 oz||450||Y||Jan 2016||2,950||Leica X-U Typ 113|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||-||Sony A7R III|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ330 was launched at a lower price than the A7R II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ330 features a 1/2.3-inch sensor and the Sony A7R II a full frame sensor. The sensor area in the A7R II is 2979 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the FZ330 has a native 4:3 aspect ratio, while the one in the A7R II offers a 3:2 aspect.
With 42.2MP, the A7R II offers a higher resolution than the FZ330 (12MP), but the A7R II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 1.53μm for the FZ330) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inch or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inch or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inch or 67.3 x 44.9 cm. The corresponding values for the Panasonic FZ330 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The A7R II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-FZ330 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Alpha A7R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R II offers substantially better image quality than the FZ330 (overall score 60 points higher). The advantage is based on 6.7 bits higher color depth, 2.9 EV in additional dynamic range, and 5.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic FZ330»||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ330|
|Sony A7R II«||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Fujifilm X30« »||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X30|
|Leica X-U Typ 113« »||APS-C||16.1||4928||3264||1080/30p||-||-||-||-||Leica X-U Typ 113|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R II offers a substantially higher resolution than the one in the FZ330 (2400k vs 1440k dots). The adjacent table lists some of the other core features of the Panasonic FZ330 and Sony A7R II along with similar information for a selection of comparators.
|Panasonic FZ330»||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ330|
|Sony A7R II«||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Fujifilm X30« »||2360||n||3.0||920||tilting||n||1/4000s||12.0||Y||Y||Fujifilm X30|
|Leica X-U Typ 113« »||-||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X-U Typ 113|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One difference between the cameras concerns the presence of an on-board flash. The FZ330 has one, while the A7R II does not. While the built-in flash of the FZ330 is not very powerful, it can at times be useful as a fill-in light.The FZ330 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ330 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The FZ330 writes its imaging data to SDXC cards, while the A7R II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ330 and Sony Alpha A7R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ330»||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ330|
|Sony A7R II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Fujifilm X30« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X30|
|Leica X-U Typ 113« »||Y||stereo||mono||-||-||-||2.0||-||-||-||Leica X-U Typ 113|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
The FZ330 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7R II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7R II was succeeded by the Sony Alpha A7R III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic FZ330 and the Sony A7R II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-FZ330:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A7R II requires a separate lens.
- Longer lasting: Can take more shots (380 versus 290) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
Advantages of the Sony Alpha A7R II:
- More detail: Has more megapixels (42.2 vs 12MP), which boosts linear resolution by 91%.
- Better image quality: Scores substantially higher (60 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (6.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (5.1 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2400k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
If the count of individual advantages (bullet points above) is taken as a guide, the A7R II is the clear winner of the contest (13 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ330 and the Sony A7R II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the FZ330 and the A7R II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic FZ330»||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2015||599||Panasonic FZ330|
|Sony A7R II«||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Canon G3 X« »||+||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Fujifilm X30« »||-||76/100||4.5/5||4/5||4.5/5||Aug 2014||599||Fujifilm X30|
|Leica X-U Typ 113« »||-||-||-||-||3.5/5||Jan 2016||2,950||Leica X-U Typ 113|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic LX100« »||+ +||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Panasonic LX5« »||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||-||Sony A7R III|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony RX10 II« »||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7R« »||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1000D vs Panasonic FZ330
- Canon 600D vs Sony A7R II
- Canon 6D vs Panasonic FZ330
- Hasselblad X1D vs Sony A7R II
- Leica S Typ 007 vs Panasonic FZ330
- Leica S3 vs Sony A7R II
- Leica V-LUX 2 vs Sony A7R II
- Olympus E-PL9 vs Panasonic FZ330
- Panasonic FZ2000 vs Panasonic FZ330
- Panasonic FZ330 vs Panasonic TZ95
- Panasonic FZ330 vs Sony A77 II
- Panasonic FZ330 vs Sony HX350
Specifications: Panasonic FZ330 vs Sony A7R II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ330||Sony A7R II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-600mm f/2.8||Sony E mount lenses|
|Launch Date||July 2015||June 2015|
|Launch Price||USD 599||USD 3199|
|Sensor Specs||Panasonic FZ330||Sony A7R II|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.9 x 24.0 mm|
|Sensor Area||28.0735 mm2||861.6 mm2|
|Sensor Diagonal||7.7 mm||43.2 mm|
|Sensor Resolution||12 Megapixels||42.2 Megapixels|
|Image Resolution||4000 x 3000 pixels||7952 x 5304 pixels|
|Pixel Pitch||1.53 μm||4.52 μm|
|Pixel Density||42.74 MP/cm2||4.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-6400 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-102400 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||38||98|
|DXO Color Depth (bits)||19.3||26.0|
|DXO Dynamic Range (EV)||11.0||13.9|
|DXO Low Light (ISO)||97||3434|
|Screen Specs||Panasonic FZ330||Sony A7R II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic FZ330||Sony A7R II|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||12 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ330||Sony A7R II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic FZ330||Sony A7R II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||380 shots per charge||290 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||691 g (24.4 oz)||625 g (22.0 oz)|
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