Panasonic FZ300 vs Sony HX400V
The Panasonic Lumix DMC-FZ300 (called Panasonic FZ330 in some regions) and the Sony Cyber-shot DSC-HX400V are two digital cameras that were officially introduced, respectively, in July 2015 and February 2014. Both the FZ300 and the HX400V are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ300 and the Sony Cyber-shot DSC-HX400V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ300 and the Sony HX400V are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ300 and the Sony HX400V are of equal size. However, the HX400V is slightly lighter (4 percent) than the FZ300. It is worth mentioning in this context that the FZ300 is splash and dust resistant, while the HX400V does not feature any corresponding weather-sealing.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|2.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499|
|3.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|4.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|5.||Canon SX1||128 mm||88 mm||88 mm||615 g||..||n||Sep 2008||599|
|6.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|7.||Kodak AZ901||139 mm||104 mm||119 mm||777 g||400||n||Jan 2016||499|
|8.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|9.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|10.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|11.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|12.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449|
|13.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429|
|14.||Sony H400||130 mm||95 mm||122 mm||628 g||300||n||Feb 2014||319|
|15.||Sony H300||128 mm||89 mm||92 mm||590 g||350||n||Feb 2014||219|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The HX400V was launched at a somewhat lower price (by 17 percent) than the FZ300, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the HX400V offers a higher resolution of 20.2 megapixels, compared with 12 MP of the FZ300. This megapixels advantage translates into a 30 percent gain in linear resolution. On the other hand, these sensor specs imply that the HX400V has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 1.53μm for the FZ300). Moreover, it should be noted, that the FZ300 is a somewhat more recent model (by 1 year and 5 months) than the HX400V, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony HX400V implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the HX400V for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Panasonic FZ300 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ300 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Cyber-shot DSC-HX400V are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|3.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ300 provides a higher video resolution than the HX400V. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the FZ300 offers a substantially higher resolution than the one in the HX400V (1440k vs 210k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ300, the Sony HX400V, and comparable cameras.
|1.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|2.||Sony HX400V||210||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||Y|
|3.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|4.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|5.||Canon SX1||202||n||2.8 / 230||swivel||n||1/3200s||4.0||Y||Y|
|6.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0||Y||Y|
|7.||Kodak AZ901||202||n||3.0 / 920||swivel||n||1/2000s||5.0||Y||Y|
|8.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|9.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|10.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0||Y||Y|
|11.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
|12.||Sony HX350||202||n||3.0 / 922||tilting||n||1/4000s||10.0||Y||Y|
|13.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0||Y||Y|
|14.||Sony H400||210||n||3.0 / 460||fixed||n||1/2000s||0.7||Y||Y|
|15.||Sony H300||none||n||3.0 / 460||fixed||n||1/1500s||0.8||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ300 has a touchscreen, while the HX400V has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ300 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the HX400V does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FZ300 and the HX400V have zoom lenses built in. The FZ300 has a 25-600mm f/2.8-2.8 optic and the HX400V offers a 24-1200mm f/2.8-6.3 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Panasonic. Both cameras offer the same maximum aperture.
The FZ300 writes its imaging data to SDXC cards, while the HX400V uses SDXC or Memory Stick PRO Duo cards. The FZ300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the HX400V cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ300 and Sony Cyber-shot DSC-HX400V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|2.||Sony HX400V||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon SX1||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|6.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Kodak AZ901||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|10.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|12.||Sony HX350||-||stereo / mono||-||-||micro||2.0||-||-||-|
|13.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony H400||-||mono / mono||-||-||micro||2.0||Y||-||-|
|15.||Sony H300||-||mono / mono||-||-||micro||2.0||Y||-||-|
It is notable that the FZ300 has a microphone port, which is missing on the HX400V. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Travel and landscape photographers will find it useful that the HX400V has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the FZ300 and the HX400V are recent models that are part of the current product line-up. The FZ300 replaced the earlier Panasonic FZ200, while the HX400V does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Is the Panasonic FZ300 better than the Sony HX400V or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-FZ300:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 210k dots).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (380 versus 300) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 5 months after the HX400V).
Reasons to prefer the Sony Cyber-shot DSC-HX400V:
- More detail: Has more megapixels (20.2 vs 12MP), which boosts linear resolution by 30%.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the FZ300 is the clear winner of the match-up (14 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ300 and the Sony HX400V place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ300 or the HX400V. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|2.||Sony HX400V||4/5||+ +||..||..||4/5||4/5||Feb 2014||499|
|3.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|4.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|5.||Canon SX1||..||+ +||..||+||..||3.5/5||Sep 2008||599|
|6.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|7.||Kodak AZ901||..||..||..||..||3.5/5||3/5||Jan 2016||499|
|8.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|9.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|10.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|11.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|12.||Sony HX350||..||..||..||..||..||4/5||Dec 2016||449|
|13.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429|
|14.||Sony H400||..||o||..||..||3.5/5||3.5/5||Feb 2014||319|
|15.||Sony H300||..||+||..||..||4.5/5||4/5||Feb 2014||219|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 100D vs Sony HX400V
- Canon 5D Mark IV vs Panasonic FZ300
- Canon M6 vs Sony HX400V
- Canon RP vs Panasonic FZ300
- Canon SX610 vs Sony HX400V
- Leica M9 vs Panasonic FZ300
- Leica V-LUX 2 vs Panasonic FZ300
- Leica V-LUX 3 vs Panasonic FZ300
- Nikon D1X vs Sony HX400V
- Nikon D2Xs vs Sony HX400V
- Panasonic FZ300 vs Panasonic TZ100
- Panasonic FZ82 vs Sony HX400V
Specifications: Panasonic FZ300 vs Sony HX400V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ300||Sony HX400V|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-600mm f/2.8||24-1200mm f/2.8-6.3|
|Launch Date||July 2015||February 2014|
|Launch Price||USD 599||USD 499|
|Sensor Specs||Panasonic FZ300||Sony HX400V|
|Sensor Format||1/2.3" Sensor||1/2.3" Sensor|
|Sensor Size||6.17 x 4.55 mm||6.17 x 4.55 mm|
|Sensor Area||28.0735 mm2||28.0735 mm2|
|Sensor Diagonal||7.7 mm||7.7 mm|
|Sensor Resolution||12 Megapixels||20.2 Megapixels|
|Image Resolution||4000 x 3000 pixels||5184 x 3888 pixels|
|Pixel Pitch||1.53 μm||1.18 μm|
|Pixel Density||42.74 MP/cm2||71.80 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||80 - 3,200 ISO|
|ISO Boost||no Enhancement||80 - 12,800 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||38||..|
|DXO Color Depth (bits)||19.3||..|
|DXO Dynamic Range (EV)||11.0||..|
|DXO Low Light (ISO)||97||..|
|Screen Specs||Panasonic FZ300||Sony HX400V|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||210k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic FZ300||Sony HX400V|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic FZ300||Sony HX400V|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Panasonic FZ300||Sony HX400V|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||380 shots per charge||300 shots per charge|
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
130 x 93 x 103 mm
(5.1 x 3.7 x 4.1 in)
|Camera Weight||691 g (24.4 oz)||660 g (23.3 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.