Panasonic FZ300 vs ZS100
The Panasonic Lumix DMC-FZ300 (called Panasonic FZ330 in some regions) and the Panasonic Lumix DMC-ZS100 (labelled Panasonic TZ100 in some countries) are two digital cameras that were announced, respectively, in July 2015 and January 2016. Both the FZ300 and the ZS100 are fixed lens compact cameras that are based on a 1/2.3-inch (FZ300) and an one-inch (ZS100) sensor. The FZ300 has a resolution of 12 megapixels, whereas the ZS100 provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ300 and the Panasonic Lumix DMC-ZS100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ300 and the Panasonic ZS100 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The ZS100 can be obtained in two different colors (black, silver), while the FZ300 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS100 is considerably smaller (41 percent) than the Panasonic FZ300. Moreover, the ZS100 is substantially lighter (55 percent) than the FZ300. It is worth mentioning in this context that the FZ300 is splash and dust resistant, while the ZS100 does not feature any corresponding weather-sealing.
Concerning battery life, the FZ300 gets 380 shots out of its DMW-BLC12 battery, while the ZS100 can take 300 images on a single charge of its DMW-BLG10 power pack. The power pack in the ZS100 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599||amazon.com|
|2.||Panasonic ZS100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699||ebay.com|
|3.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999||amazon.com|
|4.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||ebay.com|
|5.||Canon SX1||128 mm||88 mm||88 mm||615 g||..||n||Sep 2008||599||ebay.com|
|6.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599||ebay.com|
|7.||Kodak AZ901||139 mm||104 mm||119 mm||777 g||400||n||Jan 2016||499||amazon.com|
|8.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799||amazon.com|
|9.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699||amazon.com|
|10.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||ebay.com|
|11.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||ebay.com|
|12.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||ebay.com|
|13.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||ebay.com|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999||ebay.com|
|15.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499||ebay.com|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||ebay.com|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ300 was launched at a somewhat lower price (by 14 percent) than the ZS100, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ300 features a 1/2.3-inch sensor and the Panasonic ZS100 an one-inch sensor. The sensor area in the ZS100 is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the FZ300 has a native 4:3 aspect ratio, while the one in the ZS100 offers a 3:2 aspect.
With 20MP, the ZS100 offers a higher resolution than the FZ300 (12MP), but the ZS100 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.53μm for the FZ300) due to its larger sensor. Moreover, the ZS100 is a somewhat more recent model (by 5 months) than the FZ300, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic ZS100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZS100 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic FZ300 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ300 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-ZS100 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the FZ300 is build around a BSI-CMOS sensor, while the ZS100 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the ZS100 offers substantially better image quality than the FZ300 (overall score 32 points higher). The advantage is based on 3.5 bits higher color depth, 1.5 EV in additional dynamic range, and 2.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|3.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the FZ300 offers a higher resolution than the one in the ZS100 (1440k vs 1166k dots). The adjacent table lists some of the other core features of the Panasonic FZ300 and Panasonic ZS100 along with similar information for a selection of comparators.
|1.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|2.||Panasonic ZS100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|3.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9/s||Y||Y|
|4.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|5.||Canon SX1||202||n||2.8 / 230||swivel||n||1/3200s||4.0/s||Y||Y|
|6.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0/s||Y||Y|
|7.||Kodak AZ901||202||n||3.0 / 920||swivel||n||1/2000s||5.0/s||Y||Y|
|8.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|9.||Panasonic LX10||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0/s||Y||Y|
|10.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|11.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|12.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|13.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|14.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0/s||Y||Y|
|15.||Sony HX400V||210||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ300 and the Panasonic ZS100 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FZ300 and the ZS100 have zoom lenses built in. The FZ300 has a 25-600mm f/2.8-2.8 optic and the ZS100 offers a 25-250mm f/2.8-5.9 (focal lengths in full frame equivalent terms). Hence, the FZ300 and ZS100 provide the same view at the wide-angle end, but the ZS100 has less tele-photo reach at the long end. Both cameras offer the same maximum aperture.
Concerning the storage of imaging data, both the FZ300 and the ZS100 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ300 and Panasonic Lumix DMC-ZS100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|2.||Panasonic ZS100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon SX1||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|6.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Kodak AZ901||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Panasonic LX10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|14.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony HX400V||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ300 has a hotshoe, while the ZS100 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The FZ300 is a recent model that features in the current product line-up of Panasonic. In contrast, the ZS100 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the ZS100 was succeeded by the Panasonic ZS200. Further information on the features and operation of the FZ300 and ZS100 can be found, respectively, in the Panasonic FZ300 Manual (free pdf) or the online Panasonic ZS100 Manual.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic FZ300 and the Panasonic ZS100? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-FZ300:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (380 versus 300) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced into a lower priced segment (14 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in July 2015).
Advantages of the Panasonic Lumix DMC-ZS100:
- More detail: Has more megapixels (20 vs 12MP), which boosts linear resolution by 32%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (32 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.5 stops ISO advantage).
- More compact: Is smaller (111x65mm vs 132x92mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 379g or 55 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More modern: Was introduced somewhat (5 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ300 is the clear winner of the match-up (14 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ300 and the Panasonic ZS100 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the FZ300 and the ZS100 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599||amazon.com|
|2.||Panasonic ZS100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699||ebay.com|
|3.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999||amazon.com|
|4.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549||ebay.com|
|5.||Canon SX1||..||+ +||..||+||..||3.5/5||Sep 2008||599||ebay.com|
|6.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599||ebay.com|
|7.||Kodak AZ901||..||..||..||..||3.5/5||3/5||Jan 2016||499||amazon.com|
|8.||Panasonic ZS200||..||+ +||4.5/5||81/100||4.5/5||4.5/5||Feb 2018||799||amazon.com|
|9.||Panasonic LX10||..||+ +||4/5||81/100||4/5||4.5/5||Sep 2016||699||amazon.com|
|10.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|11.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499||ebay.com|
|12.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|13.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|14.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999||ebay.com|
|15.||Sony HX400V||4/5||+ +||..||..||4/5||4/5||Feb 2014||499||ebay.com|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799||ebay.com|
|17.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5DS R vs Panasonic FZ300
- Canon T6 vs Panasonic FZ300
- Fujifilm X70 vs Panasonic ZS100
- Leica V-LUX 3 vs Panasonic ZS100
- Nikon 1 J5 vs Panasonic ZS100
- Nikon D3 vs Panasonic FZ300
- Olympus E-M10 II vs Panasonic ZS100
- Panasonic FZ300 vs Sony A77 II
- Panasonic FZ300 vs Sony H400
- Panasonic FZ300 vs Sony RX10 II
- Panasonic ZS100 vs Panasonic ZS80
- Panasonic ZS100 vs Sony H200
Specifications: Panasonic FZ300 vs Panasonic ZS100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ300||Panasonic ZS100|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-600mm f/2.8||25-250mm f/2.8-5.9|
|Launch Date||July 2015||January 2016|
|Launch Price||USD 599||USD 699|
|Sensor Specs||Panasonic FZ300||Panasonic ZS100|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 8.8 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||12 Megapixels||20 Megapixels|
|Image Resolution||4000 x 3000 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.53 μm||2.41 μm|
|Pixel Density||42.74 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|DXO Sensor Quality (score)||38||70|
|DXO Color Depth (bits)||19.3||22.8|
|DXO Dynamic Range (EV)||11.0||12.5|
|DXO Low Light (ISO)||97||559|
|Screen Specs||Panasonic FZ300||Panasonic ZS100|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Panasonic FZ300||Panasonic ZS100|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ300||Panasonic ZS100|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Panasonic FZ300||Panasonic ZS100|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||380 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
111 x 65 x 44 mm
(4.4 x 2.6 x 1.7 in)
|Camera Weight||691 g (24.4 oz)||312 g (11.0 oz)|
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