Panasonic FZ300 versus Canon G3 X
The Panasonic Lumix DMC-FZ300 (called Panasonic FZ330 in some regions) and the Canon PowerShot G3 X are two digital cameras that were announced, respectively, in July 2015 and June 2015. Both the FZ300 and the G3X are fixed lens compact cameras that are based on a 1/2.3-inch (FZ300) and an one-inch (G3X) sensor. The Panasonic has a resolution of 12 megapixel, whereas the Canon provides 20 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic FZ300 vs Canon G3 X
An illustration of the physical size and weight of the Panasonic FZ300 and the Canon G3 X is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the FZ300 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G3 X is notably smaller (22 percent) than the Panasonic FZ300. However, the G3X is markedly heavier (6 percent) than the FZ300. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Panasonic FZ300 (⇒ rgt)||132 mm||92 mm||117 mm||691 g||380||YES||2015||599||latest||check|
|Canon G3 X (⇒ lft)||123 mm||77 mm||105 mm||733 g||300||YES||2015||999||latest||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon SX60 (⇒ lft | rgt)||128 mm||93 mm||114 mm||650 g||340||no||2014||549||latest||check|
|Canon 7D II (⇒ lft | rgt)||149 mm||112 mm||78 mm||910 g||670||YES||2014||1,799||latest||check|
|Canon 70D (⇒ lft | rgt)||139 mm||104 mm||79 mm||755 g||920||YES||2013||1,199||discont.||check|
|Fujifilm X30 (⇒ lft | rgt)||119 mm||72 mm||60 mm||423 g||470||no||2014||599||latest||check|
|Leica X-U Typ 113 (⇒ lft | rgt)||140 mm||79 mm||88 mm||635 g||450||YES||2016||2,950||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||137 mm||99 mm||131 mm||831 g||360||no||2014||899||discont.||check|
|Panasonic LX100 (⇒ lft | rgt)||115 mm||66 mm||55 mm||393 g||300||no||2014||899||latest||check|
|Panasonic FZ200 (⇒ lft | rgt)||125 mm||87 mm||110 mm||588 g||540||no||2012||599||discont.||check|
|Panasonic FZ150 (⇒ lft | rgt)||124 mm||82 mm||92 mm||528 g||410||no||2011||499||discont.||check|
|Panasonic LX5 (⇒ lft | rgt)||110 mm||65 mm||43 mm||271 g||400||no||2010||499||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||400||YES||2015||1,299||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ300 was launched at a markedly lower price (by 40 percent) than the G3X, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic FZ300 vs Canon G3 X
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ300 features a 1/2.3-inch sensor and the Canon G3 X an one-inch sensor. The sensor area in the G3X is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the FZ300 has a native 4:3 aspect ratio, while the one in the G3X offers a 3:2 aspect.
With 20MP, the G3X offers a higher resolution than the FZ300 (12MP), but the G3X nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.53μm for the FZ300) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the G3X offers substantially better image quality than the FZ300 (overall score 25 points higher). The advantage is based on 2.1 bits higher color depth, 1.3 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic FZ300 (⇒ rgt)||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38|
|Canon G3 X (⇒ lft)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon SX60 (⇒ lft | rgt)||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39|
|Canon 7D II (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Canon 70D (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Fujifilm X30 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Leica X-U Typ 113 (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||-||-||-||-|
|Panasonic FZ1000 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Panasonic LX100 (⇒ lft | rgt)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Panasonic FZ200 (⇒ lft | rgt)||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37|
|Panasonic FZ150 (⇒ lft | rgt)||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40|
|Panasonic LX5 (⇒ lft | rgt)||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41|
|Sony RX10 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ300 provides a higher video resolution than the G3X. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Panasonic FZ300 vs Canon G3 X
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ300 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G3X relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic FZ300, the Canon G3 X, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Panasonic FZ300 (⇒ rgt)||1440||no||3.0||1040||swivel||YES||4000||12.0||8.8||YES|
|Canon G3 X (⇒ lft)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||YES|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon SX60 (⇒ lft | rgt)||922||no||3.0||922||swivel||no||2000||6.4||5.5||YES|
|Canon 7D II (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||8000||10.0||11||no|
|Canon 70D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Fujifilm X30 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||12.0||7||YES|
|Leica X-U Typ 113 (⇒ lft | rgt)||no||no||3.0||920||fixed||no||2000||5.0||YES||no|
|Panasonic FZ1000 (⇒ lft | rgt)||2359||no||3.0||921||swivel||no||4000||12.0||13.5||YES|
|Panasonic LX100 (⇒ lft | rgt)||2764||no||3.0||921||fixed||no||4000||11.0||no||YES|
|Panasonic FZ200 (⇒ lft | rgt)||1312||no||3.0||460||swivel||no||4000||12.0||13.5||YES|
|Panasonic FZ150 (⇒ lft | rgt)||202||no||3.0||460||swivel||no||2000||12.0||9.5||YES|
|Panasonic LX5 (⇒ lft | rgt)||no||no||3.0||460||fixed||no||4000||2.5||7.2||YES|
|Sony RX10 II (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||3200||14.0||10.2||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
Both the FZ300 and the G3X have zoom lenses build in. The FZ300 has a 25-600mm f/2.8-2.8 optic and the G3X offers a 24-600mm f/2.8-5.6 (focal lengths in full frame equivalent terms). Hence, the Canon provides a wider angle of view at the short end than the Panasonic and the same tele-photo reach at the long end. Both cameras offer the same maximum aperture.
Both the FZ300 and the G3X are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The FZ300 replaced the earlier Panasonic FZ200, while the G3X does not have a direct predecessor.
Review summary: Panasonic FZ300 vs Canon G3 X
So what conclusions can be drawn? Which of the two cameras – the Panasonic FZ300 or the Canon G3 X – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-FZ300:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 5.9 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (380 versus 300) on a single battery charge.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
Reasons to prefer the Canon PowerShot G3 X:
- More detail: Has more megapixels (20 vs 12MP), which boosts linear resolution by 32%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (25 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.4 stops ISO advantage).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (123x77mm vs 132x92mm) and will fit more readily into a bag.
If the count of relative strengths (bullet points above) is taken as a measure, the G3X emerges as the winner of the match-up (10 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the FZ300 or the G3X handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic FZ300 (⇒ rgt)||HiRec||-||4.5/5||4.5/5||4.5/5||2015||599||latest||check|
|Canon G3 X (⇒ lft)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon SX60 (⇒ lft | rgt)||HiRec||75/100||4/5||-||4.5/5||2014||549||latest||check|
|Canon 7D II (⇒ lft | rgt)||Rec||84/100 Silver||4/5||5/5||4.5/5||2014||1,799||latest||check|
|Canon 70D (⇒ lft | rgt)||HiRec||83/100 Gold||4.5/5||4.5/5||5/5||2013||1,199||discont.||check|
|Fujifilm X30 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2014||599||latest||check|
|Leica X-U Typ 113 (⇒ lft | rgt)||-||-||-||-||3.5/5||2016||2,950||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4.5/5||2014||899||discont.||check|
|Panasonic LX100 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
|Panasonic FZ200 (⇒ lft | rgt)||HiRec||80/100 Gold||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Panasonic FZ150 (⇒ lft | rgt)||HiRec||76/100 Silver||4/5||5/5||4.5/5||2011||499||discont.||check|
|Panasonic LX5 (⇒ lft | rgt)||Rec||73/100 Silver||4.5/5||5/5||4.5/5||2010||499||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4/5||2015||1,299||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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